Hey there folks,
I’m trying to prepare a score and parts for a concerto using Lilypond,
and I can’t figure out how to make partcombine and killCues work nicely
together. My goal is to have individual parts for the orchestra, containing
cues for the solo instrument; and also to
This is more of a LilyPond-adjacent question, but I figured I’d see if
anyone had any ideas:
I’m currently using TeXShop 4.44 under Mac OS Catalina to edit &
compile my LilyPond code. The resulting PDFs contain links of the form
“textedit:///Users/...” which direct back to the
1:48 AM, Federico Bruni wrote:
>
>
>
> On Sun, 2 Aug, 2020 at 11:24, Michael Seifert wrote:
>> This is more of a LilyPond-adjacent question, but I figured I´d see if
>> anyone had any ideas:
>> I´m currently using TeXShop 4.44 under Mac OS Catalina to edit
to TeXShop to open it, as well as all the .ly files?
>
> Works here.
>
> JM
>
>> Le 2 août 2020 à 17:24, Michael Seifert a écrit :
>>
>> This is more of a LilyPond-adjacent question, but I figured I’d see if
>> anyone had any ideas:
>>
>>
> I’d need a sample file to check the PDF links.
>
> JM
>
>> Le 2 août 2020 à 22:57, Michael Seifert a écrit :
>>
>> Dear Jacques,
>>
>> TeXShop is already the default application for .ly files on my system.
>> Double-clicking on an .ly
rom TeXShop? I’ve never done that, always using
> Frescobaldi.
>
> JM
>
>
>
>> Le 3 août 2020 à 14:35, Michael Seifert a écrit :
>>
>> Dear Jacques,
>>
>> The attached .ly file produces the attached PDF when typeset on my
>&
.
Thanks to all of you for your assistance!
Mike
> On Aug 3, 2020, at 1:50 PM, Michael Seifert wrote:
>
> So I’ve made progress here, mainly because Jacques asked me how to get the
> LilyPond Engine installed in TeXShop, which prompted me to go back and
> RTFreadme.
>
&g
The following code
\relative c' {
d4-^( e4 f4-.) r4
}
produces a slur with all articulation marks “inside” the slur. Typically,
however, articulation marks are supposed to go “outside” the first note of a
slur: “Usually, only tenuto lines and staccato marks may go inside of the
first and the
lilypond-user
> [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Michael Seifert
> Sent: Saturday, December 19, 2020 3:10 PM
> To: lilypond-user@gnu.org
> Subject: Articulation mark & slur placement
>
> The following code
>
> \relative c'
Hey there John,
I believe that the LilyPond engine is now included automatically in the
TexShop distribution, so the Italian university link is moot (it’s where you
used to have to download the engine from.) Here’s what I did, quoted from a
discussion on this list this past sum
Hey there Ken,
In Lilypond, hairpins always span from the point where you start them
to the next dynamic indication. If you want to end a hairpin without another
printed dynamic indication, you use the \! command at the endpoint:
c4\< d4 e4 f4 g1\> c1\!
As far as how to play i
Trombone player here.
You and I play instruments that are in concert pitch. This means that
when you & I look at a C printed on the page, and move our fingers/slide/lips
to play it, a C comes out of our horns.
A part for a “Trumpet in B-flat” is written differently.
Hello everyone,
I’m trying to transcribe a manuscript score, with the ultimate goal
being a Lilypond file that produces a full score and separate parts. The score
has a few tempo changes in it, and I’m running into a problem with the tempo
markings that I can’t figure out from
I’m trying to compile some parts and a full score from a set of
included files. I’m running into a problem that I’m sure must be solvable; I
just can’t figure out where it is in the documentation.
Specifically: many of the parts include several bars of rest, so I
need to hav
>\time 2/2
>\transposition c
>\grace{s8.} fis'8->( f) d4 r8 \clef tenor a'8 b[ a]
>\tuplet 3/2 {c[->( b) a]} eis8. fis16 d4 r8 cis8~
> }
> }
>
> \score{
> \layout {
>\context {
> \Score
> % \override SpacingSpanner.stric
Hello everyone,
Is there an easy way to tweak the “completion ties” that are created at
the start of a new system when a line break occurs during a tie? I haven’t
been able to figure out what the correct “handle” is for these objects. In the
example below, I can modify the pro
Thanks, that’s good to know. In the end, while playing with
\alterBroken I discovered that I could increase
Tie.details.vertical-distance-penalty-factor to get the effect I wanted. It
didn’t work in the \alterBroken command (perhaps because it’s accessed before
line breaking?) but it
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