Hi list,
I'm almost positive I've seen a solution to this before, but I can't
seem to find the magic search terms to get me what I need. I want to
align the third eighth-note of an eighth-note triplet to the second
eighth-note of a two eighth-note segment. In the attached example, I
want the two E
he following
> example:
>
> \version "2.18.2"
> \relative {
> <<
> { g'8*2/3 f e }
> \\
> { c8*4/3 e8*2/3 } % note the altered durations
> >>
> }
>
> hth,
> Kevin
>
> On Thu, Jul 30, 2015 at 10:36 PM, Sam Bivens wro
Hi everyone,
In the attached MWE, I'm hoping to extend the horizontal bracket to the
right to include the three remaining whole rests.
As it is, Lily is smart enough (darn it...) to stop the bracket at the
final notated pitch; but can I force the bracket to extend, or will I
have to come up with
graver"
> }
> }
>
> \relative c'' {
> \override HorizontalBracket.direction = #UP
> g1\startGroup |
> e |
> R |
> R |
> R2 \once\hideNotes r\stopGroup |
> %get the bracket to extend and "include" this final rest
> }
>
>
Hi Gregory,
As Chris pointed out, it's (partially) up on CPDL. You might try
contacting some of the editors on
http://www2.cpdl.org/wiki/index.php/How_beautiful_upon_the_mountains_%28John_Stainer%29
to see if they'd be willing to share any of their scores with you. I see
Andrew Crookall, for
Hi everyone,
Attached is a MWE that you can mostly ignore: it's just c'1 on 8.5x5.5in
paper (the top half of a sheet of letter paper).
My question is whether or not it's possible, with a single .ly file, to
compile this twice on a single sheet of 8.5x11in letter paper; once on
the top half,
Hi guys,
Two questions that I just can't figure out for some reason:
First, I can't manage to create kneed beams for the right hand
cross-staff eighth notes in the below example. I've attempted to invoke
\override Beam.auto-knee-gap, but to no avail (so it's not included
here). Here's the code, a
"
Alas, I had it backwards, but at least it's fixed now!
Thanks again,
--Sam
--
Sam Bivens
Ph.D. Student, Music Theory
Eastman School of Music
Co-Editor, /Intégral/
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.
Hi Andrew,
Mark me down as another Fedora 21 Lilypond user. Unfortunately I don't
have the skills (or time...) to aid in your development issue, but I
still thought I'd share!
To address something that Martin hinted at--what Linux distros
automatically come with Lilypond? I was unaware that that
staff
(see incorrect.png) and makes the actual bass clef smaller.
Any tips? I'm on Fedora 22.
Thanks,
--Sam
--
Sam Bivens
Ph.D. Student, Music Theory
Eastman School of Music
Editor, /Intégral/
\version "2.19.21"
upper = \relative c {
\clef bass
e \grace { d16 } c4
}
lowe
mber to be
measured, how have you solved this problem? I'm unfortunately not too keen
on the solution shown in the recent "bar numbers at top of score" thread.
Thanks,
Sam
--
Sam Bivens, Ph.D.
Music Theory Faculty
Cleveland Institute of Music
11021 East Boulevard
Cleveland, OH
erent notes. For example, i would like to have the identical horizontal
> space between 2/4 notes and 1/4... A greater duration usually takes more
> space, while I need always the same... Thanks!
>
>
>
> --
> Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
&g
Does a combination of proportionalNotationDuration and overriding the
SpacingSpanner do the trick? The attached example, admittedly a bit of a
hack, seems to work.
spacing-mwe.ly
Description: Binary data
Yes, I realized I misread the e-mail, as I clarified to the questioner in a
private e-mail. I hope I shared a possible hack in a later message to the
full list.
On Wed, Apr 22, 2020 at 6:45 PM David Kastrup wrote:
> Sam Bivens writes:
>
> >> On Wed, Apr 22, 2020 at 3:20
Hi all,
I've recently discovered Harm's terrific arrow markup; see attached. Is
there any way to automatically center new markup along these paths instead
of manually tweaking an halign for every one?
In other words, the "X" in the attached MWE should automatically center
itself between the endpoin
e the text
clear and unencumbered by the staff lines.
Thanks,
Sam
On Sat, Jul 18, 2020 at 6:57 PM Thomas Morley
wrote:
> Am Sa., 18. Juli 2020 um 20:34 Uhr schrieb Sam Bivens >:
> >
> > Hi all,
> > I've recently discovered Harm's terrific arrow markup; see attached
Juli 2020 um 01:06 Uhr schrieb Sam Bivens <
> sambiv...@gmail.com>:
> > >
> > > Hi Harm,
> > > Yes, I see now that I was unclear. I'd like the X to be horizontally
> centered between the endpoints, but not vertically centered. The markup
> should always
Thanks, Harm, this is incredible! (And I learned a new grob that I'd never
seen before.) When I put this question out I didn't intend to just have one
guy do all of the work, but it's very much appreciated!
Sam
Hi Mike,
Does your version statement in the file youre compiling say 2.18.2?
Sam
On Mon, Oct 29, 2018, 11:55 Mike Dean wrote:
> Error message:
>
> Starting lilypond-windows.exe 2.18.2 [May-Jesus-Christ-Be-Praised.ly]...
>
> Processing
> `C:/Users/Mike/Documents/musicwork/May-Jesus-Christ-Be-P
Hi Peter,
How about
\with-url #"http://www.lilypond.org"; "Lilypond"
Enjoy!
Sam
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Happy New Year to everyone reading!
Please see the attached MWE; how can I specify the radius of the circled
text? Using `\circle 2` results in differently sized circles based on
the circled text, but when I specify the radius with `\draw-circle`, I
somehow can't manage to center the text insi
Hi Kieren and Harm,
Thanks so much for the help! This is exactly what I was looking for.
Much appreciated,
Sam
On 1/2/19 4:56 PM, Thomas Morley wrote:
Am Mi., 2. Jan. 2019 um 22:41 Uhr schrieb Sam Bivens :
Happy New Year to everyone reading!
Please see the attached MWE; how can I specify
Hi all,
I'm attempting to use LilyPond to create sheets with blank staves on the
left half of the page and college-ruled paper (equidistant lines spaced
by 9/32in, or 7.1mm, apart) on the right.
I've of course managed to create the blank staves—see the attached
MWE—but I'm having trouble cre
minant-Parallele |
> Dg | Dominant-Gegenklang|
> DD | Doppeldominante|
>
> Any proposal is welcome
>
> many thanks for your answers
> Karsten
>
> --
> Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
> Im Braungeröll 31 >oo< ma
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
--
Sam Bivens
Music Theory Faculty | Cleveland Institute of Music
Ph.D. Candidate | Eastman School of Music
___
lilypond-u
Hi all,
In the attached MWE, I'm having difficulties correcting the collision
between the tie and the accidental.
The documentation has ample support for /slur//accidental collisions,
but I'm having trouble fixing the collision with /ties/.
I'd appreciate any help you can offer!
Thanks,
S
\once \override Stem.layer = -1
I don't know how to shorten the Ties
Maybe use the \shape function?
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
--
Sam Bivens
Music Theory Faculty | Cleveland In
the problem is in Fedora or my configuration..
See this issue:
https://github.com/jperon/lyluatex/issues/180
Thanks
Federico
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
--
Sam Bive
Hi Federico,
The MWE I compiled a couple weeks ago that *did* work fine now no longer
does, and now I have the exact problem that you have. Curious. I have
TeXLive 2016, which was downloaded from the Fedora repositories along
with LilyPond. I just have the lyluatex files in my file's directory
Hi all,
How can I invoke a barline glyph in lilyglyphs? I'm having trouble
finding a list of glyphs akin to
http://lilypond.org/doc/v2.18/Documentation/notation/the-feta-font
Thanks,
Sam
___
lilypond-user mailing list
lilypond-user@gnu.org
https:
Hi Urs,
A barline is not a glyph but is *drawn* in LilyPond. Therefore it doesn't"t
belong to the glyphs accessible by lilyglyphs.
Thanks; this is what I feared!
Please describe more concretely what you want (with/without staff lines etc.).
It is possible to add commands with precompiled Lil
Hi all,
In the attached MWE, I want to remove the kneed beam. The problem seems
to be the centered dynamics, but I'd rather not remove that.
Is there a solution to remove this kneed beam, or an alternative to the
centered dynamics that wouldn't create the problem in the first place?
Thanks!
Hi Mark,
I both love, and hate, when the solutions are so simple.
*sigh*
Thanks!
Sam
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ore, but I can not find it in the documentation of 2.19.82. Can you
please point me to that.
Thanks a lot!
Bernhard
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
--
Sam Bivens, Ph.D.
Mu
As I finish up a sight-singing course packet, I'm wondering if it's
possible for LilyPond to automatically number the individual scores from
beginning to end.
Throughout the document, I have six different types of score contexts,
shown in mwe.ly.
The perfect solution would be a fix where LilyPond
> } c'
> \new Staff \with {
> instrumentName = #(score-number)
> } c'
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
--
Sam Bivens
Music Theory Faculty | Cleveland Institute of Music
Ph.D. Candidate | Eastman School of Music
Co-Editor, *Intégral*
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi David,
I agree, this is *really* impressive work!
Have you experimented with including intentional errors as a type of
error-detection exercise for students?
Take care,
Sam
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.
Hi Urs,
Like Ralph, my programming skills are minimal (=mostly nonexistent). Is
there a way for people like us to contribute?
Thanks,
Sam
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I'm also a Linux user. For notation I use LilyPond (with Frescobaldi)
exclusively, and for any serious writing I use LaTeX.
Although I use the lilyglyphs package in LaTeX, I've never gotten around
to using lilypond-book; instead I just autocrop my Lily PDFs and insert
those as floats.
A quic
Hi Damian,
I can't help you out all that much since I've never needed to do this in my
own work, but be sure to check out
https://tex.stackexchange.com/a/267640/61215 if you haven't already (along
with his blog post, in German, that's shared in that answer). He doesn't
use accidentals, but you may
Hi everyone,
In the attached MWE, I'm somehow having trouble getting the initial
`^\markup a` to be placed /above/ the horizontal bracket, even though
all future instances of this markup are placed above the bracket no
problem. It seems so simple; I feel a little silly just asking. The
commen
Hi all,
Attached, I show my solutions for two figured bass tweaks: first, a
parenthesized (/not/ bracketed) figure; and second, a lone integer on
the "lower line."
The work-arounds are good enough for now, I'm just curious if anyone has
any better ideas, or if I missed an obvious solution in
I'm having trouble typesetting an ornament in the fifth measure of the
Sarabande from the E-flat French Suite. An image can be found at
https://www.dropbox.com/s/hhgmne640fs1twb/ornament.jpg?dl=0 The ornament
in question is the two in-staff markings on the dotted-quarter A.
Unfortunately, I do
ably barren MWE; it'll save about 4 seconds.
Appreciated, though!
Sam
Cheers,
Harm
--
Sam Bivens
Ph.D. Student, Music Theory
Eastman School of Music
Co-Editor, /Intégral/
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
44 matches
Mail list logo