Am Fr., 4. Jan. 2019 um 01:20 Uhr schrieb Yakir Arbib :
> Would anyone here -- especially those of you who are composers and use
> Lily for contemporary music be willing to give me a few paid private
> lessons over Skype or What'sapp so that we can cover some of the
> features I need to get starte
Hi Yakir.
> "Y" == Yakir Arbib writes:
Y> Would anyone here -- especially those of you who are composers
Y> and use Lily for contemporary music be willing to give me a few
Y> paid private lessons over Skype or What'sapp so that we can cover
Y> some of the features I need to ge
Am Fr., 4. Jan. 2019 um 10:20 Uhr schrieb Gianmaria Lari
:
>
> The attached image shows a measure of a accordion piece from Bogdan Precz.
>
> I tried to engrave it writing:
>
> <>
>
>
> and it looks fine except for the slur. How can I add the slur?
> Thank you, g.
I'd rather use one voice with sca
But maybe also as an aside:
On Fri, Jan 4, 2019 at 10:34 AM Thomas Morley
wrote:
> Am Fr., 4. Jan. 2019 um 10:20 Uhr schrieb Gianmaria Lari
> :
> >
> > The attached image shows a measure of a accordion piece from Bogdan
> Precz.
>
I'm not sure why you're coding this with spacer rests anyway. If
On Fri, 4 Jan 2019, Gianmaria Lari wrote:
The attached image shows a measure of a accordion piece from Bogdan Precz.
I tried to engrave it writing:
<>
and it looks fine except for the slur. How can I add the slur?
Thank you, g.
If it were 6/4 time (that's what the image looks like
My apologies, I didn't specify the fact that it is 3/4 time.
Thomas solution is graphically perfect but I have to manage the midi
output "manually ".
Budanov solution is ok for midi but graphically it's not perfect (slur
position is not ok). Here it is the budanov solution:
\version "2.19.82
I think I have asked this before in the past, but I don't recall any
answers. I know that articulations come from the lilypond font but is there
any way to make them bolder, or more emphatic?
There's an LSR for bold tenuto, but I often use ^-^> as a construct and I
want both signs bolder, and arti
Am Fr., 4. Jan. 2019 um 11:17 Uhr schrieb Gianmaria Lari
:
>
> My apologies, I didn't specify the fact that it is 3/4 time.
>
> Thomas solution is graphically perfect
Well, my suggestion meets the image. Actually, the composers notation
is simply wrong, strictly speaking.
I've seen it many tim
Am Fr., 4. Jan. 2019 um 11:56 Uhr schrieb Andrew Bernard
:
>
> I think I have asked this before in the past, but I don't recall any answers.
> I know that articulations come from the lilypond font but is there any way to
> make them bolder, or more emphatic?
>
> There's an LSR for bold tenuto, bu
On 1/4/19 11:55, Thomas Morley wrote:
For the record, one could do:
\layout { \context { \Voice \remove Slur_engraver } }
\new Staff \with { \consists Slur_engraver }
{
\key aes \major
\clef bass
\time 3/4
<<
aes,2.\=7( \\ { s4 ees2 } \\ s2. \\ { s2 bes4\=7) }
>>
}
This
On Fri, 2019-01-04 at 11:55 +0100, Thomas Morley wrote:
> Am Fr., 4. Jan. 2019 um 11:17 Uhr schrieb Gianmaria Lari
> :
> > My apologies, I didn't specify the fact that it is 3/4 time.
> >
> > Thomas solution is graphically perfect
>
> Well, my suggestion meets the image. Actually, the compose
On Fri, 4 Jan 2019 at 11:56, Thomas Morley wrote:
> Am Fr., 4. Jan. 2019 um 11:17 Uhr schrieb Gianmaria Lari
> :
> >
> > My apologies, I didn't specify the fact that it is 3/4 time.
> >
> > Thomas solution is graphically perfect
>
> Well, my suggestion meets the image. Actually, the composers
Am Fr., 4. Jan. 2019 um 13:07 Uhr schrieb Gianmaria Lari
:
>
>
>
> On Fri, 4 Jan 2019 at 11:56, Thomas Morley wrote:
>>
>> Am Fr., 4. Jan. 2019 um 11:17 Uhr schrieb Gianmaria Lari
>> :
>> >
>> > My apologies, I didn't specify the fact that it is 3/4 time.
>> >
>> > Thomas solution is graphically p
>
> > Yes it's wrong but I think it is used because it better complies with
> the need to be easy to write it and to be less "dense" (and then someway
> easier to read) than traditional/correct way. Maybe the composer could add
> a small footnote but in my (not expert) opinion it is a very good sol
[...]
> Anyway, the output from the original code could possibly be improved by
> instantiating the voices explicitly instead of using \\:
>
> \version "2.19.82"
> \new Staff {
> \time 3/4 \clef bass \key aes \major
> <<
> { aes,2. }
> \new Voice { \voiceTwo s4 ees2 }
> \new Voice
On Fri, Jan 4, 2019 at 1:45 PM Thomas Morley
wrote:
>
> A dot is missing.
> That's because the two dots are of the two aes2. are joined into one
> single dot. Which is hidden by \hideNotes.
>
> Cheers,
> Harm
>
holy moly, this way of notating is so wrong I had no idea what was actually
going o
On 2019-01-04 9:12 am, N. Andrew Walsh wrote:
On Fri, Jan 4, 2019 at 1:45 PM Thomas Morley
wrote:
A dot is missing.
That's because the two dots are of the two aes2. are joined into one
single dot. Which is hidden by \hideNotes.
Cheers,
Harm
holy moly, this way of notating is so wrong I
> -- Forwarded message --
> From: Kieren MacMillan
> To: Lilypond-User Mailing List
> Cc:
> Bcc:
> Date: Sun, 21 Oct 2018 21:28:36 -0400
> Subject: how to increase Slur padding?
> Hi all,
>
> In a current engraving project, I’ve got lots of slurs which I don’t have
> time to \shap
Hi there!
Thanks for responding.
> Not sure if this got answered, but I was going through my inbox and found
> this question and figured better late than never.
I found the answer almost immediately after posting the question:
http://lists.gnu.org/archive/html/lilypond-user/2018-10/msg00300.htm
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