Re: vertical position MultiMeasureRest

red to below, should explain what differs betwen this construct and your original one. /Mats regards, Tao Original-Nachricht Datum: Thu, 28 Jun 2007 13:14:56 +0200 Von: Mats Bengtsson <[EMAIL PROTECTED]> An: Tao Cumplido <[EMAIL PROTECTED]> CC: lilypon

Re: BNF Grammar

Unfortunately, it's only available in the source code. However, there was some related discussions on the mailing list (possibly on the lilypond-devel list) some year ago, so you may find something interesting there. /Mats Quoting Mario Moles <[EMAIL PROTECTED]>: Hi everybody, I'm looking

Re: commands list and syntax

About the "macro/identifier/variable" concept: I meant: this does not work %% xx= \italic \score { { a^\markup { \xx hi } } } %% in spite of this being ok: %% \score { { a^\markup{ \italic hi } } } %% This shows (i assume) that the assigment of a identifier si not a static sustitution as (a

Re: obtaining longer ties

It's much easier to provide a relevant answer if you include some example code. Which octave do you have your notes? Which LilyPond version? I tried to guess what you had in mind, but cannot notice any difference between the two ties in the following example: \version "2.10.0" \relative c''{f8

Re: Measure 2/2 in 2/4

I'm sorry to say I don't understand what you mean. Could you please include a short LilyPond example file that illustrates the problem, and send it to the mailing list. /Mats Quoting Givaldo de Cidra <[EMAIL PROTECTED]>: Hello !!! I have a problem with lilypond, when use compass 2/2 it div

Re: lilypond book problem (psfont?)

This is a known problem in Windows. Please use the pdflatex approach instead: lilypond-book --pdf -o out yourfile.pdftex cd out pdflatex yourfile.tex /Mats Quoting Bainos <[EMAIL PROTECTED]>: Hi, I have a probelm with lilypond-book that i cant solve.. I use lilypond-book 2.10.25 on winXP

Re: lilypond book problem (psfont?)

Quoting Bainos <[EMAIL PROTECTED]>: I read the lilypond-book documentation but i can't understad everything (because i can understand english but not very well.. sorry) so I have another little question. The best way to work with lilypond-book is to set the layout of the page with latex and inc

Re: Rendering two documents as one musical score

If you have a single score, you should of course write it in a single \score{...} block. Note that you can have a sequence of several separate \relative blocks within each stave. Example: leftHandPartOne = \relative c'{c d e f g a b c} leftHandPartTwo = \relative c{e f g a b f g a } \score

Re:

Just replace the two occurrences of "\new Voice" with "\new Staff" in your example. /Mats Quoting Joseph Haig <[EMAIL PROTECTED]>: I am trying to get an "ossia" section like the example in section 6.4.8 of the user guide, but for a voice within a ChoirStaff. Attached is my attempt at modifyi

Re: voiceOne & voiceTwo settings

If you want to customize what happens when you use the <<{...} \\ {...}>> construct, then you will need to do some Scheme hacking. However, if all you want to do is to explicitly call \voiceOne and \voiceTwo yourself but customize what these macros do, then it's easy to define your own macros l

Re: Hiding whole measure rests from conductor score

If you read the section on "Rests" in the users manual, it tells you to look in the section called "Multimeasure rests" for whole measure rests, which should answer your question. /Mats Quoting Dewdman42 <[EMAIL PROTECTED]>: I have come up with my own way to hide whole measure rests from

Re: Is this expected behavior or a bug?

Please read under "Bugs" in the section on Grace notes in the manual. /Mats Quoting Steve Schow <[EMAIL PROTECTED]>: Is this expected behavior or a bug? \grace { c,16[c]} c4\p\laissezVibrer That is producing the following with lilypond 2.10.25: http://www.nabble.com/file/p11495639/Screen

RE: Hiding whole measure rests from conductor score

empty measures? One answer is provided in section "Hiding staves". Another answer is provided in section "Different editions from one source", which shows how to get for example R1*5 in the instrumental parts and s1*5 in the full score, from the same LilyPond code. /Mats -

Re: context-sensitive context creation

A low-tech solution is to let all voices start at the top of the score and use s1*15 or \skip 1*15 constructs to skip the sections where the voice shouldn't be active. /Mats Quoting Jordan DeLong <[EMAIL PROTECTED]>: Hey all; I'm trying to figure out how I can structure an input file that

Re: multimeasure rests with proper measure numbering

I think you are missing something very basic and I hope the following example can help you realize how to use multimeasure rests. It's always much easier to get relevant answers if you include an example (preferably short but complete) of the LilyPond code you have tried. m = \relative c'{ c1 |

Re: lyrics above the staff

No no, don't use extra-offset! The most convenient solution is to use the alignAboveContext property. See the example template in appendix "D.4.3 SATB with aligned contexts" in the manual. An alternative approach is described in the section "The lyrics context" (and in appendix D.4.1). /Mats

Re: Merging scores in one pdf

Quoting sdfhsdfhsdfhs <[EMAIL PROTECTED]>: Yes, i read it; but as someone already pointed out in this forum long ago, this section named "Multiple scores in a book" explains how to get multiple pdf from one .ly = looks like the opposite of its title. (doc bug?) Actually the section is intende

Re: Merging scores in one pdf

Quoting sdfhsdfhsdfhs <[EMAIL PROTECTED]>: I tried this, you get all the notes and lyrics, BUT 1) there is only one header (basically title+subtittle), at the beginning of the pdf (top of page 1), 2) which content is the content of the header of the last include file! i'm looking for having al

Re: aligning text with example

Quoting Rune Zedeler <[EMAIL PROTECTED]>: Eric Knapp skrev: I want the numbers 7, 7, 3, 5, 3, and 5 to be the same vertically. Lily has hugeproblems with vertical alignment - it usually takes a lot of hacking. Not at all! It usually helps to set the staff-padding property large enough, so

Re: Harp Pedals?

I cannot recall having seen any similar question earlier on the mailing list and I cannot think of any simple workaround to do it with the current features in LilyPond, unless you can accept to include the symbols as .eps graphics files or so. /Mats Quoting Dewdman42 <[EMAIL PROTECTED]>:

Re: Absolutely evenly aligned table of chords ... with plenty of accidentals?

How about printing each chord in a separate stave of a multi-stave score? /Mats Quoting Trevor Bača <[EMAIL PROTECTED]>: Hi, OK, this is a type of challenge that's defeated me. I'm wondering if anybody can reach a perfect solution? What I'm wanting to do is print a table of chords. One cho

Re: Articulation engraver ?

Quoting "Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]>: if you read the according chapter in the manual you'll see a link at the bottom which leads to the corresponding part in the program reference, in this case 'Script'. so, you'll need to remove Script_engraver. Thank you, Tao. Do y

Re: box-notationy-thing

Why not use a line spanner instead? /Mats Quoting Neil Thornock <[EMAIL PROTECTED]>: Hi all, I'm trying to create a measure in a PianoStaff with repeat bars on either side and a thick line extending from the barline to the right of the measure. I'm trying to create the thick line with a th

Re: Harp Pedals?

Quoting [EMAIL PROTECTED]: I can do an eps include if that is currently the only way. I presume the manual discusses how to insert eps graphical items and I will try to figure that out. thanks. Hint: Section "Overview of text markup commands". /Mats

Re: Merging scores in one pdf

A minor comment on your example below: I hope you know that the explicit \book{...} block isn't necessary here, see section "Multiple scores in a book". /Mats Quoting Valentin Villenave <[EMAIL PROTECTED]>: 2007/7/11, Paul Harouff <[EMAIL PROTECTED]>: The biggest pain which made me give up

Re: Tremolo won't produce desired output

This is a known bug in LilyPond, see http://lists.gnu.org/archive/html/bug-lilypond/2007-06/msg00112.html However, as you can see in that email, it's easy to get the desired output, just use \repeat tremolo 4 { c32. e32. } /Mats Quoting Wilbert Berendsen <[EMAIL PROTECTED]>: Op maandag 1

Re: Latex symbol from a package

The short answer is that there is no simple generic answer to your question. If you can figure out exactly what font file and what symbol from that font is used, then you can probably use it if the font is available in a form that LilyPond can handle. /Mats Quoting Mehmet Okonsar <[EMAIL PRO

Re: Compatibillity lilypond - noteedit and other quetions.

ar 1 "" warning: ignoring too many clashing note columns \stemUp dis!4 e fis g | \grace { fis16 ~ g } fis4 e Still don't know what noteedit does wrong here. Hoping that noteedit wil come with a upgrade to better compatibillity with lilypond. Thanks for reading, P.

Re: Compatibillity lilypond - noteedit and other quetions.

Peter Terpstra wrote: Mats Bengtsson in <[EMAIL PROTECTED]> : Since NoteEdit generates LilyPond code corresponding to an old version of LilyPond, you have to upgrade the syntax using convert-ly (see the manual for details about using convert-ly). That does not help, but than

Re: Compatibillity lilypond - noteedit and other quetions.

Peter Terpstra wrote: Mats Bengtsson in <[EMAIL PROTECTED]> : \set Voice.noAutoBeaming = ##t into \set autoBeaming = ##f and \set Staff.instrument = #"Guitar 1" into \set Staff.instrumentName = #"Guitar 1" But that was not the mainproblem, the mainproblem

Re: Need help with this simple lyric

en thou our lips } On another matter, it is interesting that you mentioned that the cross character did not show up in your version 2.10.20. It did not show up for version 2.11.26 either. I wonder what's up with that? Anyone here know? Peter --

Re: repeat barline problem in StaffGroup

This seems to be a bug that only happens when you use \bar "||:" and the bar is not at a line break. A workaround is to only use \bar "||:" when it's absolutely necessary, i.e. at line breaks (where the bug doesn't show up). You can use forced line breaks (using the \break command) to ensure that

Re: Colliding fret-diagrams

It's much easier to provide a relevant answer to your question if you include a small example .ly file that illustrates your problem. Also, don't forget to tell what LilyPond version you use. How do you typeset the fret diagrams? Do you attach them to note like c^\markup \fret-diagram #"6-x;5-x;

Re: Header block instrument name problem

If you read the section on "Creating titles" in the manual it tells you that you can use any "Text markup" commands, for example \header{ instrument = \markup{ Trumpet in B \flat } } If you don't like the vertical alignment, search the mailing list archives or read the "Overview of Text markup

Re: Need help with this simple lyric

Quoting peterwinson <[EMAIL PROTECTED]>: Mats, how do you do this in Jedit. I've tried to find out but still have not figured it out. Do you need the Lilytool plugin for jedit? I've never used Jedit myself, but a quick look in the Jedit manual reveals that there is a full section devoted to

Re: Need help with this simple lyric

Quoting peterwinson <[EMAIL PROTECTED]>: Gilles, so I have the character encoding as UTF-8. How do I insert a special character like U+2720 (maltese cross) in Jedit? Exactly the same way as you do in any other program. Either copy/paste from some other document or use the "Character Palette"

Re: Can I have my own custom LilyPond?

Quoting Tao Cumplido <[EMAIL PROTECTED]>: Hello, I also use my own font. I am no programmer, so I use skips with the chords attached as TextScript. Why not write them as a lyrics line (with explicit durations on each "syllable")? Then you don't need to type all the skips and you will also

Re: Bug concerning lilypond-book

ypond -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax:

Re: grace note leading to chord [solved]

xemple \acciaChord b'8 < e' g' c''>4 and the function will take the first element of the chord ). A day ... Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilyp

Re: Stem length

\once \override Stem #'length = #4 g8 [ a ] This does not have any effect. Kind Regards, Peter -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44

Re: Can I have my own custom LilyPond?

Valentin Villenave wrote: 2007/7/26, Tao Cumplido <[EMAIL PROTECTED]>: The only problem is that I can't find a way to place the chords above the staff now. Any solutions? If I remember correctly, this is something like: \new Staff = mystaff { \new Voice = music {%add notes here... }} \ne

Re: beginning-of-measure padding value?

Kieren MacMillan wrote: p.s. On a side-note, can anyone explain to me the difference between "first-note" and "next-note" in the BarLine space-alist? See the documentation for the "break-aligned-interface" in the program reference. /Mats ___ li

Re: Double-flats used by Lilypond after transpose

Mark Knoop wrote: Toine Schreurs wrote: The transposition of the instrument does not depend on the key of the music. On a B-flat sax a written C sounds as a B-flat. That's all the information you need. So use \transpose bf c' {the music} And indeed, key E-major goes to F-sharp-major. The o

Re: Problem(s) with lilypond-book or lilypond itself

I hope you have tried to add the flag --verbose when you call lilypond-book. It might give some more relevant information to track what the problem is. /Mats Quoting Dominic Neumann <[EMAIL PROTECTED]>: Hi, I´m developing a software for managing songbooks. As you can imaginge, my typesettin

Re: Bar numbers at beginning of line

As a musician, I would get very confused if I saw a bar number in the middle of a measure (which is what you seem to try to achieve). If the conductor asked an orchestra to play from bar 100 and the bar number was printed that way, I'm sure that at least half the orchestra would start at the to

Re: Where do I get lilypond-book ?

I hope you have read the section called "Notes for the MacOS X app" in the manual. /Mats Quoting Christophe Dang Ngoc Chan <[EMAIL PROTECTED]>: Hello, maybe too obvious as I did not found anything related to this problem on the archive... I downloaded the lilypond tarball for MacOS X (lily

Re: converting midi files

e give me an example more explicit thanks at all claudio -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden

Re: Removing bar numbers with lilypond-book

You should be able to insert the following lines of code (copied verbatim from the manual) either at the very top or end of the \begin{lilypond}...\end{lilypond} block \layout { \context { \Score \remove "Bar_number_engraver" } } An alternative is to put it with

Re: Removing bar numbers with lilypond-book

er mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===

Re: Removing bar numbers with lilypond-book

d STRING, expecting '=' \Score error: failed files: "lily-c91153c955" As I said, I'm not bothered about getting this to work, but it would be useful to understand why I'm getting a problem with it when I shouldn't. Tim. On Monday 13 Aug 2007, Mats Be

Re: accidental avoid-slur and max-stretch

Neil Thornock wrote: Okay, I'm not getting something about this. The output for this displays slurs clashing with accidentals. I've seen this kind of collision before - but is there no way to avoid it automatically? I thought avoid-slur would make some difference. The default value of av

Re: Question to Mats

(glyph-name (if (= dir CENTER) | glyph | (if (and result (string? (index-cell (cdr | result) dir))) | (index-cell (cdr result) dir) | #f))) | ) | | (if (not glyph-name) | (ly:grob-suicide! grob)) | | glyph-name

Re: Feathered beams

Michael Sperone wrote: Thank you for your help, I thought I might need to change the settings back. I did get a chance to look through the chapters you mentioned, but couldn't really find anything that would change the settings back for the feathered beams. I'm not sure exactly what it i

Re: several short pieces with scored titles

__ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and S

Re: lilypond-user Digest, Vol 57, Issue 39

Michael Sperone wrote: I am now having trouble with the barcheck. How do I keep it all in one quarter note? Do I need to do a "\times 7/8 { ... } "? first? Right, you have to scale the durations, since the total duration of the beamed notes will not change. However, if you use \times 8/7{...

Re: Padding around instrument names

http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Pho

Re: page breaks within measures

__ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-10

Re: Tip / trick: cross-staff piano double stems

Trevor Bac(a wrote: %%% EX 2: CROSS-STAFF WITH DOUBLE STEM %%% \version "2.11.29" \new PianoStaff << \new Staff = RH { \time 4/8 c''8 [ c''8 \change Staff = LH << { e'8 } \new Voice { \once \override Stem #'direction = #down

Re: Arpeggio and lefthandfingering

how to handle it. The document wizzard (lilypondtool) provided me a staff context which i used to create a template. Now the Staff context seems to give problems, so i thought maybe i don't need it. Kind regards, Peter -- =====

Re: Multiple Titles

ser mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKH

Re: initial acciaccatura confuses things?

This bug is described in the manual in the section on grace notes, together with an explanation on how to solve the problem. /Mats Quoting Ed Ravin <[EMAIL PROTECTED]>: I am trying to transcribe a piano piece that beings with a grace note in the lower staff. lower = \relative c, {

Re: initial acciaccatura confuses things?

Ed Ravin wrote: On Wed, Aug 22, 2007 at 08:04:47AM +0200, Mats Bengtsson wrote: This bug is described in the manual in the section on grace notes, together with an explanation on how to solve the problem. Funny, I've read that section many times, and even down to the bottom w

Re: initial acciaccatura confuses things?

Now I realize that you didn't read the relevant part of the text. What you should read is the paragraph starting with "Grace note synchronization can also lead to surprises. ..." /Mats Mats Bengtsson wrote: Ed Ravin wrote: On Wed, Aug 22, 2007 at 08:04:47AM +0200, Mats

Re: how to combine standard and gregorian notation

dy } Hope this helps. C. Charlotte, many thanks for your help. Where exactly did you put \override ? Marek -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology

Re: Barré sign

on the staff gets broken into two pieces. Kind Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ==

Re: Barré sign

Mats Bengtsson wrote: Just replace { \relative c'' by \relative c'' { or by \new Voice { \relative c'' /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Barré sign

hanks Valentin -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax

Re: Alignment problem with RehearsalMark

r orchestral scores to have rehearsal marks at the top of the score and above the First Violins. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson

Re: lilypond book error

Child returned 1 Thanks for your help. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal P

Re: repeat syntax

Does it make a difference whether the repeat variant is quoted or not? Shelagh ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengt

Re: repeat syntax

By the way, I just removed these unnecessary quotes from all the examples of repeats in the manual. /Mats Mats Bengtsson wrote: There's no difference. As far as I can recall, it has never been necessary to have quotes in this particular situations, but there are some other cases

Re: \rest in \drummode

Ole Schmidt wrote: thank you very much, the 3. solution works fine for me - but what does the (big) R's do need? \revert MultiMeasureRest #'direction is not working See the mailing list archives, for example: http://lists.gnu.org/archive/html/lilypond-user/2007-03/msg00355.html /Mats

Re: Removing whitespace before lilypond-books examples?

_ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100

Re: Alignment problem with RehearsalMark

Neil Puttock wrote: Just to clarify this, are you saying that this happens as a result of the default setting of break-align-symbols combined with moving the mark engraver to the staff context? No, I was just speculating, without having really tested my hypothesis. Sorry about that. Now tha

Re: question of repeat again

ser mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM

Re: Time signature of 4/3 over 2?

How about \markup{ \override #'(baseline-skip . 0) \number { \center-align { \concat { 4 \fontsize #2 \normal-text / 3 } "2" } } } /Mats Trevor Bača wrote: Hi, Anyone know how to set a time signature of 4/3 over 2? (That's a measure that last 1 complete half note and also anot

Re: lilypond-book option --padding no longer exists?

1.30 under OS X.) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institut

Re: remaining Unset question

Quoting Valentin Villenave <[EMAIL PROTECTED]>: 2007/8/28, emily atkins <[EMAIL PROTECTED]>: I knew it had to be easy, I just kept trying the wrong combination of terms Not so easy, so to say: I had to browse the source files (ly/property-init.ly) to find the correct answer. You're right, th

Re: lilypond-user Digest, Vol 57, Issue 76

Michael Sperone wrote: Thanks Neil, I was able set the 4/4 time signature in the /layout section, but as for setting other global settings, I can't seem to figure them out. I'd like to be able to set modern style accidentals, and.. .well I can't think of anything else right now off the top

Re: MIDI output trick

__ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Syste

Re: lilypond-book macros/variables

user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technolog

Re: Tweaking placement of rehearsal marks

___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-10

Re: Tip: lyrics with polyphony / stem directions (without specifically instantiated voices)

ore { \new Staff \relative c'' { \override Voice.NoteHead #'color = #red c ~ << { c ~ } \new Voice { a } >> c } } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =

Re: Tip: lyrics with polyphony / stem directions (without specifically instantiated voices)

truct. I'm surprised that you didn't find them.) /Mats Mats Bengtsson wrote: Excellent idea! I will add something like this to the manual, extended with yet another example that shows how to manually specify \voiceOne and so on. /Mats Kieren MacMillan wrote: Hi Mark, It looks

Re: color in the manual

Graham Percival wrote: I'm not overly enthusiastic about adding color to the manual: I'm not certain how it will look in a printed pdf (many people print the docs) or in the info files. We obviously need to use color in the doc section about color, and the red staff-lines in Ancient notation

Re: triplet bracket disappear

ailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: Alignment problem with RehearsalMark

Quoting Neil Puttock <[EMAIL PROTECTED]>: I don't mean to hassle you, but nothing's appeared on bug-lilypond yet. If you like, I'll post a report myself. I don't know where you looked, but it's certainly in the mailing list archives, http://lists.gnu.org/archive/html/bug-lilypond/2007-08/ms

Re: piano with lyrics (was I'm new to lilypond)

Quoting Raichu <[EMAIL PROTECTED]>: Thanks that's much better. However the music looks wrong. The stem direction is as if each voice had the stave to itself. I am getting repeated warnings about this: warning: ignoring too many clashing note columns I need the melody stems pointing up and the

Re: Autobeaming problem in 12/16

Werner LEMBERG wrote: \version "2.11.30" \paper { ragged-right = ##t } \relative { \time 12/16 #(override-auto-beam-setting '(end * * 12 16) 6 16 'Score) c'16 c c c c c c c c c c c %correct autobeaming without subdivision \set beatLength = #(ly:make-moment 3 16) \set subdivideB

Re: "once override" works differently on R and r

Quoting Valentin Villenave <[EMAIL PROTECTED]>: Hello David, as you can see in the following snippet, there are several ways to print text above an empty measure; all of them wan be moved using the appropriate object name; besides since all of them accept the \markup command, all of them accept

Re: accented characters

ows how to do it? Thanks, F. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing

Re: padding

lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone

Re: padding

Sorry, I forgot to add the promised line at the end of the email. /Mats Mats Bengtsson wrote: It's much easier to provide relevant answers if you include some short (but complete) example of an .ly file that illustrates your problems, such as \version "2.10.29" \relat

Re: tweak a LaTeX code in .ly files

native PostScript code, besides). Regards, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Proc

Re: LaTeX Way

Francois Planiol-Auger wrote: Hi again, Is there a way to write ASCII in files. I really prefer to write \c{c} than ç (I still dont know where to find it :-( \dots I hope you have tried key combinations like Alt Gr + "," followed by a "c" At least that works on my Linux box (it seems that

Re: using "\transpose" with variables

Roland Goretzki wrote: Hello list, hello Tomas, You wrote: Hi, I try to use \transpose with a variable as parameter like mykey = {d'} melody = \transpose c' \mykey \relative c' {... } what??s wrong? I get the message: syntax error, unexpected STRING, expecting NOTENAME_PIT

Re: Why can't I get this to work (viola tuning)

Laburnum Cottage 48 Frome Road Odd Down BATH BA2 2QB tel: 01225 835076 Mob: 07941 933 901 [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ======

Re: autolinebreaks in measureless music

w. best regards, Wilbert Berendsen -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (

Re: guitar polyphony

Helge Kruse wrote: Hello, I want to write my first guitar notes with tabs after finishing some harp scores. While I found most guitar specific points, I have problem with polyphony. The "normal" polyphony gives a problem with tabs. The notes are written to the staff instead of tab. (see m

Re: repeats, nested repeats and alternatives

Neil Puttock wrote: Hi Yota, On 9/6/07, *yota moteuchi* <[EMAIL PROTECTED] > wrote: Here, magically, the second alternative bar vanished... why ?! You can't put overrides (or anything else) between the bracketed sections of \alternative; just put the bar nu

<    1   2   3   4   5   6   7   8   9   10   >