2013/9/4 Janek Warchoł :
> I recommend that you try these two branches:
> origin/dev/janek/experimental-fix-for-issue-2462
> origin/dev/janek/experimental-fix-for-issue-2658 (this fix was
> actually written by David Kastrup)
BTW, i've just made some small improvements to the bui
2013/9/4 Peter Bjuhr :
>
> On 09/04/2013 04:19 PM, Janek Warchoł wrote:
>> I recommend that you try these two branches:
>> origin/dev/janek/experimental-fix-for-issue-2462
>> origin/dev/janek/experimental-fix-for-issue-2658 (this fix was
>> actually written by Da
2013/9/3 Peter Bjuhr :
>
> On 09/03/2013 06:36 PM, Janek Warchoł wrote:
>> ok. Let's see if the scripts i wrote are as awesome as i think :)
>> Please run the attached script. After it finishes, run
>> ~/path-you-specify-in-previous-script/janek-scripts/lilypond/buil
2013/9/4 Peter Bjuhr :
> On 09/04/2013 06:06 PM, Janek Warchoł wrote:
>>
>>
>> Hm. That's not enough information. What was the full command you ran
>> (with options)? Also, can you paste more output?
>> Janek
>
> I have sent you the full output.
I
2013/9/4 Peter Bjuhr :
> I did it now and run build-lily.sh again. But this time I got an error:
>
>> make: *** [all] Error 2
>>
>> real0m30.033s
>> user1m30.064s
>> sys0m3.596s
>> Make failed.
>> Exiting.
Hm. That's not enough information. What was the full command you ran
(with opt
2013/9/4 Peter Bjuhr :
>
> On 09/04/2013 06:24 PM, Janek Warchoł wrote:
>>
>> I see. Quite strange, this commit builds fine on my machine. Please
>> try building from scratch (use my script with -s option), and let me
>> know if it fails again.
>
> Now th
2013/9/4 Peter Bjuhr :
> Is this what I need to do next to get the remote branches?
If you just want to build these branches with my script you shouldn't
have to do anything.
> http://lilypond.org/doc/v2.17/Documentation/contributor/working-with-remote-branches
Oh my God! This looks awful, and
2013/9/4 Tim Roberts :
> Simon Bailey wrote:
>> publication quality (i think): http://nota.bailey.at/achtsamkeit.pdf
>
> In Acrobat, this is lovely.
Except that it probably suffers from
http://code.google.com/p/lilypond/issues/detail?id=2658, doesn't it?
(i don't have Acrobat on my Ubuntu, but it
2013/9/4 David Kastrup :
> Janek Warchoł writes:
>
>> 2013/9/4 Peter Bjuhr :
>>> Is this what I need to do next to get the remote branches?
>>
>> If you just want to build these branches with my script you shouldn't
>> have to do anything.
>&g
2013/9/4 Peter Bjuhr :
> If everything is set I'll do a test!
>
> Attached is an image creating with old version 2.16. This is of course
> regular feta font.
>
> And an image created with the new version (2.17). This should be with the
> modified feta then? It's hard to spot any difference, but I n
2013/9/5 Simon Bailey :
> thanks. :) i'm really happy with the output. i've been developing the house
> style through the typesetting of 8-10 pieces so far, and it's starting to
> look exactly how i'd like it.
Indeed, i like this layout too!
> mac preview doesn't seem to have the issues mentioned
A small update:
2013/8/21 Janek Warchoł :
> It was my dream for more than a year to automate the process of
> compiling custom LilyPonds from source code in a way that would allow
> to use these versions completely independently, and at the same time
> have them linked together.
2013/9/4 Shane Brandes :
> That is interesting. Janek's modifications are slight but make
> everything look a little tighter. I like it especially the different
> flags.
Thank you! If you have access to a Linux box (could be Ubuntu in a
virtual machine) and you'd like to try building lilypond wit
2013/9/5 David Kastrup :
> Janek Warchoł writes:
>
>> 2013/9/4 Shane Brandes :
>>> That is interesting. Janek's modifications are slight but make
>>> everything look a little tighter. I like it especially the different
>>> flags.
>>
>>
2013/9/3 David Kastrup :
> Thomas Morley writes:
>
>> Hi Rachael,
>>
>> I'm in a hurry: For now a first sketch.
>
> [two billion lines of code omitted]
>
> Sometimes I am reminded of a reoccuring theme in the "Back to the
> Future" trilogy when Doc Emmett Brown illustrates plans cobbled together
>
Hi,
2013/9/5 Kieren MacMillan :
> What *would* be great — and I would want to support — is what we started
> discussing a little while ago (a discussion that did not, I believe, come to
> a satisfactory conclusion): the ability for Lilypond to support multiple
> different fonts. That way, one c
2013/9/6 Peter Bjuhr :
>
> On 09/06/2013 07:40 PM, Kale Good wrote:
>>
>> I submitted something to the mailing list with 2 attachments and it
>> doesn't seem to be showing up. I've never done this before (at least, I
>> don't remember it). Am I missing something?
>
> There is a memory limit for eac
Hi,
I'm trying to create predefined custom contexts for specific
instruments, for example define a TenorStaff which has appropriate
instrumentName, clef, ambitus, etc.
Predefined staves work well, but i didn't manage to make custom voice
contexts work properly with them - despite using \defaultch
2013/9/6 Marc Hohl :
> You may find that the spacing between staff lines is not optimal
> when using lilypond-book, but a suitable definition for
> \betweenLilyPondSystem may help in this case.
In that case you may be interested in reading this
http://lilypondblog.org/2013/07/creating-songbooks-wi
Hi,
2013/9/6 Kale Good :
> [...]
I'm very surprised that this attachment went through. Nevertheless,
please don't send so big attachments in the future - considering that
this mailing list has about 1000 subsribers, sending your email meant
transferring ~2GB of data around the world. It's much
2013/9/6 David Kastrup :
> Janek Warchoł writes:
>> Here are the definitions that i have so far:
>> http://github.com/openlilylib/snippets/blob/master/templates/predefined-instruments/instrument-context-definitions.ily
>>
>> Here is my testing file:
>> http://git
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>
>> apparently somewhere in midi generation there's a hard-coded "Voice"
>> context, and midi doesn't want to work with custom-defined contexts.
>
> Wrong. \midi would be happy to work with any custom-d
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>> Ah, i understand! Now
>> (http://github.com/openlilylib/snippets/commit/55a80652dc0da9506edb4826d4def58f3a34f145)
>> the file compiles, but there is no sound output, as if no
>> midiInstrument was specifie
2013/9/7 Marc Hohl :
> Am 06.09.2013 23:27, schrieb Janek Warchoł:
>
>> Hi,
>>
>> 2013/9/6 Kale Good :
>>>
>>> [...]
>>
>>
>> I'm very surprised that this attachment went through. Nevertheless,
>> please don't send
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>> I think that we should turn point and click off by default. It only
>> makes sense with smart editors like Frescobaldi, which should be able
>> to turn this on when they need it.
>
> I very much disagree. lilypond-i
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>> So, as i see it, the links are useful only for the person who produced
>> the pdf.
>
> Sure. They point is that they _are_ useful.
>
>> My point is:
>> - if you don't compile the file yourself, the lin
2013/9/7 Paul Morris :
> Aha! I think this explains why I get this:
>
> warning: cannot find or create new `StaffTwinNote'
>
> when I use music that includes my custom staff context in a \midi block.
> Everything still worked fine, so I did not look further into it before.
:-)
> I see where th
Hi all,
following a discussion about LSR and its limitations (e.g. problems
with snippets written for development versions of LilyPond), I've
created a new place to store useful pieces of LilyPond code:
http://github.com/openlilylib/snippets (scroll down to see description)
Note that this is *no
Hi,
do you know GitHub? I think it would be convenient to use it in this
situation - it would be easy to post comments about specific lines of
code, send you patches with suggestions how to improve things etc (i
consider doing this manually to be pretty inconvenient).
Even if you don't know gith
Hi,
2013/9/13 Curt :
> Hi all -
>
> About a year ago, several of you answered questions of mine about notating a
> film score. I reached a stopping point with the first cue and learned a bit
> more about git, so I have the first film cue from the score up on github now:
>
> https://github.com/t
2013/9/14 Jim Long :
> On Sat, Sep 14, 2013 at 12:14:55PM +0200, Janek Warcho?? wrote:
>>
>> I think that we should add to LilyPond a simple, user-friendly
>> interface that would allow choosing the "density" of music, so that
>> one could write
>> \layout { \horizontalSpacingLoose }
>> and it woul
Hi,
2013/9/14 Kieren MacMillan :
>> Please take a look at this snippet:
>> http://github.com/openlilylib/snippets/blob/master/input-shorthands/articulations-not-aligned-with-notes.ly
>> It has some issues, but you'll get an idea immediately after compiling
>> it. I think it's clever and could pro
2013/9/15 David Kastrup :
> Janek Warchoł writes:
>> As far as i see, implementing this with some reasonable and
>> user-friendly syntax would require a substantial discussion. We tried
>> to discuss these "GLISS" things last September, but the outcome was
>
Hi,
2013/9/10 David Kastrup :
> Hilary Snaden writes:
>
>> This (trimmed) example doesn't work as the documentation suggests it
>> should, in this case to reduce the volume of the organ relative to the
>> voices. Changing the volume values makes no difference at all. \dyns
>> contains dynamics fo
Hi,
2013/9/14 David Kastrup :
> This is a reminder that next weekend, Sept 20th to 24th, there will be a
> LilyPond developer and user meeting in Waltrop, Germany. After the
> first attempt to schedule the meeting in August, we rescheduled in order
> to better meet people's calendars.
I'd like t
Hi,
2013/9/15 Alan McConnell :
> On Sun, Sep 15, 2013 at 07:23:06PM +0200, David Kastrup wrote:
>>
>> > special needs or interest have Bach Dover scores? But I
>> > would expect tho folks who do have such scores to easily
>> > recognize my problem from the "extract" that I gave, and
>
Hi Harm,
2013/9/16 Thomas Morley :
> Hi again,
>
> I now come up with a (hopefully) improved version.
> It is a function which takes a dotted(!) note as argument replacing it
> with the main note and a dot (instead of a tied note)
Looks nice!
> \version "2.16.2"
> % Does not work with 2.14.2 !
>
2013/9/16 Noeck :
>
>> The way hspace works has been changed (corrected). In your example,
>> omitting the hspace makes the text fill the line.
>
> A follow-up question: How can I push the columns a bit from the margins?
> (Like I could with the \hspace commands before.)
You most probably want to
2013/9/16 Thomas Morley :
> I didn't look at Janek's link, though you might be interested in the
> markup-command 'compensate-indent' I wrote some time ago.
> Shouldn't be too hard to adept it, though it works even right now.
>
> [lily snippet]
I'm not sure if i fully understand what this code doe
Hi,
a somewhat late answer...
2013/9/8 Dave Phillips :
> I've revised some pieces and added some new things here :
>
> http://linux-sound.org/dlp-music-lilypond/
>
> Comments and suggestions are most welcome, particularly regarding part
> writing and instrument-specific matters. This work was
2013/9/16 Alan McConnell :
> On Mon, Sep 16, 2013 at 10:01:42PM +0100, Phil Holmes wrote:
>>
>> >bar line, mandated I guess by my 3/4 key signature, is
>> >not replaced. It is still implacably there!
>> >
>> >Alan
>>
>>
>> No fancy stuff needed. \bar "" puts in a blank bar line.
>
2013/9/17 Alan McConnell :
> On Mon, Sep 16, 2013 at 11:21:43PM +0200, Janek Warchoł wrote:
>>
>> Please send us a short and compilable example and we'll try to tell
>> you what exactly needs to be done. Without an example, i have no idea
>> why Phil&
Hi,
i have a function that takes a moment as the argument:
foo =
#(define-music-function (parser location mom)
(ly:moment?)
#{
\override Score.SpacingSpanner.base-shortest-duration = #mom
#})
\new Staff {
\foo #(ly:make-moment 1 50)
c'4 d' e' f'
}
Now, i would like to be able
2013/9/18 David Kastrup :
> Janek Warchoł writes:
>> Now, i would like to be able to supply a decimal number and have it
>> converted to a rational number (i.e. a fraction, which can be easily
>> converted to a moment)
>
> How did you search? It's right in
2013/9/18 Thomas Morley :
> 2013/9/18 David Kastrup :
>> (1 32) tries to call 1 with 32 as its argument. Just write
>>
>> #(ly:make-moment 1/32)
>>
>> and be done. If you really, really don't remember how LilyPond
>> represents fractions and you really, really want to use
>> fraction->moment, you
This snippet is dedicated to Graham Percival (see post scriptum)
2013/9/14 Janek Warchoł :
>
> 2013/9/13 Curt :
>> Unexpectedly hard parts of creating this score (all specific to v2.16):
>>
>> - General spacing and staff sizes. I believe Lilypond by default
>>
BTW, a joke from the same conversation. I wrote back then
2011/3/13 Janek Warchoł :
> [what we need is also] changing
> objects' outlines from boxes to something resembling their shape more
> precisely. For example forte sign here
> { a''8 e'' f'
:(
2013/9/17 David Kastrup :
> David Kastrup writes:
>
>> This is a reminder that next weekend, Sept 20th to 24th, there will be a
>> LilyPond developer and user meeting in Waltrop, Germany.
>
> Ok, the current possible participant list would look like the following:
> Jan, Janek, Harm and myself
Hi Kieren,
2013/9/18 Kieren MacMillan :
> Hi Janek,
>
> This is amazing — great work!
Thanks, but more credit should go to David Nalesnik! He wrote the
core of the function, and he wrote \offset function which inspired
this one.
> It even seems to Do The Right Thing™ when it comes to \newSpacin
2013/9/20 Werner LEMBERG
> consider this snippet
>
> \relative c'' {
> \compressFullBarRests
> \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
> \override Score.BarNumber.break-visibility = #end-of-line-invisible
> c1 | c1 | c1 | c1 |
> c1 | c1 | c1 | c1 |
Hi,
2013/9/20 David Nalesnik :
> Well, I didn't find a solution for this that would determine automatically
> syllables that start a line. I had to resort to manually tagging the
> syllables in question. Using the engraver linked to would take care of the
> syllable alignment, and use of one of
[forwarding to the -user list, maybe someone else will have an idea]
2013/9/20 Peter Gentry :
> I have run into a snag. I have a file which engraves four movements in
> "bookparts" which are defined in separate files. The
> \horizontalSpacingLoose is included in the description of each bookpart b
2013/9/20 David Kastrup :
> Janek Warchoł writes:
>>
>> 2013/9/20 David Nalesnik :
>>> Well, I didn't find a solution for this that would determine automatically
>>> syllables that start a line. I had to resort to manually tagging the
>>> sylla
*Please* always reply to the whole list.
2013/9/21 Peter Gentry :
> Thanks Janek
>
> Strangely as I said on the list the problem is not visible today. Errors that
> are not repeatable are notoriously difficult to track
> down. I will continue playinf with a cut down example to see if I can get
>
2013/9/21 Janek Warchoł :
>
> 2013/9/21 Peter Gentry :
>> Thanks Janek
>>
>> Strangely as I said on the list the problem is not visible today. Errors
>> that are not repeatable are notoriously difficult to track
>> down. I will continue playinf with a
Hi,
2013/9/21 Peter Gentry :
> This is not easy to replicate but could be related to a combination of
>
> (a) forgetting to save all when editing more than one file.
> (b) accidentally opening a second instance of Frecobaldi.
Sounds plausible.
> By the way how do you reply to the list from
> ht
2013/9/23 Urs Liska :
> Am 23.09.2013 14:03, schrieb David Kastrup:
>
>> Urs Liska writes:
>>
>>> Hi list,
>>>
>>> could someone be so kind as to give me some _very_ short descriptions
>>> of the eight accordion glyphs that can be seen in the table at the
>>> beginning of
>>>
>>> http://lilypondbl
2013/9/23 Phil Holmes :
> - Original Message - From: "Janek Warchol"
>> Interestingly, i recently modified my cousin's small python script
>> which removes trailing whitespace and ensures at least one empty line
>> is present at the end of the file - feel free to use it:
>>
>> http://github
2013/10/7 Urs Liska :
> Am 07.10.2013 16:55, schrieb Kieren MacMillan:
>
> Hello all,
>
> I've got a piece in which the key centres move thusly:
>
>E major --> F minor --> A major --> F major --> E major
>
> I need to transpose it up a few pitches, as it was originally written for
> med
2013/10/7 David Kastrup :
> Kieren MacMillan writes:
>
>> Hello all,
>>
>> I've got a piece in which the key centres move thusly:
>>
>>E major --> F minor --> A major --> F major --> E major
>>
>> I need to transpose it up a few pitches, as it was originally written for
>> medium voic
2013/10/13 Mario Moles :
> Hi!
>
> I have a strange message on the log:
>
> lilypond 2.17.25 [Inno ComoeniusOrch.ly] in avvio...
>
> attenzione: opzione interna sconosciuta: debug-control-points
> attenzione: opzione interna sconosciuta: debug-voices
>
> Elaborazione di
>
> and I also have a strang
Hi,
2013/10/9 Jacques Menu
> Do you think there could be interest in such a tool for anyone else than its
> author?
I'm interested, although i don't have time to delve deeper into this
now (that's why i didn't answer immediately) - sorry :-(
What would be important for me: making it as generic
congratulations! Frescobaldi is the best!
2013/10/16 Wilbert Berendsen :
> Dear friends,
>
> Frescobaldi 2.0.11 has been released, incorporating many improvements and
> functionality contributed by other developers.
>
> Highlights are musicxml import and configurable debug modes for building PDF
Hi,
2013/10/16 Pierre Perol-Schneider :
> There is something I found disturbing for years : I think \super and \sub
> are not properly settled. []
Here's a patch that fixes it:
http://code.google.com/p/lilypond/issues/detail?id=3619
http://codereview.appspot.com/14438075
Please follow the di
2013/10/16 Phil Burfitt :
>
> In my current work flow, I have a .ly file of functions in a non lilypond
> directory, which I \include in all of my scores. Is there a way to define a
> path for include files in Frescobaldi, or do I have to give the full path in
> the \include statement?
>
> I includ
2013/10/16 Kieren MacMillan :
> Question: Is there a way to force the MMRs (in \notes) to combine (in the
> Staff), despite the fact that the skips (in \global) are broken up? Currently,
> I'm using a series of tags to work around it, but it is extremely hacky,
> time-consuming, and prone to trial-
2013/10/17 David Kastrup :
> David Kastrup writes:
>
>> Thomas Morley writes:
>>
>>> Hi,
>>>
>>> I tried to create a function which should accept a pitch _or_ music.
>>> So I defined a pitch-or-music? predicate:
>>>
>>> #(define (pitch-or-music? x)
>>> (or (ly:pitch? x) (ly:music? x)))
>>>
>>>
Hi all,
\shape is an awesome function, indispensable for creating
publication-quality slurs. However, after using it 1107 times in a
recent project (this number is not a joke!), i came to the conclusion
that it's not perfect yet and it could use some improvements ;-)
After several days of work i'
Hi,
2013/10/18 Urs Liska :
> Am 18.10.2013 00:03, schrieb Janek Warchoł:
>
>> Hi all,
>>
>> \shape is an awesome function, indispensable for creating
>> publication-quality slurs. However, after using it 1107 times in a
>> recent project (this number is not a
2013/10/18 SoundsFromSound :
> Janek & David N:
>
> Fantastic effort and a solid expansion idea for how to make a great function
> even better.
>
> I can't speak to how this new version of \shape will fit into the LilyPond
> language/code (i.e. if it will break or harm anything by adding it), but
>
n that one could add a dot there :)
2013/10/18 Paul Morris :
> Janek Warchoł wrote
>> I'd like to hear your opinions. Do you like it? Should it be added
>> to official LilyPond distribution?
>
> Looks good to me! Nice work. I'd say yes and yes.
>
> What other
Hi David,
2013/10/18 David Kastrup :
> Janek Warchoł writes:
>
>> Hi all,
>>
>> \shape is an awesome function, indispensable for creating
>> publication-quality slurs. However, after using it 1107 times in a
>> recent project (this number is not a joke!),
&g
2013/10/17 Colin Campbell :
> PS:
> @Janek: would a library of templates, not snippets, be a useful test for a
> workflow management system?
Blimey, i've almost missed this email! Please cc me when you have a
question for me, as i'm not able to read the whole list.
To answer your question: of cou
2013/10/17 David Kastrup :
> Carl Peterson writes:
>
>> With my template system, most hymns take me 1/2 an hour at most, and
>> probably 85% of that is music input, 10% of it is linking the template
>> files together, and 5% of that is fixing input errors.
>
> So here is the challenging question:
2013/10/18 David Kastrup :
> Janek Warchoł writes:
>> That's nice! Could you make it work with 2.17.3 (we had to freeze
>> LilyPond version to ensure that no regressions in the scores appear,
>> and so we're using 2.17.3 for almost all scores)?
>
> No.
2013/10/18 Carl Peterson :
> Someone on the list (I can't remember who, precisely) wrote a macro that
> allows one to left-align all the lyric syllables at an arbitrary musical
> point. It looks at all the syllables at that point, figures out the longest
> one (as typeset), centers it, and left ali
2013/10/18 Janek Warchoł :
> 2013/10/18 Carl Peterson :
>> Someone on the list (I can't remember who, precisely) wrote a macro that
>> allows one to left-align all the lyric syllables at an arbitrary musical
>> point. It looks at all the syllables at that point, figures
2013/10/18 Eduardo Silva :
> Thank you, Carl and Janek. Awesome stuff. I liked your simple introduction
> to Lilypond, Janek, even though I don't speak any polish ;-)
I'm glad you liked it :-)
___
lilypond-user mailing list
lilypond-user@gnu.org
https:/
Hi Kieren,
2013/10/18 Kieren MacMillan :
> Hi Janek,
>
>> Could you send me a few examples of the old behavior (lilypond code,
>> lilypond output, documentation) so that i could quickly estimate the
>> difficulty of the task?
>
> Unfortunately, the docs and download archive only goes back to v2.6
Hi,
2013/10/20 SoundsFromSound :
> Hello,
>
> I stumbled upon this website recently and just noticed they have this font
> offered for sale, dubbed "Lilypond look is here!"
>
> Do any of you know anything about this vendor and/or fonts? I'm
> curious...anyone try these fonts before?
>
> Paris...
Hi Pierre,
2013/10/16 Janek Warchoł :
>
> 2013/10/16 Pierre Perol-Schneider :
>> There is something I found disturbing for years : I think \super and \sub
>> are not properly settled. []
>
> Here's a patch that fixes it:
> http://code.google.com/p/lilyp
2013/10/21 Pierre Perol-Schneider :
> Dear Janek,
>
> I'm 100% ok with your code.
> I don't understand Werner's remark : \sub is at the right height even for
> chords.
> I've also compared with Sibelius, Finale, and some books I have here; looks
> fairely good to me.
> Don't know what else to say..
2013/10/21 Aurélien Bello :
> Hi,
>
> I'm typesetting some Wagner and he uses crescendo and diminuendo hairpins
> with the text inside.
> With a markup and adding extra-offset I got a satisfying graphical result
> but wouldn't it be possible to have a command? I'm afraid it has to be
> programmed i
2013/10/21 Aurélien Bello :
> thanks for the quick answer.
> I knew this snippet, but how to modify it in order to get the text at the
> right place??? It should be right-aligned with the right-edge of the
> crescendo and left-aligned with the left-edge of a diminuendo. And it should
> vertically
Hi Gilberto,
2013/10/24 Gilberto Agostinho :
> Hi Janek,
>
> I just had time to check your snippet, and it is absolutely fantastic! Thank
> you so much for sharing it here with us, I will certainly be using it on my
> scores from now on.
Thanks, you're welcome! Expect a new version of the \shape
2013/10/21 Simon Bailey :
> On Mon, Oct 21, 2013 at 3:17 PM, David Kastrup wrote:
>> "Peter Gentry" writes:
>>
>>> I found it necessary to replace
>>> (ly:stencil-aligned-to (grob-interpret-markup grob $text)
>>> X CENTER))
>>> by
>>> (ly:stencil-aligned-to (
Hi,
2013/10/26 Urs Liska :
> now the new Preview Modes in Frescobaldi have been available for a while I
> would like to have some feedback. I know they aren't 'production quality'
> yet and I want to improve them.
>
> So please report any inconveniences, bugs or additional wishes.
I'd like to hav
2013/10/27 Urs Liska :
> What I mean is:
> When hitting Ctrl-M (Preview mode compilation) I practically always want
> point-and-click on.
> Sometimes I want the Preview Modes too, sometimes not. For example if I'm
> working on something and use the Preview Modes but want to see the result
> without
2013/10/27 Urs Liska :
> But how would you like the Engrave Custom dialog to behave instead?
Maybe have separate toggles for point-and-click and other preview mode settings.
(sorry, no time to go into more details now).
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Hi Aurélien,
2013/10/25 Aurélien Bello :
> dear Janek,
>
> so, if you still have time, I will be happy to give you 5 euros for making
> this function work. All explanations and tips from other lilypond-users
> don’t give a satisfying graphical result. And I will really need it…
> The cresc. text m
2013/10/28 Kieren MacMillan :
> Hi Janek,
>
>> Done - see attachments. How do you like it?
>
> Looks great!
thanks!
> p.s. Maybe the docs/examples should warn people that Gould explicitly
> recommends against putting text inside hairpins? While I love the fact that
> Lilypond (including your e
2013/10/28 Kieren MacMillan :
> p.s. Maybe the docs/examples should warn people that Gould explicitly
> recommends against putting text inside hairpins? While I love the fact that
> Lilypond (including your excellent extensions) give people lots of
> flexibility, I feel we as a community should
Just a short opinion:
2013/10/29 Wilbert Berendsen :
> [...]
> What do you think of a third main mode:
> - Preview mode (just point and click, as it has been)
> - Publish mode (no point and click)
> - Debug mode: this mode listens to the settings in the Debug mode panel.
For me, "preview" and "de
2013/10/29 Urs Liska :
> Hi all,
>
> I hope you'll not consider this post as spam, but as I'll tell you later I
> think it _does_ have some general relevance to LilyPond ;-)
>
> I have just released a post on lilypondblog.org starting a little series of
> reports on the ominous "Fried project" that
Hi Simon,
2013/10/16 Urs Liska :
> Am 16.10.2013 15:08, schrieb Simon Bailey:
>> []
>> so basically, is there an intention at some point, to create a
>> _library_ version of the snippets github (i.e. leave the examples in
>> the files as usage documentation, but commented out so that they don'
2013/10/29 Simon Bailey :
> Hiya,
>
>
>> On 29 Oct 2013, at 23:36, Janek Warchoł wrote:
>>
>> As you may have noticed, we recently reorganized the repository and
>> now it should work more or less like you described. I hope you'll
>> like it!
>
>
2013/10/30 David Kastrup :
> David Kastrup writes:
>
>> Janek Warchoł writes:
>>
>>> Also, you may be interested in this:
>>> https://github.com/openlilylib/snippets/blob/master/input-shorthands/late-evaluation-of-variables.ly
>>
>> I can hardly c
2013/10/30 David Kastrup :
> Also debugging involves
> analyzing the internal data and control flow of a program rather than
> its output.
But this is just what some of these features are about! They display
the internal data so that the user may analyze it:
1) display-control-points. The output
Hi,
my 3 eurocents:
1) StackExchange is great. It's Q&A style of sharing knowledge is
very efficient and pleasure to work with.
2) LilyPond is too small to have its own StackExcange site. If you look at
http://discuss.area51.stackexchange.com/questions/10733/leaving-beta-requirements
you'll se
Hi,
2013/11/8 Gilberto Agostinho :
> Hi Peter!
>
> Thanks a lot for the scan. I would say that even though she doesn't condemns
> her example a), she still considers b) as bad and c) as the best compromise.
> My corrections above are all similar to her example c)
>
> What about her recommendation
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