I grabbed the big .gz from your site and ran the install. It
seemed to work fine. But I now when I runlilypond testfile.ly ,
I get the error message:
/usr/local//lilypond/usr/bin/lilypond: relocation error:
/usr/local/lilypond/usr/lib/libguile.so.17: symbol regexec, version GLIBC_2.3.4
not
Assembled Wisdom!
I used lilypond several years ago, but had a lot of trouble
upgrading, because then one had to build from scratch and there
were always guile imcompatibilities, etc. So I did nothing with
computer music typesetting for quite a while.
I recently did a reinstall of a very ancient
ody person.
Anyway, any help with guile/guile-config will be much appreciated.
Best wishes,
Alan, who looks forward to working with lilypond
--
Alan McConnell We are bombing Afghanistan in order to get rid of the
Pixel Analysis Taliban who -- allegedly -- are sheltering ObL who --
[EMAIL
or 1
rm out/lexer.cc
make[1]: Leaving directory `/root/music/lilypond-1.4.8/lily'
make: *** [all] Error 2
-(finish)
I am running Debian Woody, gcc 3.0, and GNU make, version 3.79.1.
Has anyone else had trouble with this build? any hints about how to
proceed?
Best wishes to all,
Alan
--
Alan M
to do.
A tip: I'm told also that gcc 3.0 handles STL better. I am not now
nor have I ever been a C++ programmer(although I've written lots of
C), so I don't know what difference this makes to Lilypond.
Some further comments:
On Thu, Nov 08, 2001 at 05:24:45PM +0100, Jan Ni
nfo, but I think I have lots of documentation . . .
I have geometry.cfg and geometry.sty, down inside . ./tex/latex/ . . .
I have MetaPost and mfplain.mp
I trust that this list of prerequisites is complete; but maybe not . .
Any suggestions/help would be much appreciated.
TIA and best wishe
. . .
But thanks for your message!
Alan, quite baffled
--
Alan McConnell An interesting article by Bill Moyers, from "The
http://patriot.Nation", is to be found, with other good stuff, on
net/users/alan my web site -- Click on "Public Policy"
_
\layout and about \paper, and I've done some
experimenting, but without success.
I am running lilypond v 2.14.2, on my Debian squeeze box.
TIA for anticipated help!
Alan
--
Alan McConnell : http://patriot.net/users/alan
Music is still the most important aspect
of good living
he same suggestion.
Best wishes to all,
Alan
--
Alan McConnell : http://patriot.net/users/alan
Music is still the most important aspect
of good living. (Al Abrams)
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman
On Sat, Oct 08, 2011 at 04:54:18PM +0200, David Kastrup wrote:
> Alan McConnell writes:
>
> > On Sat, Oct 08, 2011 at 10:28:53AM -0400, Kieren MacMillan wrote:
> >> Hi Alan,
> >>
> >> The easiest way is probably manually inserting space:
> >>
>
one of the two possible
whole tone scales, and also clefs
for C# and D#, giving the other.
I have looked at quite a bit of the
documentation and have not found this
capability. If it already is documented,
please point me at it; if it can be done,
and someone knows how, please let me know!
TIA,
ow Scheme/guile is woven into Lilypond, and
explains the various ways guile can be used?
Again, many thanks!
Alan
--
Alan McConnell : http://patriot.net/users/alan
Have the courage to be ignorant of a great number of things, in
order to avoid the calamity of being ignorant of every
er all the octaves! Otherwise great
confusion ensues.
Maybe this problem is repaired in 2.15?
Thanks to Mr Kastrup for his tips on Scheme/guile. I'll read what
he has pointed at with care and, hopefully, understanding.
Alan
--
Alan McConnell : http://patriot.net/users/alan
Have t
octaves?
> > Thanks to Mr Kastrup for his tips on Scheme/guile. I'll read what he
> > has pointed at with care and, hopefully, understanding.
>
> Well, looks like I should point more carefully...
I am sorry to have irritated you.
Alan
--
Alan McConnell :
what obtains in 2.15? If not, is not this behavior
anomalous? I realize that this is a "remote corner" of musical
notation, but still . . .
I would hope that any accidental appearing in a key signature
would always, in all circumstances, apply to all octaves. That
does not at p
provision for such a
treatment of the hemiola, but I can't find it in
the documentation. Any help would be gratefully
received!
Alan McConnell, in Silver Spring MD
--
Alan McConnell : http://globaltap.com/~alan/
Know thyself. If you need help, call the C.I.A.
Whenever anyone says
First of all, my thanks to both David K and Robert S for
their quick responses!
On Sun, Sep 15, 2013 at 05:25:33PM +0200, David Kastrup wrote:
> Alan McConnell writes:
>
> > (start)--
> > \version "2.16.0"
> >
> > global
leased.
> Have to be off now, so won't reply with anything more useful right now.
> I think we might have discussed this problem once already on the list
> but I don't know what code (if any) might have been waved around in the
> course of the discussion.
As before: any f
eadable. I
would like to try it on my LA friends and on my own 4tet.
Is it easy to implement such a \delete function, as
implemented above? I would want the spacing to be
just as if the barline were there . . .
All thoughts/ideas/implementations w
.
I guess it does, although I can't see it. But, as I
said, I want/need the original barline not to be there.
But it still is.
Alan
--
Alan McConnell : http://globaltap.com/~alan/
An idea is not responsible for the people who believe in it.
If yo
1 | c \bar "" c c | c }
Alas, no. I played with the \bar command and put in
some fancy stuff. But, peculiarly enough, the original
bar line, mandated I guess by my 3/4 key signature, is
not replaced. It is still implacably there!
Alan
--
\score {
\new Staff
<< \global \violinOne
>>
}
\layout { }
(finish)
Make the second barline Go Away!
Alan
--
Alan McConnell : http://globaltap.com/~alan/
An idea is not responsible for the pe
On Tue, Sep 17, 2013 at 12:50:54AM +0200, Janek Warchoł wrote:
> 2013/9/17 Alan McConnell :
> > On Mon, Sep 16, 2013 at 11:21:43PM +0200, Janek Warchoł wrote:
> >>
> >> Please send us a short and compilable example and we'll try to tell
> >> you what exac
On Tue, Sep 17, 2013 at 07:31:15AM +0200, David Kastrup wrote:
> Alan McConnell writes:
>
> >You are absolutely right! However: try this
>
> >
> > d4. e8 d c | b4 g g4. \bar "" a8 d,4 d | b' g g \bar "|."
>
> Bad timing.
24 matches
Mail list logo
