}
>>
}
\score {
<<
\staffAltoSaxophone
\staffPiano
>>
\midi {
}
\layout {
}
}
\paper {
}
By the way, I am wearing my asbestos coms in anticipation of the flames.
Frederick Dennis.
-------
fiëé visuëlle wrote:
Problem: The lyrics of ending two and three (textSchlussZwei/Drei) are
below voice "eins" instead of their own voices.
(alignBelowContext doesn't seem to to anything, gives also no error,
though.)
That's since the Staff contexts they refer to don't exist when the Lyric
f it?
Francois
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Wilbert Berendsen wrote:
Op woensdag 7 november 2007, schreef Kieren MacMillan:
\override BarLine #'space-alist #'next-note = #'(semi-fixed-space . 1.2)
Just a question to improve my Lily understanding: Can this also be written as:
\override BarLine #'space-alist #'next-note #'semi-
Graham Percival wrote:
The strong editorial decision from a few months ago is this:
Notation Reference: defines the lilypond input syntax.
I think it describes a lot more than just the syntax.
Application Usage: how to compile the syntax, how to convert to/from
the syntax (including old v
Fulko
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eful examples to
discuss, and it will be much easier to understand once you see an
example.
Cheers,
- Graham
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Graham Percival wrote:
Internals Reference: defines the "under the hood" lilypond stuff.
Which doesn't really make sense, since you have to look under the hood
every time you want to make a property setting.
Err, remember that the Program Reference is now the IR. The NR will
describe ho
list.
/Mats
Carl Sorensen wrote:
Mats Bengtsson ee.kth.se> writes:
Wilbert Berendsen wrote:
Op woensdag 7 november 2007, schreef Kieren MacMillan:
\override BarLine #'space-alist #'next-note = #'(semi-fixed-space . 1.2)
\override BarLine #'
Graham Percival wrote:
Yes, with one quirk: the LM/NR division.
The current "changing defaults" doesn't make anybody happy. It's too
verbose for programmers (or people who are already familiar with it,
but can't remember certain details), but much too short for first-time
readers. So we'r
Graham Percival wrote:
True. This problem is exacerbated by the fact that I have no clue how
the IR is constructed -- if I _did_ understand it, we could probably
make a few changes that would make the whole thing considerably easier
to read.
However, that's one thing that I'm never going t
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S
c \oneVoice }
\new Voice { \voiceTwo b8 c } >> |
<< { \voiceOne c1( e) c ~ c e \oneVoice }
\new Voice { \voiceTwo e,1( b') e, ~ e b' } >> }
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Henk van Voorthuijsen wrote:
On Nov 11, 2007, at 8:13 PM, Jay Hamilton wrote:
\version "2.10.25"
In chordmode I am trying to get in some kind of spelling
(I'm assuming that one can't put a chord like I just did in chordmode).
You certainly can:
mychords = \chordmode{ c:7 g:m6-^5 \notemo
Graham and other GDP workers. This discussion might be useful for the
updating of the learning manual.
Charles Gran wrote:
So \upper could be a name of a voice that could have \voiceTwo
properties?
That wouldn't make sense, since \voiceTwo is equivalent to
\stemDown \slurDown \tieDown \dyn
Rick Hansen (aka RickH) wrote:
Such a program could not make the assumption that the root of the chord is
always being sung by the bass or any other voice, or being sung at all. But
if the lp syntax allowed "marking" what note is the current chord root at
any point in time, then it could gene
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Graham Percival wrote:
Since the GDP docs are spread over the LM, NR, AU, and snippets -- not
to mention MG and IR -- what about making a tarball / zip which
contained all these manuals, and removing the download links for
individual PDFs? This would avoid problems with people downloading only
te for LSR-upgrading.
The tentative plan is to upgrade LSR to a 2.12 beta release, then
upgrade it again to 2.12.2 or .3 -- ie a stable 2.12.
Cheers,
- Graham
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Hans Aberg wrote:
Hindemith suggests using |---| with a number over for rests of nine
measures or longer.
9
|---|
The default rule in LilyPond is to do this for 11 measures or longer, see
section "Multi measure rests" in the manual for information on how to
change this value.
/Mats
I couldn't figure out how to do that either.
I'm using LP 2.10.0 at the moment, but I'm happy to upgrade again if the
answer is to be found in a later version.
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I forgot to say that there have been some recent bug fixes
related to layout-set-staff-size, so my example works will with
2.11.34, but not on 2.10.33.
/Mats
Mats Bengtsson wrote:
Here's a simple example:
\score{
\relative c'{c d e f }
\layout{ragged-right = ##t }
}
\score{
\rel
Hugo Flordal wrote:
Hi, I'm using Lilypond 2.10.25 and I have a few questions...
Is it possible to redefine the "rest note name" 'r' and instead use e.g. 'p'
for rests. I'd really like to use 'r' for something else (right hand strokes in
drumming).
Unfortunately, the 'r' for rests (and 'R
Graham Percival wrote:
At the very least, I want it clear which sentence refer to the
Notation Reference, and which sentences refer to the other parts of
the docs.
... I _really_ think this is completely unnecessary, though. And if
you want to add full sentences to every single notation re
ks in advance,
erminia
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Tao Cumplido wrote:
hi,
in this snippet http://lsr.dsi.unimi.it/LSR/Snippet?id=335
stencils are created with commands like make-circle-stencil.
are these part of scheme or of lilypond and is there a list of all possible
commands available?
They are implemented in LilyPond and are primaril
"
\override BarLine #'transparent = ##t
}
}
}
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Si
all \note #"4" #1 = 92 -
100 } }
R R R R R
Charles
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Phon
Since both ends of a glissando has to be within one and the same
musical voice (i.e. Voice context, in LilyPond terminology), you have
to use a single voice that switches stave. Then the glissando should
work without problems.
/Mats
Quoting fyc <[EMAIL PROTECTED]>:
Hi. I was wondering how
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hoirStaff <<
\context Staff=soprano <<
\sop
>>
>>
}
/Mats
Risto Vääräniemi wrote:
Dear Mats,
Mats Bengtsson wrote:
I have now made a fix that should appear in version 2.11.35.
Mats Bengtsson wrote:
This problem has been brought up a few times in th
Rune Zedeler wrote:
Valentin Villenave skrev:
--> First rule of LSR is: do not add a \version line.
--> Second rule of LSR is: do NOT add a \version line.
What is the reason for this?
The version line might be good information to have - at least in a
comment. If a snippet stops beh
Jordn wrote:
Ah. Thanks for that. The problem is that the harp needs to have two
staves and it's going to look a bit awkward, but I'll use it.
Does anyone know if there are any plans to allow for cross-staff
glissandi (for pianos, harps, etc.) in future versions?
It should work to just move
Valentin Villenave wrote:
The version line might be good information to have - at least in a
comment. If a snippet stops behaving correctly, the original author of
the snippet is gone, nobody any longer really remembers what the snippet
was supposed to do - then the version line will give a hi
lyricmode {
cep -- ting his |
\set associatedVoice = "Verse3"
death, | death on
\set associatedVoice = "Verse23"
a | tree! | Je -- sus the | Lord.
}
>>
}
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ours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
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Jay Hamilton wrote:
Mats- There was no error log, and it certainly didn't in the print out on my
side.
Right, but if you had used bar checks, then you would easily have spotted
any such rhythmical errors by looking at the log file.
/Mats
The mistake (a missing r2 ) is what I couldn't fin
Alexander Deubelbeiss wrote:
That's why we want a user to volunteer to check the regression tests.
It takes about 15 minutes a month, but it would drastically improve the
stability of lilypond.
Is that "Check the regression tests" as in "regularly go through
.../input/regression/collat
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;m missing some information?
Cheers,
Joshua Koo
http://zz85.is.dreaming.org
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Uwe Steinmann wrote:
Mats Bengtsson ee.kth.se> writes:
If you use version 2.10, see the section on "Printing Chord names" in the
manual, if you use the latest development version 2.11.x, then the chords
are placed below the repeat brackets by default.
I must be blind.
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Phone: (
Quoting Hans Aberg <[EMAIL PROTECTED]>:
On 30 Nov 2007, at 17:13, Mats Bengtsson wrote:
If you use version 2.10, see the section on "Printing Chord names" in the
manual, if you use the latest development version 2.11.x, then the chords
are placed below the repeat brackets b
Quoting Han-Wen Nienhuys <[EMAIL PROTECTED]>:
2007/11/30, Simon Dahlbacka <[EMAIL PROTECTED]>:
didn't find anything 2.7 at
(http://download.linuxaudio.org/lilypond/binaries/mingw/)
2.8.0-1 exhibits the same behavior ( i.e. is buggy)
I know that there have been instances of this behavior in t
Valentin Villenave wrote:
No need to use lilypond-book (I have never used it). It requires
knowledge about the LaTeX format, which is waaay more complicated than
HTML.
Wrong! lilypond-book supports not only LaTeX but also HTML, so if
the images are intended to be included on a web page, li
clara wrote:
i read that you can convert MIDI to sheet music using lilypond here:
http://paulm.com/inchoate/2005/07/how_to_find_and_create_your_own_she.html
but since i am new to lilypond, i am really confused. does lilypond have a
built-in MIDI converter? or do i have to download another prog
Valentin Villenave wrote:
By the way, is it me or the whole Appendix D is currently unaccessible
on the main web docs? (which is why I'm CCing Graham this answer,
didn't feel like starting a new thread).
Which version? When I try it here, I can reach both
http://lilypond.org/doc/v2.10/Docu
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quot;
may be helpful, too.
Bye,
Zoltan
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Why hasn't anyone in this thread pointed to the section on "Polymetric
notation" in the manual, which describes exactly the same solution?
/Mats
Quoting Valentin Villenave <[EMAIL PROTECTED]>:
2007/12/9, Ole Schmidt <[EMAIL PROTECTED]>:
I find the following "orginal" snippet also worth f
Quoting Michael Käppler <[EMAIL PROTECTED]>:
Hi all,
how can I get Lilypond to align simple TextScripts(something like
c4.^"blabla") >above< the LyricText?
I write a piece of choir music for four voices on two staves like
template A.4.1 in the manual.
I tried setting outside-staff-priority highe
Rune Zedeler wrote:
Stefan Thomas skrev:
as far as I understood this topic, one must have experiences with
writing programs.
Not at all.
But one of the great things about lilypond is that /if/ you do have
experience with writing programs then you can "take the experience to
a whole new lev
Wilbert Berendsen wrote:
Isn't it a good idea to add the instrument_name_engraver by default to the
ChoirStaff, GrandStaff and StaffGroup contexts?
Sure! Why not go one step further and remove the PianoStaff context
completely.
By now, the only difference compared to a GrandStaff is the
for having added this fixme, but I just still can't
understand if this information is deprecated or not. Can anyone
enlighten me here?
Valentin
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Wilbert Berendsen wrote:
Op maandag 10 december 2007, schreef Mats Bengtsson:
Wilbert Berendsen wrote:
Isn't it a good idea to add the instrument_name_engraver by default to
the ChoirStaff, GrandStaff and StaffGroup contexts?
Sure!
There is a little issue wit
Jim Neubauer wrote:
This program is wonderful. I really enjoy using it. I have two output
questions however.
I've written a very simple hymn and used lilypond to get it onto paper. I am
wondering about the *.ps files that are generated. I think I've figured out
that they are acutally image fil
Paul Scott wrote:
Deacon Geoffrey Horton wrote:
I'm not looking at triplets (or tuplets) here. I've got a piece
entered in 4/2 time, and I'd like to convert it to 4/4 without going
through and manually altering all the durations. If the manual says
how to do this, I must not have looked in the
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Mit freundlichen Grüßen
Felix Hekhorn
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ne-split-list
function...? But then, here my problems start, as I don't know anything about
the data structures and the way the part combination really works...).
Cheers,
Reinhold
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The first part should have down-stems, the second part should have up-stems.
Thanks,
Patrick N.
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How about
global = {\time 3/4 \key aes \major}
upper = {\skip 2.}
under = \relative c {
\global \clef bass
\override TextScript #'staff-padding = #3.0
s2._\markup {T} s2._\markup {D \combine \super \small 7 \sub 5 }
}
\score {
\new PianoStaff
<< \new Staff = "upper" \upper
\new Staff = "under
For me, the bottleneck is email transmission, where 130K vs 1300K is
still significant (approximations for current project).
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Staff = "Secondolinks"
\Secondolinks >>
}
Sorry for boring You again with my greenhorn-questions.
Stefan
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ass clef. Hope someone can help.
Regards, Bob.
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Ole Schmidt wrote:
Am 16.12.2007 um 22:56 schrieb Mats Bengtsson:
There are several other alternatives to do this kind of
property settings, for example if want to make one setting
that applies to all staves of all scores.
would this be a correct solution?
Certainly! I deliberatly did
at Nabble.com.
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\context Staff = "Primorechts" \dynamik
\new Staff = "Primolinks" \Primolinks >>
\new PianoStaff << \new Staff = "Secondorechts" \Secondorechts
\context Staff = "Secondorechts" \dynamik
It's fairly simple math. For example, a standard triplet with eight
notes, you want
3 of the triplet eight notes to have the same duration as 2 normal eight
notes, i.e.
each note should be 2/3 its normal duration.
For the example you mention, you want 3 triplet 16th notes to have the
same durat
Michael David Crawford wrote:
There are some LilyPad sources at:
http://lilypond.org/download/gub-sources/OSX-LilyPad/
But the version is 0.0, and the tarball is almost two years old. Does
anyone have a more recent tarball?
In http://lilypond.org/download/gub-sources/, you can also find
os
Gilles THIBAULT wrote:
Just one question about version 2.11.x:
Do You know, if it runs stable in Windows XP?
The 2.11.34 is very stable and works very well.
From this version (2.11.35, 2.11.36), some fonts problems in XP. (see
previous users messages)
You forgot to tell where to find this r
just
can't figure out how to make the actual sheet music document.
What operating system do you use? If it's Windows, first locate your
saved score file, it looks as a black musical note. Then launch its
icon.
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w Century
Schoolbook for serif font. I guess the Computer Modern font statement is not
valid anymore if you assume that roman and serif fonts mean the same thing.
-Risto
[1] http://lists.gnu.org/archive/html/bug-lilypond/2005-06/msg00245.html
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Stefan Thomas wrote:
Dear Gilles,
You wrote
You forgot to tell where to find this release. I's not linked from
any
public web page, but all old Windows releases are available at
http://download.linuxaudio.org/lilypond/binaries/mingw/
Thanks for Your tip! but one question:
Do I have to
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Fax:
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ng?
\set Staff.clefGlyph = #"clefs.F"
Anyway, how can I most simply accomplish this?
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Kieren MacMillan wrote:
However, you can always turn the time signature engraver OFF for a
few bars
\override TimeSignature #'stencil = ##f
and then
\override TimeSignature #'stencil = ##t
This won't work, as far as I know!
(or \revert TimeSignature #'stencil)
Which is t
David Fedoruk wrote:
one other problem with this piece is that when I render this code, I
have an extra treble clef above the two lines of staff I need. What is
the problem with the template I'm using?
## Code
\version "2.11.36 "
...
\score {
\
Paul Scott wrote:
I'll check more in a few minutes but I never create a Staff of any
kind inside a \relative{ ... }. Try reversing the \relative and \new
Staff for each hand.
That shouldn't be an issue, see the following example:
\version "2.10.0"
\relative c'' <<
\new Staff {c d e f }
\ne
Francisco Vila wrote:
2008/1/2, Ole Schmidt <[EMAIL PROTECTED]>:
I overlooked that the \header(s) have to be inside the \score blocks
in the files (and than work only with
piece = " " and opus = " ") as described in the manual (mea culpa...)
So what would be the proper way to achieve
Alasdair McAndrew wrote:
1. I have used
\set Staff.midiInstrument = "viola"
but the midi output still seems to contain a piano sound in it.
It's as though I can add an instrument sound to the midi file,
but not turn off the default piano sound. What's going on, an
Mark Knoop wrote:
* Some of the notes are stacked on top of each other. (e.g., measure 4)
Should I just use padding to move each note individually?
Yes, I think so.
Not padding! Read about force-hshift in the subsection on
Collision resolution in "Polyphony".
You could try it in version 2
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Pho
ack reading this property.
where next?
cheers, and happy new year to all the lilyponderers
d
On 3 Jan 2008, at 10:54, Mats Bengtsson wrote:
In the latest 2.11.x versions, you can use
\override Staff.PianoPedalBracket #'style = #'trill
I'm not exactly sure why it doesn'
Of course, another approach to find the answer to Stefan's question is
to look
at the Internals/Program Reference for the TrillSpanner object and see what
the style property is set to for trills.
/Mats
Mats Bengtsson wrote:
I hope you know that the properties listed directly on th
, it's an advanced step you can take once you are at least slightly familiar with
the software.
Hope this clarifies a thing or two. With solstice-related greetings
Xander Deubelbeiss
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Carl Sorensen wrote:
My understanding is that a voice needs to be associated with a staff in order to
get the notes printed in a staff. However, the voice is not a sub-context of a
staff, because the voice can be switched to be part of a different staff.
At every moment, it is a sub-context
How can I do this?
Thanks for support,
Stefan
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Mats Bengtsson
Signal Process
Damian Legassick wrote:
ah yes,
i did look, but i skipped over the preamble to 'line-interface'
what you might see if you're /skimming/ this doc page in search of
style is the list of user settable properties where you find, just as
in PianoPedalBracket:
style (symbol)
This setting de
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax:
Valentin Villenave wrote:
2008/1/3, Mats Bengtsson <[EMAIL PROTECTED]>:
In the latest 2.11.x versions, you can use
\override Staff.PianoPedalBracket #'style = #'trill
I'm not exactly sure why it doesn't work in 2.10.33.
Hi Mats,
is there a way to m
hese two versions in two
different slots but there's nothing like gcc-config : lilypond-config and it
seems that I can't directly invoke a specific version...
Regards
Matth
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Mats Bengtsson
Signal Processing
Signa
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