Re: dynamic and midi velocity

IDI dynamics. There's a perl script `ConvertToVeolcity.perl' that can convert the midi output and add velocity info to each note. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things sha

Re: lilypond tool and MidiInput

13/Documentation/contributor/documentation-suggestions Graham> (in particular, the "small additions" section) I'm more used to generating patches. :-) Peter C -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au

Re: dynamic and midi velocity

swell stops on the organ, etc. So I'm leaving it in the `too hard' basket for now. Peter C -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things shall perish from under

Re: lilypond tool and MidiInput

>>>>> "Graham" == Graham Percival writes: Graham> On Mon, Feb 15, 2010 at 12:37 AM, Peter Chubb Graham> wrote: >>>>>>> "Trevor" == Trevor Daniels writes: >> Trevor> Peter's original announcement, with articulate.ly

Re: Lyrics across multi-voice sections

the `I'm hearing voices' section, or add an explicit `implicit voice instantiation with vocals' section. Or some other solution? If you tell me which you'd prefer I'll try to whip yup a patch this week. -- Dr Peter Chubb peter DOT chubb AT nicta.com

Re: dynamic and midi velocity

>>>>> "bachelet" == bachelet writes: bachelet> any luck finding this script, I'd like to use it, too It was in this mailing list, at http://www.mail-archive.com/bug-lilyp...@gnu.org/msg03960.html Peter C ___ li

Re: articulate and tie playback above 2.13.8

late script no longer parses it correctly, so tries to shorten the first note that's tied. Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia __

Re: articulate and tie playback above 2.13.8

Hi, Please try the attached fixed script -- I think it'll work now. articulate.ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tempo markings and tempo dynamics

quot;rall" marking as a >> \markup, as > suggested in the documentation. >> Thecurrent version of the articulte script understands \markup "a tempo" and rall etc., to change the MIDI tempo. See http://www.nicta.com.au/people/chubbp/articulate for the script. I ha

Re: Accidental not properly notated in score

aybe: \relative g'' { \partial 4 r4 | r2. dis4 | e2. c8 dis | \repeat volta 2 { e2. } \alternative { { c8 dis | }{ r4 | } } } -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.

\autochange and rests

} \context Staff = LH \relative c' { \clef "F" \time 2/2 \key a \minor a2 a4 a | R1 | } >> } -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au

Re: noobie question. percussion instruments

3 ) Roberto> (
crashcymbal default #f 1) ) ) There are some non-printing characters in there -- a control-B and a control-A --- they may be perturbing your results. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTO

Re: Hide staff on printout but retain midi

> "northofscotland" == northofscotland writes: northofscotland> I am typesetting a mediaeval trouvere song and want northofscotland> to add a drone to the midi but hide the somewhat northofscotland> redundant music in the printout. Is there a simple northofscotland> way to do this, please?

Re: new website 24-hour test

nd instead point `documentatioon index' at http://lilypond.org/manuals.html -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things s

Re: please help a newbie with partial measures

tials except at the start. See some of the hymns I've typeset at mutopiaproject.org. For example: http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=195 But basically, a \bar "||" just causes a double barline to be typeset without changing Lilypond's id

repeats

er { % annotate-spacing = ##t after-title-spacing = #'((space . 0) (padding . 3) (stretchability . 0) (minimum-distance . 0)) tagline = "" } \layout { indent = 0.0 } \header { title = "Street Spirit (Fadeout)" composer = "Ra

Re: Confusion about beaming

nest strictly. But slurs, phrasemarks and beams can span groups, and each other. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things shall perish from under the sky/Music alone s

laissezVibrer

I want to specify a duration (tie length) for \laissezVibrer as in: a4\laissezVibrer{1} meaning put a tie of duration whole-note on the 1/4 note "a". Knowing how long to let a note ring seems essential to describe the music for a player. I searched the web and found others asking a similar ques

Re: laissezVibrer

Nick Payne wrote: See http://lists.gnu.org/archive/html/lilypond-user/2010-05/msg00176.html Thanks. Works well. Mark Polesky and David Rogers wrote: Why not just write a whole note? My experience is that a whole note is inappropriate. Assume a guitar and a bar with 4 notes. The first no

Re: Suppressing chords in MIDI output

<< \context Chords \accomp \context Staff {\key c \major \time 4/4 \tune} >> \layout{} } \score { \unfoldRepeats << \context Staff {\key c \major \time 4/4 \tune} >> \midi {} } -- Dr Peter Chubb http://www.ge

Intersystem marks?

ences in the likely places, and can't find it. -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list lilypond-user@gn

Re: Intersystem marks?

>>>>> "Marek" == Marek Klein writes: Marek> (quoted-printable)>] Hi Peter, Marek> I have found it: Marek> http://lilypond.org/doc/v2.13/Documentation/notation-big-page# Marek> separating-systems Thankyou, that

Re: Experiences from voice handling wanted

se is to use the \partcombine solution, but I'm very willing to listen to other suggestion. I know that there are a lot of users with much more experience than myself. Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: PDF links to javascript?

alternative to this is to use SVG instead and manually change the links in the XML code. This can of course be very inconvenient if you have many links that needs to be changed. If on the other hand you can change the javascript code this can b

Re: Split Parts

unusual when dealing with occasional and shifting divisions. But if the divisions are done consequently throughout the piece it's doable to organize them as separate parts. Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: When was dot notation for dotted property paths added?

260c9d623c086 Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: When was dot notation for dotted property paths added?

On 01/23/2014 10:52 AM, David Kastrup wrote: Peter Bjuhr writes: Could it be this: http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=commitdiff;h=680df85187d0f3862b1ef1cf7a14f8ad7b7f0ee9;hp=ee89ee2c8ee328ec261b822aa9e260c9d623c086 No. Sorry! Probably followed an old link! Best Peter

Horizontal TupletBrackets?

re I think it’s preferable to have all Beams and TupletBrackets horizontal as this helps with reading. For Beams there is the possibility of \override Beam.damping = #+inf.0, but I can’t find anything similar for TupletBrackets. I’d appreciate any help! -- Peter Crighton | Musician & Music Engr

Re: Horizontal TupletBrackets?

. Thanks! -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de 2014-01-25 David Nalesnik > Hi Peter, > > > On Fri, Jan 24, 2014 at 8:20 AM, Peter Crighton wrote: > >> Hi List, >> >> is there a way to have all Tu

New Progressive Rock songbook created with LilyPond

website if it qualifies? -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: Producing a title page

> >Message: 3 >Date: Thu, 30 Jan 2014 17:48:42 + >From: David Sumbler >To: lilypond-user@gnu.org >Subject: Producing a title page >Message-ID: <1391104122.2284.67.camel@vesta> >Content-Type: text/plain; charset="UTF-8" > >Having now got LilyPond 2.18.0 set up on my two machines, >thanks to al

RE: [SPAM] lilypond-user Digest, Vol 134, Issue 196

>Date: Fri, 31 Jan 2014 03:32:27 -0800 (PST) >From: SoundsFromSound >To: lilypond-user@gnu.org >Subject: RE: Producing a title page >Message-ID: <1391167947603-158681.p...@n5.nabble.com> >Content-Type: text/plain; charset=us-ascii > >Peter Gentry wrote >>&

Re: New Progressive Rock songbook created with LilyPond

2014-01-29 Urs Liska : > Am 29.01.2014 01:52, schrieb Peter Crighton: > > Hello all, >> >> maybe this is of interest for some of you. >> Over the last months I created the accompanying songbook for Progressive >> Rock band Transatlantic’s new album Kaleidosco

Re: New Progressive Rock songbook created with LilyPond

2014-01-29 Johan Vromans : > Peter Crighton writes: > > > Here is the info page for the album (and book): > > > http://www.radiantrecords.com/products/483-transatlantic-kaleidoscope.aspx > > Nice. > > SONGBOOK – For the first time ever! A complete music book o

Bar lines

Using 2.18.0 and Frescobaldi. Entering code for double bar line at end of line and repeat bar on next shows no bar lines at all. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: Possible bug with volta repeat

Thanks to all who replied. >-Original Message- >From: Alexander Kobel [mailto:n...@a-kobel.de] > >Yet another incarnation of >. Also >see >al-rhythmic-concerns#Known

Re Possible bug with volta repeat (Peter Gentry)

A similar issue is seen when the grace appears in a bar following \bar "||" in the parts. It's a bit of a fag having to insert bits of s's into multiple parts - I'm inclined just to forget the grace (along with the performers

Changing stem stencil

.text = \markup { | } The stem is indeed changed but it doesn't follow the note head. Any guidance will be appreciated! Best Peter \version "2.19.0" % changing the stem using Bravura font \include "../smufl/definitions.ily" Zstem = { \override Staff.Stem.stenci

Re: "light" articulation

ation of using SMuFL Fonts in LilyPond. Is this what you want? \include "../smufl/definitions.ily" \relative c'{ \stemUp f4 _\markup { \smuflchar ##xE486 } % Unstress below r4 \stemDown f'4 ^\markup { \smufl

Re: "light" articulation

rkup { \smuflchar ##xE486 } % Unstress below f-- \stemDown f' ^\markup { \smuflchar ##xE485 } % Unstress above f ^\markup { \smuflchar ##xE472 } % Tenuto } So I assume it would be good to add that to Feta ... Agreed. Perhaps you could do an official reques

Re: Changing stem stencil

On 2014-02-27 20:44, Peter Bjuhr wrote: Hello, I have a question about changing stems. In my case it's related to an exploration of using SMuFL Fonts in LilyPond, which are made available in the openLilyLib snippets repository by Joram Berger and Nathan Ho. I would like to tak

Re: Changing stem stencil

at out! Sorry for my sloppy include! Best Urs Best Peter <>___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Changing stem stencil

into a more generic function for changing the staff stencil, with the glyph to be used as an argument. Another question is where would I put the snippet? Is it ok if a snippet is dependent of another snippet in the library or should all smufl stuff be in the same folder? Be

Re: Changing stem stencil

at the snippet is included as part of the library. If not you have to get file X and ensure that the following \include points to the right place." I'll remember that! Urs Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Changing stem stencil

#x27;s of course better not change the whole stem in this case, great! But maybe the trick to change stem can become handy in some other circumstance... Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Breathe mark problem

bes'8 \breathe ) [ bes'8 ( ] c''8 [ f'8 ] ) | % 37 } It doesn't appear to matter which note is followed by \breathe if there is a beam it fails - take baems away and it works. Does anyone know a workaround or tweak to achieve a breath m

RE: Breathe mark problem

>-Original Message- >From: David Kastrup [mailto:d...@gnu.org] >Sent: Sunday, March 02, 2014 4:28 PM >To: Peter Gentry >Cc: lilypond-user@gnu.org >Subject: Re: Breathe mark problem > >"Peter Gentry" writes: > >> Lilypond 2.18.0

Re: Winterreise

h an undertaking as a duo project. To be > promising it should be backed by a number of contributors right from the > start. And with contributors I don't mean "hired copyists". > What do you mean then? :) I’d be very interested in being part of this. -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Oskar Fried: the Big Bang

Frankfurt Musikmesse on Friday! :-) :-) :-) Congratulations! I'll surely support the campaign by buying a copy! Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Time?

A very good introduction to Lilypond which complements the manuals can be viewed at https://www.youtube.com/watch?v=tclwyZr08bE&list=PLHi8BvxILUV7hsUjn_Az5filU1TsNzq2R&index=1 And is thouroughly recommended ___ lilypond-user mailing list lilypond-u

Partial bar repeats

A (19th century) engraver has put repeat marks in the middle of the bar (presumably to save ink with 1st/2nd time bars). I'd like to reproduce this - can it be done? I can't see anything about it in the manuals or snippets. Thanks in advance, Peter mailto:lilyp...

Re: Partial bar repeats

Thanks Robert, I thought this would screw up the bar check, but it doesn't. Even better! Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Thursday, April 3, 2014, 10:58:48 AM, you wrote: You can also just place \bar commands wherever you want ...

Getting rid of initial brace on piano score

rride Staff.Clef #'stencil = ##f \once \override Staff.TimeSignature #'stencil = ##f %\once \override Score.SystemStartBrace #'stencil = ##f c1 c1 c1 c1 c1 } \score { \new PianoStaff << \once \override Score.SystemStartBrace #'stencil = ##f \new Staff = "rig

Re: Getting rid of initial brace on piano score

David, Thanks very much for this very fast answer. But two things: 1) I get a syntax error > D:/Peter/Music/Lilypond/Mendelssohn/March2.ly:61:16: error: wrong > type for argument 1. Expecting string, found transparent >\alterBroken > #'

Re: Getting rid of initial brace on piano score

David, Thanks again. Comments below. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Thursday, April 3, 2014, 7:36:23 PM, you wrote: Hi Peter, On Thu, Apr 3, 2014 at 1:10 PM, Peter Toye wrote: David, Thanks very much for this very fast answer. But

Re: Getting rid of initial brace on piano score

David, Thanks - but it's now complaining about the dot! I may try upgrading over the weekend - but really must get down to the piano practice! Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Thursday, April 3, 2014, 9:52:06 PM, you wrote: Hi

"q"?

In some snippets I've seen a note "q" which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for "q" isn't likely to be much help!). Is it there, or should it be? Regard

Problems with tremolo signs

ted as here or below both of them? 3) In printed music, tremolo signs between notes (not when attached to stems) are usually slanted, which stops them getting mixed up with the staff lines. I agree that there are probably tweaks for these, but I'd hope that the defaults wouldn't ne

Re: "q"?

t;q" rather than "\q"? That's what I've seen and it works on my input. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 11:49:20 AM, you wrote: 2014-04-05 12:40 GMT+02:00 Peter Toye : In some snippets I&#

Re: "q"?

Thanks David, I know it's not easy to write technical documentation and some things always slip through. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 11:45:44 AM, you wrote: > Peter Toye writes: >> In some snip

Re: Problems with tremolo signs

Thanks Phil, I'd not realised it was already in the issue list. As I'm only a casual user (a performer, not usually an arranger or composer) I'm never sure whether to raise an issue or mention a problem on the mailing list. Best regards, Peter mailto:lilyp...@ptoye.co

Issue with downloaded manuals

being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com___ lilypond-user mailin

Re: Issue with downloaded manuals

Thanks Phil. I saved the page (in Firefox). This saves the page and the associated files. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 5:25:50 PM, you wrote: How did you download them? If you simply Save the html file, you&#x

Re: Issue with downloaded manuals

er all, had the file name been different it wouldn't have been downloaded so the link would have to point to the server. The question remains: why is the page coded this way? Is there some reason that I can't think of that the TOC needs to point to the server. Or is it an oversight?

Re: Issue with downloaded manuals

anything but the stylesheet and JS files. Is there anyone here who can try it out with other browsers, or confirm my own experience? Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Monday, April 7, 2014, 2:06:06 PM, you wrote: If you check HTML syntax, y

Re: [SPAM] Re: Issue with downloaded manuals

Federico, Grazie molto for pointing this out. But it's interesting that different links to the same page (using an English browser) end up with different destinations. I'll mention this in the but list. Best regards, Peter mailto:lilyp...@ptoye.com www

Re: Unknown Schumann piece

and a slightly more advanced one the lower part, using two hands. So whether it's "for two pianists" or "very small people" becomes irrelevant. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com___ lilypond-user

Re: Trill span problem

know if it's the best solution, but you can try adding \override TrillSpanner.bound-details #'right #'padding = #1.9 before all the trills. Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Function for note string to fraction?

h \set Timing.baseMoment, e g \set Timing.baseMoment = #(ly:make-moment 3/8) Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Function for note string to fraction?

On 2014-05-15 15:17, Peter Bjuhr wrote: is there already a function that converts a string "4." to the fraction '3/8', or the other-way round? Maybe it's helpful to know that the string is intended for use with \note, e g \note #"4." #UP and the fra

Re: Function for note string to fraction?

Thanks a lot! On 2014-05-20 00:49, Mark Polesky wrote: Peter Bjuhr wrote: And from there it would be easy to get the moment with 'ly:duration->string'. I don't think you need ly:duration->string; I think you can just skip that step. Yes, that was indee

Re: Function for note string to fraction?

e of the puzzle though by Mark. I would still prefer this solution, but what you're saying is that it isn't really suitable to use this kind of syntax and that it is better to copy-and-paste!? Best Peter ___ lilypond-user mailing list

Re: Function for note string to fraction?

ia \note I'll present the script shortly... Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Function for note string to fraction?

t that the functionality was intended for a larger script... Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Function for note string to fraction?

Maybe it was me that misunderstood you instead! Did you mean to use \note like in your previous example: \markup { \note { 4. } } ? But why should \note-by-number be used for the parts, I didn't follow that? Best Peter ___ lilypond-user mail

Re: Function for note string to fraction?

duration parser. I don't understand the problem you have with that. I think the suggestion is great, at least for the purpose of the script I'm trying to write! Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.o

Caesura missing?

I would be happy if You would tell me. And I want to say thank You so much for this treasure to the developers! Sincerely, Peter Nerlich ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Caesura missing?

Oh, thank you! There it is! 2014-05-30 23:06 GMT+02:00 Phil Holmes : > - Original Message - From: "Peter Nerlich" < > peter.nerl...@googlemail.com> > To: > Sent: Friday, May 30, 2014 9:51 PM > Subject: Caesura missing? > > > Hi there, >

Page headings

How do I put the name of the piece at the top of each page (except the first page)? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Repeat volta not at beginning of piece doesn't get initial repeat bar line

Funny it works fine for me without the \score. I thought this was implied if omitted. I did edit the music variable to make sure I was expecting a different output. regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https

Changing font size

Excuses for my limited knowledge of lilypond. Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Changing font size

David Kastrup wrote: Thank you so much David, very helpful. > Sort of like "I heard something interesting on the telephone network". :) Grapevine network :) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

Re: Retrograde and inversion clefs

plete answer. I'll be able to help out more tomorrow!) Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Thankyou

I would add my thanks to David too. He is by far the most prolific responder to the queries of the less knowledgable and provides concise answers that provoke thought and further consideration; even if we don't always understand. Thankyou and all the other Lilypond contributors. regards

Spanner

es. Is something similar to this available in lilypond? Many thanks. Peter -- Peter O'Doherty //= // http://www.peterodoherty.net // m...@peterodoherty.net //= ___ lilypond-user mailing li

Re: Spanner

On 2014-08-19 13:52, Peter O'Doherty wrote: Hi, I'm looking for something similar to the notation used in contemporary scores to indicate things like wide vibrato, microtonal "undulations", indeterminate glissando - it closely resembles a trill spanner (without the "

Re: Spanner

On 08/19/2014 03:01 PM, Peter Bjuhr wrote: On 2014-08-19 13:52, Peter O'Doherty wrote: Hi, I'm looking for something similar to the notation used in contemporary scores to indicate things like wide vibrato, microtonal "undulations", indeterminate glissando - it close

Re: Spanner

On 2014-08-19 15:15, Peter O'Doherty wrote: On 08/19/2014 03:01 PM, Peter Bjuhr wrote: On 2014-08-19 13:52, Peter O'Doherty wrote: Hi, I'm looking for something similar to the notation used in contemporary scores to indicate things like wide vibrato, microtonal "undulat

Re: Spanner

On 2014-08-19 17:15, Peter Bjuhr wrote: If you change the glyph names I think you'll be able to get what you want. Here is the full list of glyphs to choose between: http://www.smufl.org/version/latest/range/multiSegmentLines/ Best

Re: Spanner

On 08/19/2014 07:22 PM, Peter Bjuhr wrote: On 2014-08-19 17:15, Peter Bjuhr wrote: If you change the glyph names I think you'll be able to get what you want. Here is the full list of glyphs to choose between: http://www.smufl.org/version/latest/range/multiSegmentLines/ Best

Re: Crowd engraving project

Great, you can still count me in! -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de 2014-08-22 0:31 GMT+02:00 Urs Liska : > Hi all, > > this has been discussed before, but now's the time to repeat the "call for > pa

How to move text inside an empty bar?

Dear readers, Have made this one. s2.^\markup { \underline \fontsize #-2 "D : C : Menuetto" } _\markup { \italic \fontsize #-2 "sino al Fine" } \bar "|" Is there and \override command to move this inside the bar

Re: How to move text inside an empty bar?

s would appear to do what you want: >[] Thank you so much, would be very hard to find out by myself as i was already searing for days. This text appears the end of a music piece by Mauro Giuliani who writes this after the musicpiece itself inside the bar and would like to take it over i

Re: fonts.openlilylib.org is live!

This is fantastic, many thanks, Abraham and everybody else involved! By the way, the link to the Gutenberg1939 font sampler contains a small typo, it should be: http://fonts.openlilylib.org/gutenberg1939/font-sampler-Gutenberg1939.pdf -- Peter Crighton | Musician & Music Engraver based in M

Same distance staff in a book.

tance between all staffs. Trued to do that with markup-system-spacing #'basic-distance = #10 system-system-spacing #'basic-distance = #10 ...inside the \paper {} variable. But there was no change... How should this be done? Thank you in ad

Re: Same distance staff in a book.

ra space between the staffs. Tried also this one "dragged-last-bottom = ##t" in combination with \pageBreak but some how one of the pieces still has a lot of whitespace between the staffs while others look good. Kind Regards, Peter ___ lil

Ly file (Re: Same distance staff in a book.)

uot;) { "Mauro Giuliani (1781 - 1829)" }} opus = \markup \fontsize #4.0 { \override #'(font-name . "Respective") { "Opus 71" }} tagline = \markup { \general-align #Y #-2 { \epsfile #X #11 #"/home/peter/LLP/OM_MANI_PADME_HUM-bw.eps" }}

Re: Same distance staff in a book.

rt What does padding? Kind Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Ly file (Re: Same distance staff in a book.)

Pierre Perol-Schneider wrote: > Seperating scores into bookParts will solve your problem. > > system-system-spacing #'basic-distance is indeed the right function. > > See enclosed file Thank you so much, bookParts for the scores really was the solution. Have a w

Vertical placement of ottava line

Hi List, is it possible to Y-offset just the line of an ottavaBracket? I want it to be at the top or bottom of the 8 (depending on va or vb). -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de ___ lily

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