< d'4\f fis a > r r8 fis16 ( g a g fis e |
etc.
}
primo = <
\context Staff = staffpa \primoright
\context Staff = staffpb \primoleft
>
\score {
<
\context PianoStaff \primo
\context PianoStaff \secondo
&
Is there a way to stretch text over some measures (other than manually)?
For example:
poco a poco crescendo
to:
poco a poco crescendo
I've looked up spanning and padding and other things, but can't seem to
find any thing to the above example.
--
___
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
part1:staff2
part2:staff2
Obviously for the score, I'd like:
part1:staff1
part1:staff2
part2:staff1
part2:staff2
I'm sure I j
Clarification:
part1 = Violin 1
part2 = Violin 2
On 04/18/2014 10:31 AM, Dave Higgins wrote:
> I'm transcribing a piece that has multiple parts and in those multiple
> parts, I have multiple staves.
>
> After compiling, the staff layout becomes:
> part1:staff1
> part
Revisiting with a compilable example...
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
part1:staff2
part2:staff2
Obviously for the score, I'd like:
part1:staff1
part1:staf
Without the includes. Sorry.
On 05/12/2014 09:41 AM, Dave Higgins wrote:
Revisiting with a compilable example...
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
re, as the layout
description below indicates.
I'm not saying the staff feature is broken, just my staff lines in the
score are in the wrong places.
On 05/12/2014 11:06 AM, Phil Holmes wrote:
> - Original Message - From: "Dave Higgins"
> To:
> Sent: Monday, May 12, 2
o see.
--
Dave Higgins
Littleton, Colorado
dave.higg...@dkds.us
See my photos at
https://www.dkds.us/gallery3
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Karmageddon:
It's like, when everybody is sending off all these really bad
vibes, right? And then,
#(set-global-staff-size 20)
Is there a way to set this per page? Page 1-2 fit at staff-size 25, but
page 3 only fits with staff-size 21. This may be how it is.
I'm not sure if the \magnifyStaff works in this manner, nor am I sure
that fontSize works either.
--
Dave
<>
Text over a multi-measure rest is centered. Is there a more elegant
solution to not center it then the one below?
<< { R1 } \\ { s4^\markup \left-align "text" } >>.
--
Dave Higgins
--
Karmageddon:
It's like, when everybody is sending off all these really
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
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--
Creditor, n.:
A man who has a b
enter "="
(#:column (upp downp)))
On 03/04/2015 05:25 PM, Dave Higgins wrote:
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
Cre
webdev.nl <http://abc11.webdev.nl>
> (82.94.241.173): icmp_seq=3 ttl=54 time=48.6 ms
>
> --- lilypond.org <http://lilypond.org> ping statistics ---
> 3 packets transmitted, 3 received, 0% packet loss, time 2003ms
> rtt min/avg/max/mdev = 48.344/48.647/48.903/
Is there a way to display various stats of a piece, e.g. number of notes
or other such information?
--
Dave Higgins
Littleton, Colorado
dave.higg...@dkds.us
See my photos at
https://www.dkds.us/gallery3
--
http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf
--
I want to
oment 1/8) \set
Timing.beatStructure = #'(3 3 3) bes,16 ( c d ees f g a bes c d ees e f
g a bes f d ) }
I've tried many, many combinations and have never found one that
accomplishes what I'd like.
Maybe I'm using the wrong constructs?
--
Dave Higgins
Secure64 Software Corpor
At the end of a piece, one section has a long number of rests, i.e.
R1*42. Is there a way to hide the number or create a long rest without
actually being multi-measure?
--
Dave Higgins
--
Two wrongs don't make a right, but three lefts do.
___
lil
#:override '(baseline-skip . 0) #:number
(#:line (
(#:center-column (up down))
#:vcenter "("
(#:center-column (upp downp))
#:vcenter ")" )
--
Dave Higgins
--
Any philosophy that can be put "in a nutshell" belon
\once \omit Score.TimeSignature \time 4/4 c1 |
}
--
Dave Higgins
--
Are you a parent? Do you sometimes find yourself unsure as to what to
say in those awkward situations? Worry no more...
Do as I say, not as I do.
Do me a favour and don't tell me about it. I don
Is there a way to force the rehearsal mark to be under the tie (or
slur)? \override did not work either. I'm hoping I'm just misreading
the documentation.
\version "2.19.83"
\fixed c''' { \set Staff.RehearsalMark.outside-staff-priority = #1 a1 ~
| \mark \default a1 }
--
Thanks,
Dave
<>___
Is there a way to center a whole notehead in the bar?
<< { c'1 } \new Dynamics { \override Hairpin #'minimum-length = #8 s8\>
s s s s\p\< s s s\! } >>
I know I could use silence and fractional note lengths, but that seems
sloppy.
Also, why doesn't R1*1 work like R1*2 (by putting the 2 in po
\version "2.18.2"
\relative c' {
\time 3/8
c4 c16 c
<< { c4 c16 c } \new Dynamics { s32 s\< s\> s\! } >>
}
If you compile this, the \new Dynamics adds a bunch of white space
between the first two notes. I understand what's happening, i.e. it's
spacing each silence as the size of a note head
Is there a more elegant way to do this? In transcribing multiple parts,
it becomes tedious to have to put the cadenza in all the parts. Or I
just decrease the multi-measure rest by one and add the cue voice to the
single measure rest left over.
\version "2.18.2"
\relative c' {
\comp
In my previous question, I saw a change in \afterGrace. What other new
and interesting changes are there?
--
Dave
--
I marvel at the strength of human weakness.
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I'm sure there's a way, but I can't find a good example.
I would like to replace an articulation, e.g. a staccato with a sharp,
for one note. The reason is I don't want the sharp to be outside of the
staff, as in:
c1^\markup { \sharp }\startTrillSpan
I did see where you could change
I'd like to draw a box around this:
\mark \markup { \bold { \huge "A" \super "1" } }
But if I add in \box, e.g.:
\mark \markup \box { \bold { \huge "A" \super "1" } }
I get a box around the A and a box around the 1. On the graphics
documentation page, other than manually defining a box, is there
Is there any way to generate statistics for a file? Things like, let
say, a concordance or the number of a's b's or bes's, or repeated
markup's? (I know I can do stuff like this with grep, but that's very
singular.)
--
Dave Higgins
Littleton, Colorado
dave.higg...
I've noticed that with high notes that are tremolo'd (or short repeat),
the tremolo covers the ledger lines.
For example: a1:32 would give 4 ledger lines but it's hard to tell
that there are 4 ledger lines because the tremolo covers it.
What's the syntax to lower the tremolo?
--
Life being w
And make them lighter.
On 05/12/2016 10:53 AM, Dave Higgins wrote:
> I've noticed that with high notes that are tremolo'd (or short repeat),
> the tremolo covers the ledger lines.
>
> For example: a''''1:32 would give 4 ledger lines but it's hard
That doesn't appear to move the tremolo in any direction. Tried (5 . 5).
On 05/12/2016 11:30 AM, Trevor Daniels wrote:
>
> Dave Higgins wrote Thursday, May 12, 2016 5:53 PM
>
>
>> I've noticed that with high notes that are tremolo'd (or short repeat),
>&
is[e g bes g e cis] s |
cembalol = \context Voice = bass
Thanks,
--
Dave Higgins
Littleton, Colorado
[EMAIL PROTECTED]
--
PARDON me, am I speaking ENGLISH?
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