8^)>
Thanks for lilypond.
--
++++
Monk Panteleimon
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ing \addlyrics) you must either
- Have your voices inside Voice contexts (even if there's only one per
staff) and use \lyricsto
or
- Use \lyricmode with \set associatedVoice = "something"
--
Monk Panteleimon
> 3) When writing a song with lyrics, for instance a Christmas carol,
> there a alot of additional verses. I read "7.3.9.4 Printing stanzas at
> the end" on
> http://lilypond.org/doc/v2.10/Documentation/user/lilypond-big-page#Vocal-music,
>
> but that a) seems cumbersome
I'll bet if someone
>
> I'm new to Lilypond. I've been looking for a way to typeset music without
> time signatures. This is because I'm transcribing chants that often use
> _recitativ_ and rarely follow any strict meter--the rhythm of the chant is
> completely text-driven.
Hello Alyozhik,
When I'm doing metreles
ce #'minimum-distance = #0 te~·ous }
\layout{ ragged-right = ##t }
}
%%%
My intention, btw, is that these syllables should be less articulated
than if they had each an 8th note,
but slightly more than if we simply pronounced them "tyus".
Thank you very much for lilypond and all o
tered between the two, even if you put a \pageBreak before the
penultimate staff.
I do hope that this will be fixed by the next stable release so that I can use
nifty top-level \pageBreak that is the boast of lilypond 2.ll.
[8^)>
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, US
On Tue, Oct 30, 2007 at 12:25:45PM +1100, Joe Neeman wrote:
> On 10/30/07, Monk Panteleimon <[EMAIL PROTECTED]> wrote:
> > Lyrics should be equidistant from higher and lower staves, right?
>
> I'm not sure -- I wrote the code but I don't usually use lyrics. It
>
ind a single string of notes (like they don't really do in real choral
music) ?
Muchas Gracias.
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
[EMAIL PROTECTED]
+
IC + XC
+ + + + +
NI + KA
+
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
that lyrics should be close to their staff,
* but not in such a way as to add empty space above the staff below.
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
[EMAIL PROTECTED]
+
IC + XC
+ + + + +
NI + KA
+
___
lily
to edit all my
files for use with future versions?
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
[EMAIL PROTECTED]
+
IC + XC
+ + + + +
NI + KA
+
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
r staff, I still altered my engraver-init.ly in 2.11 to match
2.10's,
since some of the systems wound up too heavy on the bottom.
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
[EMAIL PROTECTED]
+
IC + XC
+ + + + +
NI + KA
+
_
> Am Mittwoch, 31. Oktober 2007 schrieb Till Rettig:
> > I actually LIKE the 2.11 system!
I have no problem with it insofar as it redistributes the systems over a
different number of pages and solves some problems with the header. But
it doesn't really take lyrics into account (yet).
And Reinh
Speaking of poor thinking, I meant to say "Vertical* spacing in 2.11"
ga-hernk.
Fr.P
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
r. It looks the rest of the system is spaced differently
above.
It also doesn't have a big funky white space like in
untweaked LP 2.11 with stretched systems:
http://www.tcgalaska.com/kliros/images/funkyWhite.png
[8^)>
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
[EMAIL
the program reference and have been unable to find a
property that controls the minimum amount of space after a barline.
I tried kern, thin-kern and space-alist (all of it, changing only
first-note fixed-space), but to no avail.
Any suggestions?
Thanks.
--
Monk Panteleimon
Hermitage of the Holy
d it worked.
Here's the tweak in full for inside \score{{}} :
\override Score.Barline #'space-alist #'next-note =
#'(semi-fixed-space . 1.2)
I suppose that it would work with just BarLine if it were
placed inside the \layout block after \context { \Score ...
Right?
--
Monk Pantele
Hello.
According to the 2.11 docs (8.1.9), I should be able to change the line width in
\markuplines using \override #'(line-width . X)
but it doesn't seem to work.
example:
http://www.tcgalaska.com/kliros/ly/esauWood.ly
Is it a bug?
--
Monk Panteleimon
Hermitage of the Holy C
x27;direction = #1
d\startGroup^\markup{I want this bracket to start on the C} e
f\stopGroup }
\layout{ ragged-last = ##t
\context { \Staff \consists "Horizontal_bracket_engraver" }
}
}
I also couldn't find a way to get the \mark inside the bracket i
(2.11) docs. Can someone kindly
point me to the appropriate page, or else give me an example of coloring
something according to rgb in LP 2.11?
Thank you very much.
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
www.holycrosskliro
Dear friends,
How can I make a dotted phrasing slur? I have tried \phrasingSlurDotted and
also several wild guesses beginning with \once \override Slur...
Using \slurDotted before a phrasing slur makes the next non-phrasing slur to
be dotted. I looked in the user archive, but encountered only opac
I think this would work for dotted phrasing-slurs if I knew what to put in
the blanks:
\once \override Slur #'(name of property) = #(name of variable)
That has worked with #'thickness on phrasing slur.
So can anyone fill in the blanks?
As for the slurs on lyrics, I read somewhere (by a 3rd part
Dear Friends,
Thanks to all who have helped me to make dotted phrasing slurs, at the same
intoducin gme to the Program Reference, which is very useful indeed.
XB
Fr. P
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailm
Dear Lilypond users,
Somehow the SacredHarpHeads have gotten very small in 2.8. The regular
notehead (the one called #f in property-init.ly) is normally sized, of
course, so one can't simply globally adjust notehead size or one ends up
with big fat "sol" noteheads. Is there a way to get the shaped
r1 has the melisma) but "thoughts shall perish" are not left-aligned.
The last words are instead center-aligned under the first tenor's
half-notes.
Am I doing something wrong? I've not noticed this before. I know that I can
left-align specific lyrics with a \once \override maneuve
Okay... Having reviewed previous pieces, I see that even lyricmode doesn't
get the extenders right for every melisma, but only attaches the lyrics to a
single voice and its melismata (just like \lyricsto and \addlyrics). I just
didn't have a piece that showed the limitations of this situation so cl
s real name. Open the font file and see what's listed as
"typeface name" and use that exactly. Sometimes they have underscores, all
caps, strange things like that.
Monk Panteleimon
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
s its own kind of command, like #(define deacon( markup #:
etc... rather than something added to \markup.
I know that there is LaTex & lilypond-book, but my attempts with that have
been less than encouraging and ultimately harder than just using the \markup
com
Yes, I've been looking at the 2.9 docs, and I see that they are quite
clearly written, but it's still pretty hard for me, being a non-programmer.
Maybe I can submit some more specific questions.
Let's say in the "smallcaps" example in section 12.4.3 we wanted to employ
the functions represented
Dear Lilyputians,
I've almost got it (see attached)
Well, I've got into two commands, so that I can do
***
\markup{ \who{someone} \says #"What he says" }
***
I'd like to take it one step further to and combine them both into one
command with two args: (markup? string?). It's a small thing, but it
Dear Lilypond users,
I would like to place brackets around passages of music -- not around
arpeggiated chords or notes in chords or anything like that, but a
right-pointing bracket at the beginning of a passage, spanning the whole
staff or system, and likewise a left-pointing one at the end of
In trying to use the OOoffice LP macro, I get:
Parsing..ERROR: unbound variable: ly:parser-print-score
I suppose this is because the templates are designed for LP 2.6 and I'm using
2.8. but I don't know what to change in the templates to make them work.
Can someone tell me?
Many thanks, especial
Dear Mats,
Thank you, thank you, thank you!
Your solution is perfect! In fact it looks like the brackets in the Russian
quadratic-notation books (see attached). Lilypond keeps getting better and
more useful the more I use it, and this list is quite helpful indeed.
Fr. P
fita
Description: P
Oh... No non-text attachments to email lists, right? Ok.
Here's a Russian quadratic fita-bracket if anyone wants to see such a thing:
http://www.holycrosskliros.org/public_html/dload/fita.htm
Fr. P
___
lilypond-user mailing list
lilypond-user@gnu.org
On Thursday 28 September 2006 18:18, Graham Percival wrote:
> Hi,
>
> Could you add Mats' example to the Linux Snippet Repository? That way
> it will be easier for other people to find this neat trick.
Done! And a neat trick it is indeed. Thanks again to all involved.
Fr. P
Many thanks to the all the diligent developers and users for 2.10 and the
previous versions.
I'm now running 2.10 on xubuntu (ubuntu 6.06) and I have several questions
about lilypond 2.10:
1. It looks like hairpinToBarline is set "true" by default. The "changes" doc
makes it sound like you ha
Hello.
I am setting unmetred chant, using \set Score.timing = ##f.
Previously I have always inserted
\bar"" \break
wherever I wanted a linebreak without a barline.
Now I have discovered that I can use barAlways and defaultBarType = "" to
insert invisible barlines between all the notes, which mak
On Tuesday 28 November 2006 04:17, you wrote:
> Monk Panteleimon escreveu:
> > Can I make the slurs ignore the invisible barlines?
>Han-Wen escreveu:
> this will be fixed in 2.10.1
Thank you very much. Actually, I found that the slurs don't avoid dotted*
barlines, so I can
and start looking for others who are interested
(if that's necessary).
Thank you for your wonderful work and kind help.
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV USA
http://www.holycrosshermitage.com/
http://www.holycrosskliros.org/
__
ment with
the others.
Somehow LP doesn't like the LyricExtender hanging out up there, I guess.
Could something like this have to do with Bezier Intersections and crossed
fingers?
Thanks for all your work.
Fr. P
On Saturday 02 December 2006 03:26, you wrote:
> Monk Panteleimon wrote:
&
Sorry. I didn't get my example right:
The bit of notes that go with the lyrics and the lyrics themselves are* inside
<< >>
as they should be:
%in a voice that later winds up being \voiceOne in a ChoirStaff:
tenor = { a4 b c d e f g
<< { g g e1~ e e e e e e e e e }
Hello.
I would like to create a custom \markup command that puts a letter at a
specified distance from the staff rather than from a note. It must be
horizontally aligned with a note, but take its vertical position from
the staff. I've looked through the \markup command overview and nothing
Hello!
I would like to create a custom \markup command that puts a letter
at a specified distance from the staff rather than from a note.
On 12/09/2005 01:51:26 PM, Kieren MacMillan wrote:
What about putting an invisible note in a separate voice, at a known
position (e.g., top line of the
\context Voice = "bass " \relative c { \clef "bass"
a4 a8( b) c8( d e d) f( e d c b a g a) e'8 e e }
}
>>
}
%%% The end
%%% Богу Нашему Слава,
%%% и благословение его со всеми лилипондникими
Monk Panteleimon
Hermitage of the Holy Cross
Wayn
Hello.
I wonder if anyone has a better way to do what I've done in snippet below, i.e.
to attach tuplet brackets to lyrics in sections where notes are hidden.
I had hoped to do this in \layout like this:
\layout { \context { \Lyrics \consists Tuplet_engraver } }
But it didn't work, so I tried ad
ed that I would be getting bar-overflow all the
time. It wouldn't fit even into a 1/4 t.signature.
I'll leave the second problem for another message.
Many many thanks.
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
http://www.holycross-hermitage.com
http://www.holycrosskliros.o
it for situations other
than beams
-- melismata and certain note sequences for example? Could we adapt
whatever-gets-overriden-by-allowBeamBreak to work on non-beam
scenarios?
--
Monk Panteleimon
Hermitage of the Holy Cross
Wayne, WV, USA
___
lily
46 matches
Mail list logo
