I did GUILE_AUTO_COMPILE=1 lilypond file.ly - there was not much of change
afterwards: MSDM.ly still needed 24“ compared to 10“ with MacPorts.
Thomas
> Am 17.02.2022 um 00:45 schrieb Jean Abou Samra :
>
> Le 16/02/2022 à 15:37, Thomas Scharkowski a écrit :
>> Hi all,
>>
>> I installed this ver
Hi.
If I have a book that is structured something like below, then LP
produces two midi files: foo.midi and foo-1.midi.
Is there a way I can coerce the names into "bar.midi" and "baz.midi"
within LP? Or is this something best down externally?
Thanks again
..mark.
-- foo.ly
\include "bar.
Hi Mark!
Generally I work around this using hidden notes or notes with hidden stems. In
your example I think you want a tie rather than a slur (since it’s a held
note), but they both work in the same way with regard to voices.
In your example it could look like:
\version "2.22"
lowerA = \new
If I have a book that is structured something like below, then LP
produces two midi files: foo.midi and foo-1.midi.
Is there a way I can coerce the names into "bar.midi" and "baz.midi"
within LP? Or is this something best down externally?
[example code snipped]
RTFM:
https://lilypond.org/doc/v
It’s not that simple, since in the example all the scores are in the same book.
It is that simple.
Put the score in one book and the midis separate books and done.
Or that is how I understand the manual.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on r
It’s not that simple, since in the example all the scores are in the same book.
> 17 feb. 2022 kl. 09:58 skrev Michael Gerdau :
>
>> If I have a book that is structured something like below, then LP
>> produces two midi files: foo.midi and foo-1.midi.
>> Is there a way I can coerce the names into
You wrote:
>> It’s not that simple, since in the example all the scores are in the
>> same book.
>
> It is that simple.
> Put the score in one book and the midis separate books and done.
>
My understanding is a \midi{} block is contained within a \score{}
block.
The structure I have is
\book
On Thu, 17 Feb 2022 at 09:37, Mark Probert wrote:
>
>
> Hi.
>
> If I have a book that is structured something like below, then LP
> produces two midi files: foo.midi and foo-1.midi.
>
> Is there a way I can coerce the names into "bar.midi" and "baz.midi"
> within LP? Or is this something best down
You would have to structure your files and variables differently, for instance
something like (in pseudocode):
— foo.ly
\include "bar.ily"
\include ”baz.ily”
\book {
\bookpart {
\header {
title = "Bar One"
}
\score {
\barMusic
\layout{}
}
}
\bookpart {
Folks,
Am 17.02.22 um 11:48 schrieb Xavier Scheuer:
> If I have a book that is structured something like below, then LP
> produces two midi files: foo.midi and foo-1.midi.
>
> Is there a way I can coerce the names into "bar.midi" and "baz.midi"
> within LP? Or is this something best down externa
2.23.6
I have been using the following definition for many years:
CircleNumberMark = {
\set Score.markFormatter = #format-mark-circle-numbers
}
I now get:
warning: cannot find property type-check for `markFormatter'
(translation-type?). perhaps a typing error?
from one score where I may
> Le 17/02/2022 18:09, Paul Scott a écrit :
>
>
> 2.23.6
>
> I have been using the following definition for many years:
>
> CircleNumberMark = {
> \set Score.markFormatter = #format-mark-circle-numbers
> }
>
> I now get:
>
> warning: cannot find property type-check for `markFormatter'
> (tra
I have another problem that I'd love help with. (Sorry for all the
questions lately.)
The piece of music I'm working on is a piano piece with several ossia
bars. I've been researching how to do this and I've come across a
problem I can't fix. If the ossia bar is the first bar of a new line,
the
Hi,
I'm trying to get a red dot placed before each note. I have tried using
\tweak and
\set fingeringOrientations = #'(left)
\finger \markup \with-color "#FF" "."
But nothing seems to give the desired results.
The below image is what I'm trying to get.
\version "2.22.0" \include "en
Hi,
One thing you may not be aware of is that when you reply
to an existing thread, the reply appears in the same thread
for others, even if you change the title. I saw your message
under "Box around MeasureCounter". It is better to start
a new topic instead.
Le 17/02/2022 à 19:21, Rajesh Baska
Le 17/02/2022 à 19:01, Knute Snortum a écrit :
I have another problem that I'd love help with. (Sorry for all the
questions lately.)
The piece of music I'm working on is a piano piece with several ossia
bars. I've been researching how to do this and I've come across a
problem I can't fix. If
Le 17/02/2022 à 09:08, Thomas Scharkowski a écrit :
I did GUILE_AUTO_COMPILE=1 lilypond file.ly - there was not much of change
afterwards: MSDM.ly still needed 24“ compared to 10“ with MacPorts.
You did see all the logging output with warnings about 'possibly
unbound variables' and stuff?
On Thu 17 Feb 2022 at 21:43:09 (+1100), Mark Probert wrote:
> [ ] wrote:
> >> It’s not that simple, since in the example all the scores are in the
> >> same book.
> >
> > It is that simple.
> > Put the score in one book and the midis separate books and done.
> >
> My understanding is a \midi{} b
Hello Thomas,
in your case using a with block is definitely the best option. One can also
solve such issues by adding a skip column before the main beat like this
\new Staff << {\set Staff.instrumentName = #"abc" \grace s} \new Voice \grace c
c >>
which can be useful with stuff like tempo in a
I have a score consisting of 5 strings. Near the end all instrument
voices (except the bass) split into two. The top voice being a solo, and
the bottom one the rest. I have managed this for one voice, but can't
figure out how to add second violin, viola, and cello in the same
manner, then addin
Hi Erik,
I have a score consisting of 5 strings. Near the end all instrument
voices (except the bass) split into two. The top voice being a solo,
and the bottom one the rest. I have managed this for one voice, but
can't figure out how to add second violin, viola, and cello in the
same manner,
Le 16/02/2022 à 15:26, Kieren MacMillan a écrit :
Hi Aaron,
There are a number of grobs that normally have no visual representation. You
could attach your content there
This is really clever!
Can you imagine *any* possible downside to this approach?
I think it depends on the use case. For
Thanks Lukas, I would never have figured that out.
-- Origineel bericht --
Van: "Lukas-Fabian Moser"
Aan: "E Appeldoorn" ; "Lilypond"
Verzonden: 17-2-2022 22:08:09
Onderwerp: Re: Splitting voices
Hi Erik,
I have a score consisting of 5 strings. Near the end all instrument
voices (
Le 10/02/2022 à 01:08, Kieren MacMillan a écrit :
\markup \with-dimensions-from \null "foobar"
By the way: pedantically, I would recommend
\markup \with-dimensions #empty-interval #empty-interval "foobar"
or
\markup \with-dimensions-from \stencil #empty-stencil "foobar"
or
\markup \with-outli
Hello Jean,
thank you for that insight. I have been using \with-dimension #'(0 . 0) #'(0 .
0) on RehearsalMark grobs so far.
The use case here is generation of playing animation. Basically I am using an
engraver to print information about the current position into the score, which
is then outpu
Thank you, everyone, especially to David for the study code. All this
info is greatly appreciated!
.. mark.
Hi Jean,
> By the way: pedantically, I would recommend
Thanks for that.
> Basically, \null leads to point-stencil, which has
> the extent '(0 . 0) on both axes -- a single-point
> interval. That's small, but not totally empty.
> empty-interval is '(+inf.0 . -inf.0) which is truly
> empty, and th
On Thu, Feb 17, 2022 at 11:32 AM Jean Abou Samra wrote:
>
> Le 17/02/2022 à 19:01, Knute Snortum a écrit :
> > I have another problem that I'd love help with. (Sorry for all the
> > questions lately.)
> >
> > The piece of music I'm working on is a piano piece with several ossia
> > bars. I've be
Le 18/02/2022 à 00:43, Knute Snortum a écrit :
On Thu, Feb 17, 2022 at 11:32 AM Jean Abou Samra wrote:
Thanks, that gets rid of the brace. Is there any way to get rid of
the bar span that connects the ossia staff to the piano staff?
Alright, I was too focused on the bracket. I'm tired, so I
Le 17/02/2022 à 22:58, Kieren MacMillan a écrit :
Hi Jean,
By the way: pedantically, I would recommend
Thanks for that.
Basically, \null leads to point-stencil, which has
the extent '(0 . 0) on both axes -- a single-point
interval. That's small, but not totally empty.
empty-interval is '(+in
On Thu, Feb 17, 2022 at 4:01 PM Jean Abou Samra wrote:
>
> Le 18/02/2022 à 00:43, Knute Snortum a écrit :
> > On Thu, Feb 17, 2022 at 11:32 AM Jean Abou Samra wrote:
> > Thanks, that gets rid of the brace. Is there any way to get rid of
> > the bar span that connects the ossia staff to the piano
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