Am Di., 6. Aug. 2024 um 14:38 Uhr schrieb Werner LEMBERG :
>
>
> >> this is a question addressed mainly to guitar players: Is it
> >> possible to have more than a single pluck fingering attached to a
> >> note (for tremolo or similar things)? I've looked around a bit but
> >> couldn't find an answ
>> >> this is a question addressed mainly to guitar players: Is it
>> >> possible to have more than a single pluck fingering attached to
>> >> a note (for tremolo or similar things)? I've looked around a
>> >> bit but couldn't find an answer...
>
> Another case came to my mind: trills executed
Am Di., 6. Aug. 2024 um 05:14 Uhr schrieb Fennel :
>
> Multiple fingerings are being used because I'm working on a heavily annotated
> edition of a work that suggests multiple sets of fingerings for a single
> passage.
To summarize, alternative fingerings, right?
> I'm currently choosing to eng
Am Mittwoch, 7. August 2024, 06:53:02 MESZ schrieb Lucas Cavalcanti:
> Hello. I'm migrating from Guitar Pro to Lilypond and I'm trying to
> replicate something that I've always done in my scores and lead sheets:
> [image: image.png]
> I'm having a bit of a pickle while trying to recreate this score
Am Donnerstag, 1. August 2024, 22:36:40 MESZ schrieb Fennel:
> Hi all,
>
> I'm working on a project that involves multiple fingerings for each note,
> and shift lines or glides between some notes. Since lilypond will only
> engrave glides between notes with the same fingering, I'm using finger 5 t
Luca Fascione wrote:
I'm looking for a way to make a "fingering bracket": this would be a
vertical bracket on the left or right of a few simultaneous notes, to
indicate they are all to be fingered with the same finger.
Things to note:
- I can't use the arpeggio mark, because it's not uncommon
On Tue, Aug 6, 2024 at 10:21 PM Karlin High wrote:
> to get the behavior of \header { instrument = "whatever" },
> as seen with \bookpart,
Another idea:
What's available for changing the "instrument" header mid-piece,
without using \bookpart at all?
--
Karlin High
Missouri, USA
Hi Pond-mates!
>> to get the behavior of \header { instrument = "whatever" },
>> as seen with \bookpart,
>
> What's available for changing the "instrument" header mid-piece,
> without using \bookpart at all?
%%% SNIPPET BEGINS
\version "2.25.11"
\paper {
scoreTitleMarkup = \markup \fromprope
This is a follow-up from a question I asked a few weeks back.
I have a song with an intro, several stanzas, and a refrain. Each
stanza starts on the last beat of the measure.See the attached
MWE.
Is there a neat way of avoiding having a repeat bar
Valentin, my friend, thank you so much.
If I may trouble you again, I've encountered a problem while trying to use
your method. I've applied it to a 5/4 two bar theme (similar to the case I
presented before); however, by removing the "superfluous" time signatures
the engraving breaks. I'm trying to
This is what i came up with
\version "2.24.4"
\relative c'' {
f
\tweak extra-offset #'(0 . -2)
\rightHandFinger
\markup{
\parenthesize{
\fontsize #4 \compound-meter #'(6 8)
}
}
}
It's hacky but it works.
On Sun, Aug 4, 2024 at 1:43 AM Vlado Ilić wrote:
> Thanks,
> While it does sh
I, too, have my own collection of Lilypond work, and after a while it was
getting to be a pain to keep track of what needed updating where, and
finally gave up and created a Github repository for it all, and now, it is
the definitive copy of stuff. Lilypond is, after all, source code, and
what bet
I'm a rank -- very rank ;-) -- amateur when it comes to reading music,
music theory, and LilyPond. In fact, I may be somewhat dyslexic given the
troubles I've had with various types of printed information -- musical or
otherwise.
So, my main use for LilyPond has been s-l-o-w-l-y, painfully, transc
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