On Sat, Dec 1, 2012 at 7:01 PM, Ralph Palmer wrote:
> I'm currently running LilyPond 2.14.2 under linux Ubuntu 12,04. I'd like to
> run 2.16, but I can't figure out how to install it. Any Ubuntu users out
> there who could give me a clue?
Just download it from the Lilypond site and run the insta
Forwarding to list
-- Forwarded message --
From: Shane Brandes
Date: Sat, Dec 1, 2012 at 11:05 PM
Subject: Re: LilyPond 2.16 installation
To: Brett McCoy
I installed it ins own directory after downloading it and then just
renamed the 2.14 to old and let the 2.16 occupy the
On Sat, Mar 2, 2013 at 11:51 AM, Urs Liska wrote:
> Am 02.03.2013 15:57, schrieb Eby Mani:
>>
>> http://img214.imageshack.us/img214/2672/waltz29rw.jpg
>>
>> Not sure if this can be done on lilypond as the output on the example is
>> crazy and have no respect for the paper ;-) . But it is a problem
On Fri, Jan 1, 2010 at 10:40 AM, James Lowe wrote:
> Use virtual box.
>
> It's very simple, free and doesn't require any special CPUs.
>
> I use it all the time on windows 7 with the Lilybunto.iso which you can get
> from here:
>
> http://prodet.hu/bert/lilydev/lilybuntu.iso
>
> Although someone
I am doing some drum notation, starting out with a 2-bar groove, and
then for the following measures I want to just have 4 diagonal slashes
to indicate drummer "basic time" (rather than the % sign to indicate a
repeated measure). Basically, I want to do something similar to the
isolated % repeat
(h
On Mon, Jan 25, 2010 at 10:19 PM, Brett McCoy wrote:
> I am doing some drum notation, starting out with a 2-bar groove, and
> then for the following measures I want to just have 4 diagonal slashes
> to indicate drummer "basic time" (rather than the % sign to indicate a
On Mon, Feb 1, 2010 at 4:57 PM, Bobber wrote:
> I have been having a discussion with a small publisher who uses the music
> manuscript program called Score. He says that neither Lilypond or Finale
> can produce engraving that is comparable to Score. And that most of the
> major music publishers
I have a score where I need to indicate Drop D tuning for the guitar
(6th string is tuned down to D). The typical way this is indicated in
guitar music is a (6) = D (circle with a 6 in it = D), placed at the
top left of page 1 under the title, but above a tempo mark. I am
relatively new to Lilypond
On Wed, Feb 3, 2010 at 2:39 PM, Kieren MacMillan
wrote:
> \version "2.13.11"
>
> dropD = \markup \line { \circle 6 "= D" }
>
> \header {
> title = "Drip, Drip, Drop-D"
> piece = \dropD
> }
>
> \score {
> \relative d { \clef "treble_8" d1 }
> }
>
> Hope this helps!
It sure did, exactly what I
Yes, David, I put your markup in piece and it worked fine, just like
Kieren's version.
On Wed, Feb 3, 2010 at 3:22 PM, David Stocker
wrote:
> Kieren suggested piece.
>
> James Bailey wrote:
>>
>> On 03.02.2010, at 20:45, David Stocker wrote:
>>
>>> Brett,
>>>
>>> This is a modification of the cod
and for
> this I set the instrument name, as it automatically gets placed correctly:
>
> \relative c' {
> \clef "treble_8"
> \set Staff.instrumentName = \markup \bold { \circle {6} "= D " }
> c1
> }
>
> Nick
>
> On 04/02/10 06:28, Bre
tName = \actual
> \new Voice \actualnotes
>>>
> \new Staff <<
> \set Staff.instrumentName = \scordatura
> \new Voice \scordaturanotes
>>>
>>>
> \layout {
> ragged-right = ##t
> indent = 5\cm
> \context {
>
I've read in a few places -- including the Lilypond documentation --
that, traditionally, when using rehearsal marks in a score, the letter
I is skipped. Does anyone know why this is done?
Lilypond handles this automatically, do Finale and Sibelius?
-- Brett
--
On Thu, Feb 4, 2010 at 9:08 PM, Graham Percival
wrote:
> On Thu, Feb 04, 2010 at 08:34:14PM -0500, Brett McCoy wrote:
>> I've read in a few places -- including the Lilypond documentation --
>> that, traditionally, when using rehearsal marks in a score, the letter
>> I is
On Thu, Feb 18, 2010 at 2:35 PM, Bertalan Fodor (LilyPondTool)
wrote:
> I definitely talk about playing a keyboard instrument. It is quite easy to
> feel the difference between volume and velocity if you think about that:
>
> When you see p in the score, you play with less force on the keys, wit
On Thu, Feb 18, 2010 at 7:27 PM, Peter Chubb
wrote:
> I had a quick look at what it would take to generate notes with
> different velocities instead of just CC 7 events. It's harder than it
> should be: dynamic events always come after the notes they affect, so
> I couldn't see an obvious/easy w
I am using oddHeaderMarkup and evenHeaderMarkup to put running headers
(title, composer) on each page of a score, but want to suppress it on
the first page of the score (where the main header is). I can't seem
to find anything in the snippets or notation reference on how to
suppress this on the fir
I am typesetting a lead sheet and it has a very strange chord --
G7b9#9. I confirmed that this chord is correct (freakin jazz people
;-P ), but can't figure out how to get the chord name to display.
Using g:7.9-.9+ only results in g7#9 since Lilypond doesn't like two
of the same steps in the chord.
On Sat, Feb 20, 2010 at 6:08 PM, Tim McNamara wrote:
> My advice would be to just write a Gb7 or to pick just one extension,
> perhaps whichever coincides best with the melody note in that measure (e.g.,
> Gb7b9 if the melody note is a G or Gb7#9 if it's an A; if it's neither, I
> would go with t
On Wed, Mar 3, 2010 at 1:33 PM, James Worlton wrote:
>
> On Sat, Feb 20, 2010 at 12:11 AM, Brett McCoy wrote:
>>
>> I am using oddHeaderMarkup and evenHeaderMarkup to put running headers
>> (title, composer) on each page of a score, but want to suppress it on
>&g
On Tue, Mar 9, 2010 at 4:58 PM, rosea grammostola
wrote:
> Valentin Villenave wrote:
>>
>> On Tue, Mar 9, 2010 at 10:04 PM, rosea grammostola
>> wrote:
>>
>>>
>>> I made a piece for double bass. How do I get a swing rhythm in the midi
>>> output?
>>>
>>
>> Unfortunately you don't (yet):
>> http:/
On Mon, Mar 15, 2010 at 1:48 PM, Seng Hin Yew wrote:
> I'm using the rehearsal format
>
> \set Score.markFormatter = #format-mark-box-letters
>
> So the marks appeared as A, B, C, D... in square boxes. When the alphabet
> reached H (\mark #8), it jumped to J instead of I.
> Attached the pdf as pr
On Wed, Apr 14, 2010 at 1:32 AM, dflo404 wrote:
> I've tried searching for my question but I can't seem to find anything, maybe
> because I don't exactly know what to search for.
>
> Here is the problem:
>
> Whenever I use the \break command, the system that is broken extends to the
> end of the
On Sun, Jun 6, 2010 at 6:39 PM, Disc Magnet wrote:
> There some seems to be some MIDI instruments supported by lilypond
> that doesn't seem to be supported by timidity. In such a case, I don't
> get silence output from timidity while plaing the .midi file. For
> example, I was trying the 'string
On Sun, Jun 6, 2010 at 7:03 PM, Disc Magnet wrote:
> Is there a way to express that a certain MIDI instrument should be
> played less loudly than its normal volume throughout the piece?
I use normal dynamic markings for that (\ppp, \p, \f). You can always
tweak the volume in a sequencer.
-- Bre
On Sun, Jun 6, 2010 at 7:20 PM, Disc Magnet wrote:
> On Mon, Jun 7, 2010 at 4:24 AM, Brett McCoy wrote:
>> On Sun, Jun 6, 2010 at 6:39 PM, Disc Magnet wrote:
>>
>>> There some seems to be some MIDI instruments supported by lilypond
>>> that doesn't seem
On Sat, Jun 12, 2010 at 3:44 PM, Disc Magnet wrote:
> At the bottom of every PDF generated by lilypond, this notice is
> present, "Music engraving by LilyPond 2.12.2—www.lilypond.org". Can
> this notice be removed or replaced with some other notice? If so, how?
put
tagline = "text goes here"
2010/6/22 胡海鹏 - Hu Haipeng :
> Sorry, I misunderstood NR. But I still need more than 16 sounds. I don't
> know the difference between channel and track. Finale and Sibelius can have
> more than 32 instruments at once, so I don't know whether Lilypond can reach
> this feature.
That's really a funct
On Mon, Jul 19, 2010 at 3:47 PM, wrote:
> I want to write a notation for Djembe. Normal notation in Lilypond is fine.
> But how can I write a "mute" tone. This is one hand on the Djembe, which
> mutes the sound and the other hand plays the normal tone, f.e. the bass.
> Mute is rarely used. I thi
2010/7/31 胡海鹏 - Hu Haipeng :
> Does anyone have experience with various soundfonts? I think
> Lilypond'smidi is only suitable for GM soundfonts. I just purchased
> Orchestral Collection Bundle from Digital SOund Factory, and found it is
> divided into separated sections. Is anyone familiar with
On Tue, Aug 3, 2010 at 3:11 PM, pwf100220 wrote:
> I wrote three parts of a song separately because they were becoming a little
> overwhelming. I want to \include the three files into one but I'm doing
> something wrong. It only includes the last file and uncommenting it only
> includes the 2nd
On Mon, Aug 16, 2010 at 8:30 PM, Stephen Nesbitt
wrote:
> All:
>
> I would like to use Lilypond to generate sheet music that can best be
> described as having 2 distinct and independent sections. The first - and
> upper
> section - is simply a list of chords used in the song along with fretboard
On Wed, Aug 18, 2010 at 3:10 PM, wrote:
> I have a similar question.
>
> I have a "bass" and a "mute bass", which is just slightly different sound. I
> would like to use the same "bass" notation, with a additional accent which
> can be played as a different sound in the Midi file.
> Is that possi
On Sun, Aug 29, 2010 at 3:09 PM, Christopher Meredith
wrote:
> I've searched, I swear. If there's a really simple answer, I apologize
> in advance!
>
> I'm looking for a way to simply shrink everything to make it easier to
> fit on a page. My first lines of defense are usually shrinking the
> dist
On Sun, Sep 5, 2010 at 1:55 PM, Marc Schonbrun wrote:
>
> On Sep 5, 2010, at 10:52 AM, PMA wrote:
>
>> Hi List.
>>
>> Would it be feasible to prepend "[Lilypond]" to the forum's email Subject
>> line?
>> Much of my other mail arrives this way -- like that from "[Csnd]" and
>> "[LAU]".
>> Does wo
On Sun, Sep 5, 2010 at 3:03 PM, Kaz Kylheku wrote:
>
> On Sun, 5 Sep 2010 14:22:35 -0400, Brett McCoy
> wrote:
>> I like to scan emails in my inbox by subject, too, and it's nice to
>> see what is there (LAU, Ardour-user, etc). I use gmail so everything
>> isn&#
On Tue, Sep 7, 2010 at 5:36 PM, Erik wrote:
> When I use lilypond to create a MIDI file, it seems to create a 2-channel
> file.
> Am I understanding this correctly? Can I get a 1-channel file?
> Any help would be greatly appreciate,
You can have as many channels as you have instruments in your
On Wed, Sep 8, 2010 at 7:58 AM, Graham Okely wrote:
>
> I would like to make the whole score use a certain font.
> Guitar chord names, lyrics and any other markup.
>
> How do you do that?
> Feel free to provide the link to the manual if it is there.
> I am using 2.12.3 version.
http://lilypond.or
On Tue, Sep 28, 2010 at 9:54 PM, Mark Polesky wrote:
> Have you looked at Reinhold's OrchestralLily package?
> http://kainhofer.com/orchestrallily/
I just tried one of the examples on that site and, sadly, the
orchestrallily.ly file fails to parse under Lilypond 2.12.3, tons of
syntax errors. I
On Sep 28, 2010, at 11:34 PM, Mark Polesky wrote:
> Brett McCoy wrote:
>>> Have you looked at Reinhold's OrchestralLily package?
>>> http://kainhofer.com/orchestrallily/
>>
>> I just tried one of the examples on that site and, sadly,
>> the orchestr
Alex,
Your bassoon entry above the french horn is missing a closing " for
the bar statement
\bar "|.
On Mon, Oct 4, 2010 at 11:46 AM, alex stone wrote:
> Hmmm, can't spot anything missing at the moment.
>
> Here's the entire test file.
>
> http://pastebin.com/pSu6Asge
>
>
> Thanks for the
On Wed, Dec 8, 2010 at 11:03 AM, Vicente Solsona wrote:
> the following comments in the original video page
> (http://vimeo.com/17419652) are remarkable:
>
> Q. "Brilliant. Love the guitar solo! Sibelius or Finale?"
> A. "LilyPond"
Awesome!
--
Brett W. McCoy -- http://www.electricminstrel.com
On Sat, Dec 18, 2010 at 5:19 PM, Ludo Beckers wrote:
> Just wondering, has there ever been a poll about how many Lilypond users
> work with a certain specific tool.
> Is the majority in this group using denemo, frescobaldi, lilypondtool or
> other tools?
I use Frescobaldi or emacs (mostly Fresco
Is there a way to suppress MIDI output for \ChordName context? When I
create a staff with other parts and have chord names at the top, the
output always has a piano playing those chords and it's interfering
with the rest of the piece, plus I don't need the extra track when I
import the MIDI into a
On Tue, Feb 1, 2011 at 9:13 AM, Jürgen Ibelgaufts wrote:
> I want to write down guitar chords and frets with extra voicings, say a G
> chord with an extra Fifth on the B string, 3rd fret, or Em chord with an
> extra G on the treble e string. As these extra notes belong to the chords,
> you can wr
On Fri, Feb 18, 2011 at 4:07 PM, Thomas wrote:
> Does anyone know how to create a full score and individual parts for a concert
> band? This would be very helpful to me. There should be a template for that in
> the documentation!
The orchestra template is probably the closest you'll find.
--
B
On Sat, Feb 19, 2011 at 12:11 PM, Graham Percival
wrote:
> On Sat, Feb 19, 2011 at 04:47:01PM -, Phil Holmes wrote:
>> My wife has just asked and I don't know the answer. Why is LilyPond
>> called LilyPond?
>
> It's on the old webpages, and one of the things I've had in the
> back of my mind
On Sat, Feb 19, 2011 at 2:23 PM, Thomas wrote:
> Werner LEMBERG gnu.org> writes:
>
>>
>>
>> > Does anyone know how to create a full score and individual parts for
>> > a concert band? This would be very helpful to me. There should be a
>> > template for that in the documentation!
>>
>> `Should'?
Thank you for making this! I have a bunch of Overture files and a
non-working Overture application and have been lamenting the fact some of my
older pieces were lost.
On Mon, Apr 11, 2011 at 1:31 PM, Alberto Vignani <
alberto.vign...@fastwebnet.it> wrote:
> Hello all,
>
> I have made available th
On Mon, Jun 20, 2011 at 5:28 AM, James Harkins wrote:
> I'm in search of the "best of both worlds" ly editor.
>
> I've gotten started with Frescobaldi. Autocompletion is invaluable, and the
> integrated PDF view and help browser is a real lifesaver.
>
> But, I use Emacs for just about everything
On Mon, Jun 20, 2011 at 9:28 AM, James Harkins wrote:
> At Mon, 20 Jun 2011 09:20:43 -0400,
> Brett McCoy wrote:
>> I've used both the emacs lilypond mode and Frescobaldi. I like the
>> emacs mode because, well, it's emacs, but in the end, though, I think
>&g
I am creating an orchestral template. Since I have more instruments
than MIDI channels, I am creating a separate score context for MIDI
output and want to group the brass instruments so they all use the
'brass ensemble' instrument on a single channel and group all of the
string instruments to they
I think I figured this out, by putting four voices per staff for brass
and strings, I reduced the number of channels to 13
On Tue, Jun 28, 2011 at 3:25 PM, Brett McCoy wrote:
> I am creating an orchestral template. Since I have more instruments
> than MIDI channels, I am creating a se
I have an orchestral score and I am trying to suppress empty staves
from printing in systems, using \RemoveEmptyStaffContext and
\RemoveEmptyRhythmicStaffContext. Going by a previous thread I found,
I have tried this:
\layout {
\context {
\RemoveEmptyStaffContext
}
}
\layout {
\
}
\context {
\RemoveEmptyRhythmicStaffContext
}
}
And neither work, my rhythmicstaff is still printing with empty staves
where I expect it to be suppressed. What is the correct syntax when
using both?
On Thu, Jul 7, 2011 at 9:50 PM, Brett McCoy wrote:
> I have an orchestral score and I am try
Interesting... I changed my percussion staff to a drum staff and then
used \RemoveEmptyDrumStaffContext and it worked correctly. *shrug*
On Thu, Jul 7, 2011 at 9:52 PM, Brett McCoy wrote:
> Sorry email got sent before I finished!
>
> I meant to say:
>
> I tried this:
>
> \l
On Fri, Jul 8, 2011 at 7:38 AM, Reinhold Kainhofer
wrote:
> Am Freitag, 8. Juli 2011, 03:52:54 schrieb Brett McCoy:
>> And neither work, my rhythmicstaff is still printing with empty staves
>> where I expect it to be suppressed. What is the correct syntax when
>> using both?
On Fri, Jul 15, 2011 at 8:56 AM, Peter O'Doherty wrote:
> Although it is listed here
> http://kainhofer.com/~lilypond/Documentation/notation/midi-instruments.html
>
> I'm not hearing the viola part when I use the code below to produce a midi
> file. Am I missing something?
If you are using the d
You also need Fluidsynth on your machine, but it should be automatic
one you have kmid installed
On Sun, Jul 24, 2011 at 10:23 AM, Yming wrote:
> I will try Monday. Is three installation instruction? After installation,
> will frescobaldi recognize it?
>
> Sent from my iPod
>
> On Jul 24, 2011,
On Tue, Aug 30, 2011 at 6:45 PM, wrote:
> Hello Everyone,
>
> This seems like it should be obvious, but I haven't been able to figure it
> out. How does one change the font of the title, composer, copyright notice
> etc? Can anyone point me in the right direction?
http://lilypond.org/doc/v2.14/D
Hi Lilypond people --
I just finished up a 2 year Master Certification program through
Berklee Music, the program being "Orchestration for Film & TV". I used
Lilypond for all 8 of the courses I took, having made the switch a
couple of years ago away from Finale and Geniesoft Overture (I used
Linux
On Mon, Sep 26, 2011 at 10:25 AM, Kieren MacMillan
wrote:
> 1. Congratulations!
> 2. Thanks for reporting back to us on your Lilyvangelism!
> 3. I'm very interested in talking with you [offline] about your experience at
> Berklee.
Thanks and certainly, feel free to email me with any questions!
On Tue, Sep 27, 2011 at 6:11 AM, Wilbert Berendsen wrote:
> after almost one year of frantic development I'm happy to announce a
> usable alpha-release of Frescobaldi 2.0 (version 1.9.0).
>
> https://github.com/wbsoft/frescobaldi (click Download)
>
> Frescobaldi is a dedicated LilyPond sheet-musi
On Tue, Sep 27, 2011 at 6:33 AM, Brett McCoy wrote:
> On Tue, Sep 27, 2011 at 6:11 AM, Wilbert Berendsen wrote:
>
>> after almost one year of frantic development I'm happy to announce a
>> usable alpha-release of Frescobaldi 2.0 (version 1.9.0).
>>
>> https://g
On Tue, Sep 27, 2011 at 6:57 AM, David Kastrup wrote:
>>> Wonderful, I've been looking forward to Frescobaldi 2
>>
>> Oh, I love this already -- being able to click on a note in the score
>> and highlighting the note in the Lilypond source is golden.
>
> Uh, you do know that Lilypond offers this f
On Tue, Sep 27, 2011 at 8:20 AM, Wilbert Berendsen wrote:
> Frescobaldi 2 couples the point-and-click links as soon as a PDF is
> loaded to positions in the text document. If you alter the document, the
> links in the PDF document stay connected with the positions in the
> text document.
One sug
Never mind I found it!
On Tue, Sep 27, 2011 at 8:38 AM, Brett McCoy wrote:
> On Tue, Sep 27, 2011 at 8:20 AM, Wilbert Berendsen wrote:
>
>> Frescobaldi 2 couples the point-and-click links as soon as a PDF is
>> loaded to positions in the text document. If you alter the documen
On Tue, Sep 27, 2011 at 9:06 AM, Wilbert Berendsen wrote:
>> The PDF view is black on light beige and the
>> highlight is a slightly darker beige. Something more obvious like
>> purple or green would make it more prominent. Or is this configurable?
>> I didn't see any way to change the background
On Tue, Sep 27, 2011 at 9:18 AM, Francisco Vila wrote:
> 2011/9/27 Wilbert Berendsen :
>> Op Tue, 27 Sep 2011 08:38:23 -0400
>> Brett McCoy schreef:
>> Everything is configurable indeed: Edit->Preferences->Fonts &
>> Colors->Preview Background and
Hey Dmytro --
I have one question, what email address do I use for the Bug Meister
to get my email address on the list? (for item #2 in the setup
instructions)
On Wed, Sep 28, 2011 at 11:35 AM, Dmytro O. Redchuk
wrote:
> Hi guys,
>
> In order to respond to bug reports in a prompt and efficient
On Wed, Oct 19, 2011 at 6:27 PM, Francisco Vila wrote:
> 2011/10/19 :
>> The situation is that I have to completely fill all the lilypond´s code on
>> the site and then generate the score. It gets difficult to count the bars
>> and the note durations and get right for the first time.
>> I were wo
Aye aye Cap'n, all's good here
On Fri, Nov 11, 2011 at 7:49 AM, Phil Holmes wrote:
> Thanks to Ralph, Marek and Eluze for volunteering to help with the Bug
> Squad. Based on their input, I believe this is a workable schedule.
>
> Monday: Ralph
> Tuesday: Eluze
> Wednesday: Brett
> Thursd
On Mon, Dec 26, 2011 at 5:07 AM, Wilbert Berendsen wrote:
> After 14 months of very heavy development I am happy to announce
> Frescobaldi 2.0, which is a full rewrite of Frescobaldi 1.x and not
> dependend on KDE anymore, which makes it usable on all platforms
> supported by Python and PyQt4.
F
On Fri, Feb 10, 2012 at 7:24 PM, trevordixon wrote:
> The "Experimental Web-based LilyPond Editor" now has a name and a home at
> http://www.lilybin.com! Features since last update in the previous thread
> include:
Doesn't seem to be reachable right now...
--
Brett W. McCoy -- http://www.brettw
On Sat, Feb 11, 2012 at 3:39 AM, GRAEME F ST CLAIR
wrote:
>
> I'm going to suggest that most of us have some sort of firewall/AV problem
> here. I even tried downforeveryone.com and it came up with fail too.
I am running Linux so no built in firewall or anti-virus running here!
As it's working n
On Mon, Feb 27, 2012 at 5:09 PM, Jonghyun Kim wrote:
> Thanks Ole for good info. I will test it.
>
> Really there is no way to write pitches with midi numbers in Lilypond?
>
> I need this way for composing music that calculate half-step intervales...
You are using the wrong software if you want
On Tue, Feb 28, 2012 at 1:05 PM, Jonghyun Kim wrote:
>> You are using the wrong software if you want to input notes as MIDI
>> pitch numbers, IMHO. There are software packages that are designed for
>> that (commercial and open source). Lilypond is a music typesetting
>> system, not a MIDI sequenc
2012/2/28 Jonghyun Kim :
> In both midi sequencers(muse2 and rosegarden), can I calculate the pitch and
> the other one?
>
> Ie: 48 + 50 = 98
>
> It means: c + d = ?(i dont konw exactly..)
>
> I wanna calculate by half step also quartertones.
>
> Ie: 48.5 + 50 = 98.25
>
> It means: c semi-sharp +
On Sat, Mar 3, 2012 at 10:23 AM, PMA wrote:
> Hi List. Please forgive a naive question.
>
> Is there such a thing as a WAV-to-MIDI
> or MP3-to-MIDI file format converter?
>
> My common sense is yelling, "No way,
> Buster!", but it needs confirmation.
Intellisense:
http://www.intelliscore.net/
O
On Sat, Mar 3, 2012 at 10:42 AM, Phil Holmes wrote:
>>> Intellisense:
>>>
>>> http://www.intelliscore.net/
> Not sure if I've tried this one, but I have tried a few and they were of no
> use whatever. Your ear is far more likely to provide useful results.
Never tried it myself either. Not some
On Fri, Apr 6, 2012 at 11:58 AM, PMA wrote:
> I'm planning similar YouTube entries, i.e., music
> performances sync'd with their score-page turns.
>
> But this will be a first for me, and I see a hefty
> bunch of (Linux) softwares for video editing.
>
> If any of you has a favorite among those op
On Tue, Apr 24, 2012 at 6:07 PM, Wilbert Berendsen wrote:
> Frescobaldi 2.0.5 has been released.
Nice work man!
--
Brett W. McCoy -- http://www.brettwmccoy.com
"In the rhythm of music a secret is hidden; If I were to divu
On Thu, Jun 28, 2012 at 7:36 AM, Nils wrote:
>>
>> I thought maybe the simplest way would be to make, for example, a midi file
>> for the wind parts, and a midi file for the string parts, and then play them
>> simultaneously to two separate midi ports, but I can't seem to figure out
>> how to get
On Thu, Jun 28, 2012 at 8:01 AM, David Kastrup wrote:
> It makes more sense to put
>
> \transposition g'
>
> into the horn part itself (but leave the \transpose c g for the horn
> part in place). Then you don't need to retranspose the Midi afterwards:
> it will be in sounding pitch anyway.
Ah,
On Fri, Sep 7, 2012 at 4:42 PM, David Kastrup wrote:
>
> Well, I found LilyPond rated on a download site
> http://download.cnet.com/LilyPond/3000-2141_4-73566.html#rateit>.
> The download info appears more or less accurate, the reviews appear to
> be from 2.12. But I doubt that they would have ch
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