convert-ly.py is a python script, so you have to call it via python:
python convert-ly.py
https://www.pythoncentral.io/execute-python-script-file-shell/
HTH,
Greg
>
> I'm sorry to say that I don't even know the proper term for what I am
> trying to do. I am setting some Georgian folksongs. Sometimes they end with
> a descending glide on the last note (like an engine running down). On the
> handwritten sheet music I have been using this is represented as a sq
Robert,
For what it's worth, the following code runs without spacing issues on
2.18.2
Note that I commented out one of the overrides.
-Greg
%
\version "2.18.2"
PartPOneVoiceOne = {
\clef "treble"
\key c \major
\time 3/4
fis'8) c''8\rest \override NoteColumn #'force-hshift = #-2.5 fis'!2|
Stéphane,
Take a look at:
http://lilypond.org/doc/v2.19/Documentation/notation/vocal-music
http://lilypond.org/doc/v2.19/Documentation/notation/techniques-specific-to-lyrics
Best Regards,
Greg
Wow!
What a difference right-align makes to the clarity and readability of this
piece.
-Greg
Good Morning,
In my charts, I'm using a semi-bold style for chordnames. However, the maj7
triangle is a bit thin. How can I adjust the triangle? I'd like it to be
larger and thicker.
Thanks,
Greg
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - %
\version "2.22"
I was able to get something bolder by using the uppercase delta glyph. But
it isn't perfect.
-Greg
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - %
\version "2.22"
embiggenChordNames = #(define-scheme-function (size) (number?)
#{ \with {
chordNameFunctio
Valentin,
That works great.
How do I use \set majorSevenSymbol globally? Is it possible to put it in
the layout block?
Thanks,
Greg
On Tue, Nov 30, 2021 at 12:59 PM Valentin Petzel wrote:
> Hello Gregory,
>
> The major 7 symbol simply uses the markup command \triangle with fontsize
> -3.
> So
gt;
> (you can also put \Score instead of \ChordNames, but it should not make a
> difference, as ChordNames is the only context that uses this property).
>
> Cheers,
> Valentin
>
> Am Dienstag, 30. November 2021, 20:11:07 CET schrieb Gregory Hollands:
> > Valentin,
> >
Triangle.pdf'...
fatal error: failed files: "L:/Snippets/Chord Triangle.ly"
Exited with return code 1.
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - %
On Tue, Nov 30, 2021 at 2:48 PM David Kastrup wrote:
> Gregory Hollands writes:
>
> >> On Tue, Nov 30, 2021 at 2:15 PM Valentin Petzel
> wrote:
&g
Yes, that sorts it.
Thank you all,
-Greg
On Tue, Nov 30, 2021 at 2:59 PM Aaron Hill wrote:
> On 2021-11-30 11:55 am, Gregory Hollands wrote:
> > \layout {
> > indent = #0
> > \context { \ChordNames \embiggenChordNames #2.5 }
> > \context {
> >
Salutations,
How do I reduce the vertical spacing between two rows of chord names?
Thanks,
Greg
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - %
\version "2.22"
IntroChords = \chordmode {
\time 6/8
a2.:m c2. d2. f2.
a2.:m c2. e2. e2.:7
\break
a2.:m c2
Lukas,
I want to do this just for one score on the page, but leave all other
scores the same.
FYI I'm doing this in a lead sheet format where I have the chord
progression (and sometimes a guitar strumming pattern) in one score, then
melody and solos in other scores.
How do I adjust system-system-
Hi,
I'm using a separate voice to indicate articulations (bowing directions in
this example), but occasionally the articulations collide with the note
stems (as seen in bar 2 of the snippet below).
My goal is to be able to turn articulations on and off easily, especially
for different versions of
using
> tags on the articulations would also work. I.e. you can do something like
> in
> the appended file.
>
> Cheers,
> Valentin
>
> Am Freitag, 7. Jänner 2022, 19:38:54 CET schrieb Gregory Hollands:
> > Hi,
> >
> > I'm using a separate voice to indicate ar
Lukas,
This solution sounds ideal.
I would prefer to add the articulations directly to the music and just
filter them out when necessary.
-Greg
On Fri, Jan 7, 2022 at 3:13 PM Lukas-Fabian Moser wrote:
> Hi Gregory,
>
> >
> > My goal is to be able to turn articulations on and off easily,
> > es
slightly more powerful approach.
>
> Cheers,
> Valentin
>
> Am Freitag, 7. Jänner 2022, 23:14:41 CET schrieb Lukas-Fabian Moser:
> > Hi Greg,
> >
> > Am 07.01.22 um 22:05 schrieb Gregory Hollands:
> > > This solution sounds ideal.
> > > I would p
I want to use an alternative font for ChordNames, but the font I have
chosen is not exactly the same size as the default font. The result is that
musical symbols (sharps, flat, etc) appear too large.
How can I change the size of the musical symbols in ChordNames so that they
match the size of the
>
> -- Forwarded message --
>> From: Aaron Hill
>> To: lilypond-user@gnu.org
>> Date: Sun, 12 May 2019 21:13:54 -0700
>> Subject: Re: ChordName Font Size
>> On 2019-05-12 5:29 pm, Gregory Hollands wrote:
>> > I want to use an alternative
Aaron,
This function is working nicely, except the major seventh triangle is still
growing with the font size.
I *was* able to put this in an included .ily file. I had been including the
wrong file before ¯\_(ツ)_/¯
%%%
\version "2.19"
embiggenChordNames = #(define-scheme-function (size) (number
ns Pro"
a:dim bes c:maj7 d:m e:aug fis g:7/b
}
<<
\new ChordNames
\with \embiggenChordNames #3
\Chords
>>
<<
\new ChordNames
\with { \override ChordName #'font-size = #3 }
\Chords
>>
%%%
On Tue, May 14, 2019 at 9:23 PM Gregory Hollands <
B }
\new NullVoice = "VerseC" { \MusicC }
\new Lyrics \lyricsto "VerseC" { \LyricsC }
>>
>>
%%%
Best Regards,
Gregory Hollands
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
vic,
The guitar is technically a transposing instrument. By convention it is
notated one octave higher than it actually sounds. This is to keep the
notes nicely spaced across the treble clef.
However, LilyPond does not transpose guitar tabulature by default. The
notes you input are the actually s
For bars that span the line break, use \partial X {...}, where X is the
duration of the partial measure. You can place a partial measure anywhere,
really.
-Greg
From: Jacques Menu
> To: LilyPond Users
> Cc:
> Bcc:
> Date: Tue, 20 Aug 2019 13:54:47 +0200
> Subject: Choral scores conventions que
Kieren suggests another method to break a measure (see below).
Both should work, just a matter of preference.
-Greg
On Tue, Aug 20, 2019 at 12:03 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Gregory,
>
> > For bars that span the line break, use \partial X {...}, where X is t
Casey Driessen and Oriole Saña have developed some new symbols for notating
the violin/fiddle technique called chopping.
You can see .png images of these symbols here:
https://drive.google.com/drive/folders/15b2tNfqkp9jkpd1T3r1lcgulSbNfwWQ7
More background on the technique is available at:
https:
I believe these are called Scaled Degrees in English.
https://en.wikipedia.org/wiki/Degree_(music)
I'm not sure how they correspond with the Reimannian names, but here they
are:
1 - Tonic
2 - Supertonic
3 - Mediant
4 - Subdominant
5 - Dominant
6 - Submediant
b7 - Subtonic
7 - Leading tone
eers,
> Pierre
>
> Le mer. 30 oct. 2019 à 19:38, Gregory Hollands <
> gregory.j.holla...@gmail.com> a écrit :
>
>> Casey Driessen and Oriole Saña have developed some new symbols for
>> notating the violin/fiddle technique called chopping.
>>
>> You can se
JM,
You can just use ^ to put the fingering above or _ to put it below. If the
voice will always be the lower voice (as in your left-hand piano example)
this works well. BUT it doesn't allow you to choose the orientation (top or
bottom) after inputting the notes. Note that using - (as in your exam
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