True, but textedit doesn't have syntax hilighting or bracket matching.
Speaking of which, I've been meaning to send my syntax hilighting for
lilypond to this list for ages, but haven't done so. It isn't great,
nor is perfect, but it hilights and helps me spotting errors. And, the
only time
clicked the send button instead of attach.
lilypond.nanorc
Description: Binary data
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s for sending.
Jon
James E. Bailey wrote:
clicked the send button instead of attach.
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Am 27.07.2008 um 11:04 schrieb Paul Scott:
Trevor Daniels wrote:
Paul Scott wrote Sunday, July 27, 2008 4:01 AM
Hi,
When I use << { } \\ { } >> without voice naming to show note
variations
in different verses of a song the parallel music gets skipped by the
lyrics. I have read all the
Am 27.07.2008 um 11:04 schrieb Paul Scott:
Trevor Daniels wrote:
Paul Scott wrote Sunday, July 27, 2008 4:01 AM
Hi,
When I use << { } \\ { } >> without voice naming to show note
variations
in different verses of a song the parallel music gets skipped by the
lyrics. I have read all the
hould work on OSX, but I haven't been able to get it to do
so.
You can use textedit to edit your lilypond files on OSX.
Carl
On 7/26/08 3:36 PM, "James E. Bailey" <[EMAIL PROTECTED]> wrote:
Looks like I was mistaken, lilypondtool is for windows.
Am 26.07.2008 um 23:24 s
hed \{
Press Enter to continue starting nano.
Nonetheless when I press enter to continue, I do have the syntax
highlighting. It's nice! I didn't realize this was possible in
nano and as such have always uses an editor with a GUI.
Thanks James,
Jon
James E. Bailey wrote:
I
Am 28.07.2008 um 03:01 schrieb Carl Sorensen:
On OSX 10.5, I am able to get Java installed, get JEdit running, and
get
LilyPondTool installed. The syntax highlighting works. It's a lot
like
running it in Windows.
How? I can't figure out how to get lilypondtool installed.
Is this a part of of, or in addition to http://www.lilypondwiki.tuxfamily.org
?
On 29.07.2008, at 19:07, Mike Blackstock wrote:
A couple of us have started a 'lilypond wiki' so that people can
collaborate on the creation and or editing of lilypond scores.
It's at http://draft.wikilily.org and
In 2.8.2.1, Ancient note heads, the link to the
Gregorian_ligature_engraver in the IR is broken. It works fine in the
big-page version, though.
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Am 30.07.2008 um 00:04 schrieb Neil Puttock:
2008/7/29 James E. Bailey <[EMAIL PROTECTED]>:
In 2.8.2.1, Ancient note heads, the link to the
Gregorian_ligature_engraver
in the IR is broken. It works fine in the big-page version, though.
By `works fine', I assume you mean it
It looks fine to me. It might be useful to mention (if it hasn't
changed) that for crescendo and diminuendo to playback in MIDI they
must be terminated with \!
Am 30.07.2008 um 20:22 schrieb Patrick McCarty:
I would like to announce the second draft of NR 1.3 Expressive marks.
Please proofre
No worries, since it was required, I've just kept on with it, if it's
been changed, then all the better.
Am 30.07.2008 um 21:34 schrieb Trevor Daniels:
James E. Bailey wrote Wednesday, July 30, 2008 8:11 PM
It looks fine to me. It might be useful to mention (if it hasn't
Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
Question
Can this be handled by lilypond, to put the possible times only at the
beginning of the score, when there are too many?
I would just create a fake time signature that looks like what I want,
then just remove the engraver for all of the oth
Speaking of broken links, 1.6.1.3, the link to NR InnerChoirStaffGroup
leads nowhere. Which would make sense, because the NR has an entry for
an InnerChoirStaff. (Which makes me feel a lot better, because I
thought it silly to have InnerChoirStaffGroup instead of
InnerChoirStaff).
__
Am 29.07.2008 um 01:15 schrieb Neil Puttock:
James E. Bailey-2 wrote:
Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
Question
Can this be handled by lilypond, to put the possible times only
at the
beginning of the score, when there are too many?
I would just create a fake time signature
I think an excellent place to look for inspiration would be LM 2.1.3
Am 05.08.2008 um 09:03 schrieb Jordan Eldredge:
I am currently working on wikilily.org and realized that one thing
that could be very helpful when collaborating on Lilypond code, would
be a style guide. My question for all of y
no, AU is audio unit. It's a type of plugin for core audio on
macintosh computers.
And am I the only one who thinks of cars seeing MG?
Am 12.08.2008 um 19:43 schrieb Tomas Valusek:
Hello,
BTW, AU is what? An Astronomical Unit??? IR is commonly recognized
is InfraRed :-))) IMHO there shou
Am 13.08.2008 um 08:17 schrieb Werner LEMBERG:
I am not sure if you should use durations rather than dottedness.
Should a dotted 64th need a lot of space to accomodate for the dot,
or should it be treated like a very short note?
A dotted, beamed note gets automatically more horizontal space
I don't understand this. Why aren't the last two eighth notes beamed
together?
\version "2.11.54"
\relative { \clef bass << {e8 d d c d8 c } \\ { 4 g 4} >>
}
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Am 14.08.2008 um 13:58 schrieb Jonathan Kulp:
Perhaps even better: don't use the \\ but explicitly
instantiate one of the voices
(related to a recent email discussion).
When I removed the \\, I got errors about clashing columns. I'll
check into the explicit voice instantiation thing. For
Am 14.08.2008 um 17:31 schrieb Mats Bengtsson:
James E. Bailey wrote:
Am 14.08.2008 um 13:58 schrieb Jonathan Kulp:
Perhaps even better: don't use the \\ but explicitly
instantiate one of the voices
(related to a recent email discussion).
When I removed the \\, I got errors
Am 14.08.2008 um 23:28 schrieb Kieren MacMillan:
Hi Daniel,
Under what circumstances would you want the upper part
to be a different voice from the one-voice part?
One case is when you want lyrics or dynamics (etc.) to be attached
to the lower part.
Hope this helps,
Kieren.
Or if you
I'm reading through 1.8.2.3, trying to understand how to center two
lines of text. How does \vcenter work? The documentation doesn't
really provide an example, so I'm kinda confused. I got it to work
with \center-align, but I'm understanding because of recent discussion
that sometime in the
Aha! there's a big difference in this section from the 2.11.54
documentation and the 2.11.55 documentation.
Am 15.08.2008 um 17:59 schrieb Neil Puttock:
Hi James,
2008/8/15 James E. Bailey <[EMAIL PROTECTED]>:
I'm reading through 1.8.2.3, trying to understand how to cente
Am 15.08.2008 um 17:59 schrieb Neil Puttock:
Hi James,
2008/8/15 James E. Bailey <[EMAIL PROTECTED]>:
I'm reading through 1.8.2.3, trying to understand how to center two
lines of
text. How does \vcenter work? The documentation doesn't really
provide an
example, so I
Am 15.08.2008 um 19:36 schrieb Neil Puttock:
2008/8/15 James E. Bailey <[EMAIL PROTECTED]>:
Thanks, I think I've got a hang of it, (I was actually looking for
\hcenter), but now I have another question. Is there any situation
where
\center-align and \hcenter are exclusive?
Am 15.08.2008 um 19:36 schrieb Neil Puttock:
The example for \hcenter in B.8.2 uses \column as a convenience to
show the alignment relative to the arrow.
Actually, this isn't centered. But the implication is that it is.
\Since \hcenter aligns the center of an object with the left edge of
an
Am 17.08.2008 um 00:39 schrieb Neil Puttock:
Thanks for the feedback, everybody.
To recap, the favoured option is as follows:
horizontal alignment (single): \left-align, \center-align, \right-
align
vertical alignment (stacked): \left-column, \center-column, \right-
column
As for \hcenter
Am 17.08.2008 um 01:27 schrieb Neil Puttock:
- change the current behaviour of \center-align to match \hcenter;
keep \hcenter for backwards compatibility, or remove it
What if I want a vertically centered column of arguments? Then, rather
than just using \center-align, I have to use \column
Am 17.08.2008 um 14:21 schrieb Mats Bengtsson:
Trevor Daniels wrote:
As for \hcenter and \column, should I leave these as duplicates of
\center-align and \left-column (which would help minimize user
complaints), or remove them?
I just realized that \column and \left-column isn't the same
Am 17.08.2008 um 19:53 schrieb Neil Puttock:
2008/8/17 James E. Bailey <[EMAIL PROTECTED]>:
Yeah, the current documentation, with the arrows, is very
misleading. I
actually took the time to re-write those snippets. (I have zero
idea how
this could be integrated into future documen
Am 17.08.2008 um 21:43 schrieb Graham Percival:
global = {
s1*4
\bar "|."
}
I very rarely include s1*4 \bar "|." in my global variable -- is
this good practice?
When managing a score with many time signature changes, it's really
useful. You only have to make (or correct)
Am 18.08.2008 um 00:02 schrieb Neil Puttock:
2008/8/17 Mats Bengtsson <[EMAIL PROTECTED]>:
A practically relevant example of the use of \hcenter (to be renamed
to something else), should rather contain a single markup.
Within scores, markups are in principle always used for graphical
objects,
Am 17.08.2008 um 22:26 schrieb Graham Percival:
Why manually number the bars?
I'll give you my most recent opera score WITH MY CODE BAR NUMBERS
REMOVED, and then ask you to add a cautionary accidental to the
first quarter note in m. 413 of the violin music... ;-)
Welcome to the world of po
Am 18.08.2008 um 09:14 schrieb Dmytro O. Redchuk:
And, the question -- why global ?
You set \clef in "melody" (although it is "Staff's property"), so
why not set
\key and \time in "melody" (*Notes { ... })?
If you do an open score and closed score version of a choral piece,
the tenor par
Aquamacs Emacs and the cli emacs can both compile lilypond files.
Emacs.app doesn't seem to load my $PATH correctly, because I get /
bin/bash: lilypond: command not found
I've solved this by having an ~/.MacOSX/environment.plist, which
contains global settings for your user-id.
http://www.app
This is a known issue.
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Metronome-marks.html#index-tempo-1436
Known issues and warnings
Collisions are not checked. If you have notes above the top line of
the staff (or notes with articulations, slurs, text, etc), then the
metronome m
Now that emacs can actually run lilypond, I have another problem, I
can't run a command on the master file: it doesn't escape the spaces
in filenames or folder names. Is there any way I can change this?
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Am 18.08.2008 um 13:26 schrieb Jonathan Kulp:
Oy. In all the time I spent working on that part of the docs, it
never occurred to me to try the fingerings and string numbers with
slurs.
So, I ran this code and while I got the same error message as you,
it was not a fatal error and the fi
Am 18.08.2008 um 13:41 schrieb Francisco Vila:
2008/8/18 Carl Sorensen <[EMAIL PROTECTED]>:
Another option is to read the new discussion on polypohony from the
GDP docs:
http://kainhofer.com/~lilypond/Documentation/index.html
Go to the Notation Reference, and look up section 1.5.2.
Speakin
Am 18.08.2008 um 17:29 schrieb Peter Johnson:
James E. Bailey-2 wrote:
Now that emacs can actually run lilypond, I have another problem, I
can't run a command on the master file: it doesn't escape the spaces
in filenames or folder names. Is there any way I can c
Am 18.08.2008 um 19:53 schrieb Francisco Vila:
2008/8/18 James E. Bailey <[EMAIL PROTECTED]>:
I realise it isn't at draft stage yet, but I thought I'd say that
there's a
slight inaccuracy in 1.5.3, \oneVoice doesn't put a voice into the
same
voice context be
Am 19.08.2008 um 07:51 schrieb David Stocker:
How do I go about removing 2.10.33 (if that's even necessary) before
installing the latest development version. Path$ and Directorie$ are
new to me because ever since I have used a computer, I have never
had to deal with such weighty decision
Here's a version with voices and all that stuff.
\version "2.11.54"
Music = \new Voice = "musicvoice" \relative {
a'4 g f8( e) f( g)
\new Voice = "musicrepeats" {
\repeat volta 2 {
f4 e d c
}
}
}
VerseText = \lyricmode {
Text for vers -- es.
}
RepeatOne = \lyricm
/home/tomc/bin probably isn't in your $PATH. I'm going to guess that
to add it to your path you'd have to modify (or create and then
modify) the /home/tomc/.bashrc and add
PATH=$PATH:/home/tomc/bin/
export PATH
I think the last line has to be blank, I'm not sure. And again, I've
never done
I think the lilypond in that folder is lilypond, the program. If you
type /home/tomc/bin/lilypond what do you get?
Am 19.08.2008 um 13:15 schrieb Tom Cloyd:
Jan, James,
I continue to be amazed at the quick responses on this list. Fully
matches the response time on the Ruby list (my favorite
You need to add the folder that lilypond is in to your $PATH. Then,
linux will know to look in that folder as well for executables,
regardless of which directory you're actually in. Apparently on linux,
according to carl, you add to your /home/tomc/~.bashrc:
PATH=/home/tomc/bin:$PATH
export
Am 19.08.2008 um 22:42 schrieb Patrick McCarty:
On Tue, Aug 19, 2008 at 08:39:16PM +0200, Reinhold Kainhofer wrote:
Am Dienstag, 19. August 2008 schrieb Patrick McCarty:
I did not consider this, since I just have a self-compiled version
installed. If I did have two LilyPond binaries on my s
Sure, if you're up on your
Linux, no problem, but the Linux world is drawing a number of people
who come from other backgrounds (i.e., Windows), AND don't have a lot
of time to study up.
Knowing that you run a program by doing
cd progdir
./progname
or adding it to your PATH environment varia
Am 20.08.2008 um 11:15 schrieb Graham Percival:
It's not the job of the lilypond manual to teach users how to use
their operating systems. There's *tons* of other help available
on the internet for such tasks -- and a lot of that help has much
prettier pictures than we'd have the patience to
It isn't simple.
Chapter 4, Spacing Issues is (for me) a difficult read, and somewhat
complex. Also, I read the email thread from a couple of months ago
about this every couple of weeks, I don't understand it all fully, but
I understand a little more each time I read it.
http://lists.gnu.or
Am 21.08.2008 um 04:58 schrieb Carl Peterson:
I'm working on a hymnal, and I have some questions about some things
I need to do for it, layout-wise.
2) If I have verses with different rhythms (e.g., one verse has only
one syllable at a quarter note, but another verse has two syllables
in
Am 22.08.2008 um 19:21 schrieb Gilles THIBAULT:
Talking about utilities: Has anybody ever seen one that transforms
a simple
voice (pitches and durations) into a "ghost voice" consisting of
spacers and
durations only (e.g. c2 d e ==> s2 s s).
In scheme, it can be quite short :
I have no previous knowledge about the issue, other than to say that
on mac osx 10.4 and earlier, the file would be overwritten, but it
wouldn't update automatically in acrobat or apple's pdf reader,
preview. One workaround I found was to open the pdf in a web crowser
that can open pdf's (l
The problem is the last measure of the left hand of the piano. There
are only three beats in the measure. Changing it from :
\bar ":|"
to
r4 \bar ":|"
should solve your problem.
Am 23.08.2008 um 16:28 schrieb Lara Diamand:
Hi Dominic,
Here is my file, I send you the whole thing, beca
You might be better served with \stopStaff and \startStaff.
Am 25.08.2008 um 13:24 schrieb Alexander Kobel:
Hi, all,
does anybody know whether/how it's possible to locally prevent staves
from hiding troughout a part of the piece? An example (and my best
up to
now) is attached...
By the way
How does the output differ from what's suggested in 1.8.1.3, printing
marks on every staff?
I get relatively similar output
\version "2.11.56"
markings = {
s1\mark \default
s1*3
s1\mark \default
s1*7
s1\mark \default
s1*3
\bar "|."
}
notes = {
\repeat unfold 16 {c'1}
}
looks like something before line 11 of your input file is incorrect,
causing line 11 to have errors
and something before line 32 as well.
Maybe an unclosed bracket? or scheme setting that doesn't habe enough
space around it?
Am 26.08.2008 um 09:22 schrieb Tom Cloyd:
[LilyPond-2.11.56 (deve
and looking at it more closely, try adding a space after
#'header:composer
Am 26.08.2008 um 09:22 schrieb Tom Cloyd:
[LilyPond-2.11.56 (development-branch), in Kubuntu Linux 8.04.1]
Inserting the definition example given in "3.2.1 Creating titles" of
the Notation Reference (NR) for GNU Lily
that page. You
probably want the evenHeaderMarkup.
In my code file I have things in this order (is that the problem?):
\version...
\paper...
\layout...
\header...
\score...
Any help much appreciated!
t.
James E. Bailey wrote:
and looking at it more closely, try adding a space after
#'
Also, installing without macports is doable. The first time is a pain,
but it has the advantage of not being dependent on macports.
Am 27.08.2008 um 05:17 schrieb Jonathan Kulp:
Found it. Thanks. I'm going to try to follow these instructions
tomorrow. I've had trouble getting all the depe
Am 27.08.2008 um 15:05 schrieb Peter Johnson:
On 27 Aug 2008, at 13:21, Johan Vromans wrote:
So, here it goes again: How can I print bar number 1? E.g.,
Add this here:
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\set Score.currentBarNumber = #1
\bar ""
\repea
Oddly, in the attached code, if the appoggiatura is commented out,
then the stems follow how they're supposed to. Is this a bug or a
super-special feature of graceMusic that I just didn't know about?
\version "2.11.57"
{
\relative {
\voiceOne
\appoggiatura e'
f4 e d c b a
chrieb Reinhold Kainhofer:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Mittwoch, 27. August 2008 schrieb James E. Bailey:
Oddly, in the attached code, if the appoggiatura is commented out,
then the stems follow how they're supposed to. Is this a bug or a
super-special feature of graceMusi
I can't seem to reproduce this out of context, but I have a clef
change that happens on top of a bar line. There are other clef
changes, none of the others have collisions.
The most minimal snippet I could extract follows.
\version "2.11.57"
\include "deutsch.ly"
\paper { indent = #0 }
Vocal =
Am 28.08.2008 um 01:38 schrieb Reinhold Kainhofer:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Mittwoch, 27. August 2008 schrieb Daniel Hulme:
On Wed, Aug 27, 2008 at 10:32:31PM +0200, Reinhold Kainhofer wrote:
Am Mittwoch, 27. August 2008 schrieb James E. Bailey:
Oddly, in the
Am 28.08.2008 um 01:17 schrieb Neil Puttock:
Hi James,
2008/8/28 James E. Bailey <[EMAIL PROTECTED]>:
I can't seem to reproduce this out of context, but I have a clef
change that
happens on top of a bar line. There are other clef changes, none of
the
others have collisions.
Am 28.08.2008 um 17:11 schrieb Mike Blackstock:
Not being a singer, I assumed that vocal music never has beams -
Current style guides indicate that vocal music follows beaming rules
for instrument music.
wrong! I see that when notes are slurred, the slurred notes have
beams. Is there a
Am 29.08.2008 um 18:04 schrieb Mike Blackstock:
Thanks to all for the advice. I guess I'll just use brackets for now
and look at Alexander's suggestions more closely a bit later on.
This was prompted by a project to do Schubert's Winterreise, but I'm
thinking ahead to Wagner's Ring. . Ok,
Is there a way to have cross staff stems on beamed notes? Or does it
only work with flagged/non-flagged notes? I didn't see anything
mentioned in the docs.
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Wow, I thought I was going crazy. If I use the template for piano
centered dynamics, dynamic text overrides don't work unless they're
attached to the proper voice context. Snippet follows.
\version "2.11.57"
\layout {
\context {
\type "Engraver_group"
\name Dynamics
\alias
Okay, it took me a while to figure all of this out. Normally, with the
piano centered dynamics needing to be attached to a voice, I'd just
name the voice and be done with it, however, when I do that, with the
staff changes, I encounter another problem: the dynamics follow the
voice into the
Am 30.08.2008 um 20:46 schrieb Neil Puttock:
Hi James,
2008/8/30 James E. Bailey <[EMAIL PROTECTED]>:
Is there a way to have cross staff stems on beamed notes? Or does
it only
work with flagged/non-flagged notes? I didn't see anything
mentioned in the
docs.
I'm sure
Am 30.08.2008 um 21:28 schrieb Neil Puttock:
Hi James,
2008/8/30 James E. Bailey <[EMAIL PROTECTED]>:
Okay, it took me a while to figure all of this out. Normally, with
the piano
centered dynamics needing to be attached to a voice, I'd just name
the voice
and be done with
First, I know nothing about this, but,
Am 31.08.2008 um 19:23 schrieb Jonathan Kulp:
Hi Tom,
While it's possible to position fingerings very precisely using
extra-offset,
you can only do so to notes inside chord constructs. Fine. The
problem
is that if you're trying to position the finge
Am 01.09.2008 um 01:07 schrieb Jonathan Kulp:
It was with the extra offset part. I was putting the #' in the
wrong place (inside the parentheses instead of out). If I had dug
deeper I probably could have figured it out but I just googled a
solution instead. I don't think it's a problem
My quick and dirty solution would just be to make the chords take up
more space with invisible notes:
\version "2.11.57"
{
\override Staff.LedgerLineSpanner #'transparent = ##t \arpeggioNormal
< \tweak #'transparent ##t c'' e'' g'' \tweak #'transparent ##t b'' >
1 \arpeggio
\override Staff.L
Am 01.09.2008 um 12:48 schrieb Grammostola Rosea:
Isn't there a D.S. al Coda feature in Lilypond?
No, you put in the symbols where you want them, and the performers
interpret them.
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Text-marks.html#Text-marks
___
Am 01.09.2008 um 16:42 schrieb Grammostola Rosea:
Can someone tell me why D.S. is not at the end of the bar, but on
the beginning? How do I change that?
Why isn't the second coda sign not displayed? Thanks in advance.
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Text-marks.
Am 01.09.2008 um 17:27 schrieb Grammostola Rosea:
Risto Vääräniemi wrote:
If I have understood correctly, for Lilypond the D.S. and codas are
just "text" and you cannot loop music i.e. MIDI with them. They are
just visual aids for the real performer as James already pointed out.
Therefore, you
Am 01.09.2008 um 23:17 schrieb Kieren MacMillan:
Hi Mats (et al):
Even if you use LilyPond version 2.10.x, I strongly recommend you
to read the manual for the latest development version 2.11, which
has been significantly revised and improved and still applies
almost completely to version
Am 01.09.2008 um 23:47 schrieb Graham Percival:
On Mon, 1 Sep 2008 17:17:47 -0400
Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Which doesn't work___ =(
At least for me, it returns the error:
NameError: global name 'set' is not defined
I'm using Lilypond 2.11.57 and python 2.5, if that h
Am 02.09.2008 um 00:13 schrieb Graham Percival:
On Mon, 01 Sep 2008 23:57:28 +0200
"James E. Bailey" <[EMAIL PROTECTED]> wrote:
Am 01.09.2008 um 23:47 schrieb Graham Percival:
You're not actually using python 2.5, which is the problem.
You're using osx 10.3, wh
Am 02.09.2008 um 12:57 schrieb Grammostola Rosea:
<<{(a,4 a,4.)}{ 8 8 e'4\1 \pageBreak
In the score above, I want to add some connection bows(?) (dutch
='verbindingsboogje') >> in lilypond language as example:
In english, they're called either ties or slurs. Ties connect two
notes of t
Am 02.09.2008 um 15:40 schrieb Grammostola Rosea:
I want to connect the two a's and the with by ties.
#{
\tempo 4=120
\clef #(if $inTab "tab" "treble_8")
\key a \major
\time 4/4
\partial 8
a,8~4. a,4\( 8 \2>8 e'4\1 \pageBreak
#})
but the a is now connected to the e which is wrong
Am 02.09.2008 um 18:02 schrieb Grammostola Rosea:
What I want is this:
BUT with a tie between the two last 'a's.
To have a tie between two notes, you place a ~ between the two notes.
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Am 02.09.2008 um 18:02 schrieb Grammostola Rosea:
What I want is this:
BUT with a tie between the two last 'a's.
To have a tie between two notes, you place a ~ between the two notes.
4. ~ a4
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Am 02.09.2008 um 21:00 schrieb Grammostola Rosea:
2) only the a, of the last chord (e.g. should have an
duration of 4. the gis and b of that chord should have an duration
of just 4 (without a dot).
That requires multiple voices. <<{a4.}\\{4>>
_
Am 03.09.2008 um 12:01 schrieb Grammostola Rosea:
Grammostola Rosea wrote:
Robin Bannister wrote:
Grammostola Rosea wrote:
Question 2) still remains
There will be other problems like this in the bars to come, each
needing a special effort to overcome, usually in an unsatisfactory
Am 03.09.2008 um 12:48 schrieb Grammostola Rosea:Ah ok, nice.
I just edited an example template, so I don't know all the commands
yet...
But it is good to see that something is possible with Lilypond and
tablature... although there is no special signs support like bends,
slides etc.
I'l
Am 04.09.2008 um 03:57 schrieb Daniel Cheramie:
Hi All,
I am typesetting a number of SATB hymns and noticed that mine look
quite ugly
because of not combining stems in the desired manner. The hymnals I
have seen
combine most stems on the SA and TB parts except for:
* Notes less than 2 st
Am 04.09.2008 um 12:00 schrieb Risto Vääräniemi:
2008/9/4 Mats Bengtsson :
I'm surprised that nobody has mentioned \partcombine, so far. It's
probably
the closest you can
get to your wishes, with the built-in support in LilyPond. See
Section
"Automatic part combining"
in the manual for mo
What were you looking for in terms of combining? Typically, I found
partcombine best when the parts are occasionally the same, but it can
be adapted to normal multiple voice music, I guess. In the image that
I see, the lower voice has stems down, the upper voice has stems up
and the "lyrics
Am 04.09.2008 um 18:06 schrieb Neil Puttock:
2008/9/4 James E. Bailey <[EMAIL PROTECTED]>:
Perhaps a better example would be
voiceone = \context Voice = "voice one" \relative { c'4 b a g f e
f2 c1}
voicetwo = \relative {c'4 b a g f e \stemDown d_( b) \stemNeut
Am 04.09.2008 um 18:17 schrieb Risto Vääräniemi:
2008/9/4 James E. Bailey <[EMAIL PROTECTED]>:
What were you looking for in terms of combining?
I was hoping to get results as presented in the attached image
(situation was staged).
I had one song that I wanted to cram into a smaller
I think the important thing is to find the symbol that you want.
Am 05.09.2008 um 10:37 schrieb Grammostola Rosea:
Grammostola Rosea wrote:
Hi,
I think I can use this for bends:
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Falls-and-doits
And slurs for hammer on and pull off.
But
Am 06.09.2008 um 00:25 schrieb Grammostola Rosea:
Hi,
for notation and tablature, I want to have this: () around one note
in a chord.
This is close to the solution:
But the is only (almost) a () around the b in the tablature, the
head of that note looks a bit strange to me... it shoul
Wow, the new documentation really shows off all of the hard work very
well. I have just one request. It was nice that I could go up from the
beginning of the documentation, i.e.; http://kainhofer.com/~lilypond/Documentation/user/lilypond/index.html#Top
to the documentation index: http://kainh
local (offline)
copy? Or should I wget it?
Thanks,
Josh
On Sep 5, 2008, at 3:37 PM, James E. Bailey wrote:
Wow, the new documentation really shows off all of the hard work
very well. I have just one request. It was nice that I could go up
from the beginning of the documentation, i.e.;
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