How do I get these articulations? The accent sign I mean is shaped like
an acute accent (aigu) in French, and the unaccent sign is like a saucer
(or a breve in old-fashioned printing of Latin). There's nothing like
them defined in font-table.ly.
Is there a way to define scripts to use other fo
Damian leGassick mac.com> writes:
> there's a few things to do and a few different places to look in the
> docs - if you search for unicode or utf8 it covers it
>
> then you can use the unicode 02D8 or UTF8 CB 98 for the breve (or 0306/
> CC 86 for the 'combining breve')
>
> the acute is 00B4
I'm a pretty new Lilypond user, about a week old in fact, so please be
gentle.
As a learning exercise I have been entering a keyboard arrangement of
one of Reger's Geistliche Gesänge, including the lyrics, which I had
previously done in Sibelius (opening bars appended as Morgengesang.ly).
I
and removing the bar engraver, and
then I realised that you're using 2.10.33. While I can't speak for that
version, in 2.11, it works fine without the workaround. I would highly
recommend 2.11. Especially if you're just starting. It makes lilypond a
lot more usable.
Am 08.05.200
syllable by syllable. (No
accounting for taste, I know ;)
James E. Bailey wrote:
in 2.11, the text is typeset between the bars. That is, the text fits
between the bars, and there's no need to white out part of the bar line
to accommodate the text.
Am 08.05.2008 um 12:08 schrieb Kim Bast
Thanks Mats. Exactly what I was after. One day I may even understand how
it works ;)
Mats Bengtsson wrote:
Mats Bengtsson wrote:
...
#(define (text-in-white-box grob)
(stencil-whiteout (ly:text-interface::print grob) 0.5))
This line should of course have been
(stencil-padded-whiteout (ly:t
In the attached extract, I want a 'followVoice' line connecting beats 3
and 4, and no others. Depending on where I place "\set followVoice =
##t" I get either additional unwanted lines between other beats (bars 2
and 3), or no line at all (bar 4). What's going on? Is this intended
behaviour?
ï»
What's the override for moving the ends of a hairpin horizontally? I
need to start one a little to the right of its default position because
it collides with a cross-staffed note. But I can only find information
about moving hairpins vertically. I tried this:
\once \override Hairpin #'X-offset
8-05-12 13:08:24 GMT Mark Knoop wrote:
On Mon, 2008-05-12 at 22:20 +1000, Kim Bastin wrote:
What's the override for moving the ends of a hairpin horizontally? I
need to start one a little to the right of its default position because
it collides with a cross-staffed note. But I can only find
I find the kerning of dynamics unsatisfactory, indeed I'm not sure that
it's happening at all. ff is spaced too wide, with visible daylight
between the f's; mp is squashed too close together. These pairs are the
worst; pp, sf, fz look okay.
Is this a characteristic of the font? If so, is there
Risto Vääräniemi gmail.com> writes:
> Have you tried sp? I think that wins the game. The s collides with
> the p quite hard. I had to override it with:
>
> sp = #(
> make-dynamic-script (
>markup #:line (
> #:dynamic "s"
> #:hspace -1
> #:dynamic "p"
> )))
No, I didn't try
lculating line breaks... [2]
paper output to `test.tex'...
Analyzing test.tex...
Running ...
Running dvips...
Running ps2pdf...
DVI output to `test.dvi'...
PDF output to `test.pdf'...
PS output to `test.ps'...
Regards
Kim Bastin
__
Is there any way to get Lilypond to do the large time signatures found
in many 20th century scores?
Kim Bastin
___
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natures per section
(woodwind, brass...), and some staves may have TSs of the traditional
size if they are not covered by one of the large ones.
Can this style be emulated in Lilypond?
/Kim Bastin
On Mon, 06 Sep 2004 10:18:35 +0200, Mats wrote:
>Could you be more specific about what you h
On Tue, 07 Sep 2004 11:21:15 +0200, Arvid Grøtting wrote:
>Kim Bastin <[EMAIL PROTECTED]> writes:
>
>> Well, I could give "scores" of examples, but I'm not sure what pieces
>> or editions you can conveniently consult. Anyway, here are a few
On Tue, 07 Sep 2004 11:45:24 +0200, Jan Nieuwenhuizen wrote:
>Kim Bastin writes:
>
>> Can this style be emulated in Lilypond?
...
>I think you may want to separate these settings from the music itself
>(in a \global section), so that you can easily use this for the score
>
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