2013/10/7 Urs Liska <u...@openlilylib.org>: > Am 07.10.2013 16:55, schrieb Kieren MacMillan: > > Hello all, > > I've got a piece in which the key centres move thusly: > > E major --> F minor --> A major --> F major --> E major > > I need to transpose it up a few pitches, as it was originally written for > medium voice, but is going to be sung by a high[er] tenor. > > \transpose e g ==> G major --> G# minor (= B major) --> C major > --> Ab major --> G major > > would be great… except what's actually happening is > > \transpose e g ==> G major --> Ab minor (= Cb major, with 7 > flats!!!) --> C major --> Ab major --> G major. > > Is there any way (like the "naturalizeMusic" function for individual notes) > to ensure that the key signatures in a transposed piece are the "most > logical"? > > Thanks, > Kieren. > > > Not that I know of. And from my experience "naturalizeMusic" is a very bad > idea for that purpose. > Do these articles help you any further: > http://lilypondblog.org/2013/06/transposition-with-enharmonic-changes-part-1/ > (follow-ups linked in text) > ?
I was just going to send this link ;-) Also, you may be interested in this: https://github.com/openlilylib/snippets/blob/master/input-shorthands/late-evaluation-of-variables.ly best, Janek _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
