Julian Santander writes:
> For the record, I believe I finally solved all my problems (with this
> particular score).
>
> About the problem I asked in my previous e-mail.
>
> The way Keep_alive_together_engraver works with the "remove-layer" property
> is confusing as it is used for two contradic
Thanks. That's fine.
I guess it is a tribute to the extensibility and the rich infrastructure
that I could pull out what I needed with just a few lines of code.
For what is worth, my use case was a frenched score with a double choir
(each must be kept together independently) where at some point I'
Ah, thank you and Jean A. for this. Works perfectly!
Hwaen Ch'uqi
On 2/8/24, Knute Snortum wrote:
> On Thu, Feb 8, 2024 at 8:26 AM Hwaen Ch'uqi wrote:
>
>> Greetings,
>>
>> I would like to indicate a metronome mark of "Prestissimo" > note tied to dotted quarter note>=96. How may I do this? I a
Greetings,
I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use
LTS distributions of ubuntu, I had to download the tar.gz package. No
problem. But how may I obtain the documentation in texinfo format for
use with emacs? In fact, looking through the archive, it does not
appear tha
We are happy to announce the release of LilyPond 2.25.13. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer to the Install
> I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use
> LTS distributions of ubuntu, I had to download the tar.gz package. No
> problem. But how may I obtain the documentation in texinfo format for
> use with emacs? In fact, looking through the archive, it does not
> appear that
Ah, thank you! I must confess having seen that link but
misunderstanding precisely what it meant.
Hwaen Ch'uqi
On 2/10/24, Jean Abou Samra wrote:
>> I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use
>> LTS distributions of ubuntu, I had to download the tar.gz package. No
>>
Hi everyone,
Currently, I am transcribing Bach's *Fantasia and Fugue in a minor* (BWV
904), but I am dealing with a rest collision between the fugue voices on
measure 69. Specifically, on the 4th beat I have not found a way to give
distance between the *a'* from the alto and the 16th rest from the
Hi George,
> Currently, I am transcribing Bach's Fantasia and Fugue in a minor (BWV 904),
> but I am dealing with a rest collision between the fugue voices on measure
> 69. Specifically, on the 4th beat I have not found a way to give distance
> between the a' from the alto and the 16th rest fro
Hi George,
[n.b. I’ve cc'ed the list, as per standard practice in the Lilypond community.]
> Thank you very much! It worked perfectly just by inserting "\tweak X-offset
> #1" before the 16th rest in my original code
Oh, great! I didn’t think to try only that tweak.
> I didn't quite understand
Kieren MacMillan writes:
> Hi George,
>
> [n.b. I’ve cc'ed the list, as per standard practice in the Lilypond
> community.]
>
>> Thank you very much! It worked perfectly just by inserting "\tweak
>> X-offset #1" before the 16th rest in my original code
>
> Oh, great! I didn’t think to try only t
**Question in short**: Suppose I have a staff in a variable. Can I impose
breaks (line breaks, page breaks, page turns) on that staff without modifying
the variable? My use case is using the staff in a part and in a score with
other parts, where obviously the breaks need to be different. Another
> As some of us know, this does not work:
>
> <<
> \staffIGot
> { s1*5 \break }
> >>
>
> It introduces an extra staff. Not wanted.
The classic fix is
<<
\new Devnull { s1*5 \break }
\staffIGot
>>
Best,
Jean
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