> > > Yes it's wrong but I think it is used because it better complies with > the need to be easy to write it and to be less "dense" (and then someway > easier to read) than traditional/correct way. Maybe the composer could add > a small footnote but in my (not expert) opinion it is a very good solution. > For example I found ugly and "difficult" to read the bass part of the > BWV846 (c major prelude). > > Disagreed. >
Maybe you're too trained :))) [...] > > What's the equal sign? never saw before. > > > http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-curves#slurs > > Thank you! > > > > What's about this? > > > > \version "2.19.82" > > \score { > > > > { > > \time 3/4 \clef bass \key aes \major > > << {\hideNotes aes,2.} \\ {\hideNotes s4 ees2} \\ {\hideNotes s2 bes4} > \\ {aes,2.*1/3( ees2*1/2 bes4) }>> } > > \layout {} > > \midi {} > > } > > A dot is missing. > That's because the two dots are of the two aes2. are joined into one > single dot. Which is hidden by \hideNotes. > Yes I saw the problem :( But I don't understand why it happens only with the dot and not also with the aes note.....
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