Hi all,
I wrote a metronome based on lilypond [1] a while back and thought there might
be some people interested in such a program here.
Feel free to ignore, use, review or adapt it.
[1] https://github.com/3hhh/klickly
Best Regards
David
OpenPGP_0x08DEA51AE90C3780.asc
Description: OpenPGP p
Hello,
on mac, I want to insert this flag on compilation:
-e '(define-public part 'cello)'
But this give me an "error near unexpected token". I think that the problem
is the ' near the symbol name.
I tried enclosing in double quotation marks, as on Windows, but it is not
working.
I'm using szh on
Hello,
Le ven. 29 mars 2024 à 10:42, Rip _Mus a
écrit :
> Hello,
> on mac, I want to insert this flag on compilation:
>
> -e '(define-public part 'cello)'
>
> But this give me an "error near unexpected token".
>
The shell has no way to tell if the prime before cello is terminating the
string or
On 2024-03-29 2:41 am, Rip _Mus wrote:
Hello,
on mac, I want to insert this flag on compilation:
-e '(define-public part 'cello)'
But this give me an "error near unexpected token". I think that the
problem
is the ' near the symbol name.
I tried enclosing in double quotation marks, as on Windo
A question which I haven't been able to answer from the documentation
(there's lots of it!)
I have a final note, a minim, say, and I want a hairpin diminuendo
starting at the last note, and ending at the final double bar. As in
this screenshot:
--
Best wishes -- Peter
--
Peter Mayes
The above three little screenshots show breathing marks in an oboe score
- respectively "breathe out", "breathe in" and "breathe out-and-in".
I know of the \breathe command, and I have seen from the documentation
that the "comma" can be raised.
But being new to Lilypond, I would appreciate ad
> On 29 Mar 2024, at 14:45, Peter Mayes wrote:
>
> A question which I haven't been able to answer from the documentation
> (there's lots of it!)
>
> I have a final note, a minim, say, and I want a hairpin diminuendo starting
> at the last note, and ending at the final double bar. As in this
Thanks so much for thinking along. In the current setup that would still
require users to change their Lilypond code. Your example did give me an
idea though: if there would be something like $currentscore, the problem
of getting access to the score header would be solved...
cheers
Maurits
O
I think that because of the combination of symbols, I would use \markup
instead.
\version "2.24.0"
\score {
\new Staff {
\relative c'' {
c8\( b a g8 ~ g8\)^\markup { O \musicglyph "scripts.rcomma" }
\acciaccatura { a'8^( } g fis) d
}
}
}
It is definitely not ideal, as you'd
Also try
{ \endSpanners c'1\> }
or a bit advanced case
{ \endSpanners { c'1\> c' } }
\endSpanners is described in:
http://lilypond.org/doc/v2.24/Documentation/notation/line-spanners.html
On 2024/03/29 23:15, Hans Aikema wrote:
On 29 Mar 2024, at 14:45, Peter Mayes wrote:
A quest
Hi all
I'm adding an ossia staff during specific bars only. This works fine in
general.
Interestingly / strangely, as soon as the \section (double barline)
falls into a \grace (or \appoggiatura or \acciaccatura) in the ossia
staff a regular barline is added at the position where I'd expect the
d
On Fri, Mar 29, 2024 at 1:25 PM Stephan Schöll wrote:
> Hi all
>
> I'm adding an ossia staff during specific bars only. This works fine in
> general.
>
> Interestingly / strangely, as soon as the \section (double barline)
> falls into a \grace (or \appoggiatura or \acciaccatura) in the ossia
> st
On Fri, 29 Mar 2024 at 22:31, Knute Snortum wrote:
>
> This looks like a very old bug that LilyPond has. Basically, if you have
a grace note starting a measure in one staff, you have to have one on all
staves, even if it's just a spacer. So adding this to the melody will fix
the problem:
Exactl
13 matches
Mail list logo