Folks,
Assume I want a function that adds a second note a fifth a bove a given
pitch (of course this is but an abstraction from a more complicated
project).
The difficulty is that this should behave accoding to the key signature
in place. Hence, the fifth should not be always perfect but ins
Lukas,
A snippet to create octaves. Perhaps you could modify.
http://lsr.di.unimi.it/LSR/Item?id=445
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Lukas-Fabian Moser
Sent: Saturday, April 28, 2018 2:16 AM
To: lilypo
Mark,
A snippet to create octaves. Perhaps you could modify.
http://lsr.di.unimi.it/LSR/Item?id=445
Thanks much for the pointer! This definitely helps me understand how to
write something like that and integrate it with Lilypond.
I'm afraid, though, that this example does not tackle the aspe
Dear all,
I am asked to add to psalm-setting two different figured bass lines, separated
by a line and with, at the beginning of the first bar, the words "Pretonal" and
"Tonal", as can be seen in the screenshot:
Entering FiguredBass1 and FiguredBass2 did not give me anything but error
messag
Dear Robert,
I don't know this notation. So my advice is probably not the best solution.
> Entering FiguredBass1 and FiguredBass2 did not give me anything but
> error messages
You mean \new FiguredBass1 ? You cannot just invent context names. But
you can stack several contexts of the same type.
Robert,
it's easier to help you if you provide a Minimal Working Example,
otherwise it's hard to know what exactly you tried.
Anyway: It's not problem at all to create multiple
FiguredBass-environments. The line between them is a bit more tricky; I
once used a rhythm staff with all bar lines
On 4/28/2018 1:08 PM, Noeck wrote:
Dear Robert,
I don't know this notation. So my advice is probably not the best solution.
Entering FiguredBass1 and FiguredBass2 did not give me anything but
error messages
You mean \new FiguredBass1 ? You cannot just invent context names. But
you can stack s
I want to set an ossia passage like the one in the attachment. I have achieved
partial success with the code below. The actual musical content in the code is
from the docs which I've attempted to modify to get my intended result. I have
managed to get the measure number on the main staff but
Ahem,
If you want to get rid of the "connecting line", it might helpful to know
that this line is called
SystemStartBar
and it lives in the Score context.
So,
\omit Score.SystemStartBar
will make it disappear without SVG manipulation.
HTH,
Torsten
--
Sent from: http://lilypond.1069038.n5.na
On 4/28/2018 4:33 PM, Torsten Hämmerle wrote:
Ahem,
If you want to get rid of the "connecting line", it might helpful to know
that this line is called
SystemStartBar
and it lives in the Score context.
So,
\omit Score.SystemStartBar
will make it disappear without SVG manipulation.
HTH,
Torsten
\version "2.19.81"
<<
\new Dynamics {
s2 s2^\markup \column {"I would very much" "like this to take" "up
precisely a" "minim's width."} | s1*2 | }
\new Staff {
b'2~ b'4\fermata a'4 \fermata | g'1~ | g'1 | }
>>
In the above example, I would like the words to occupy the horizontal
space b
On 28/04/18 04:46, Karlin High wrote:
> On 4/27/2018 8:28 PM, Andrew Bernard wrote:
>> It falls into the category of alliteration, which abounds in English
>
> As a poetry form, too - "Beowulf" and J. R. R. Tolkien's unfinished work
> "The Fall of Arthur" come to mind. Sort of like "rhyming" the b
Hi all,
I'm creating an organ part where the right-hand staff is supposed to be
slightly narrower than the left-hand staff. When I use \magnifyStaff to
achieve this effect, it also alters the thickness of the final barlines so
they don't match up:
\version "2.19.65"
\score {
\new PianoStaff <<
\
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