Hi all,
just for curiosity: I upgraded from 2.19.55 to 2.19.59 and noticed an
enormous speedup. That is really great
and I would like to know which change(s) are responsible for that.
All the best,
Michael
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Michael Käppler writes:
> Hi all,
>
> just for curiosity: I upgraded from 2.19.55 to 2.19.59 and noticed an
> enormous speedup. That is really great
>
> and I would like to know which change(s) are responsible for that.
You did not mention your operating system, but an "enormous speedup"
would l
> [...] but an "enormous speedup" would likely be a fix of the
> defective Freetype font caching.
Just to be clear: FreeType itself provides font caching within the
library. However, lilypond doesn't use this functionality (and right
so).
You rather mean problems with the fontconfig library.
I'm on Win7 x64. When has the font caching been fixed? I could not find
the commit.
Am 24.04.2017 um 09:14 schrieb David Kastrup:
Michael Käppler writes:
Hi all,
just for curiosity: I upgraded from 2.19.55 to 2.19.59 and noticed an
enormous speedup. That is really great
and I would like t
Michael Käppler writes:
> I'm on Win7 x64. When has the font caching been fixed? I could not
> find the commit.
If I remember correctly, this was an update in GUB, our crosscompiling
setup. Probably preceded by some upstream change of whatever library
was involved.
--
David Kastrup
_
- Original Message -
From: "Michael Käppler"
To: "David Kastrup"
Cc:
Sent: Monday, April 24, 2017 8:24 AM
Subject: Re: Speedup with recent lilypond
I'm on Win7 x64. When has the font caching been fixed? I could not find
the commit.
Probably
https://github.com/gperciva/gub/commi
Thanks!
Am 24.04.2017 um 09:39 schrieb Phil Holmes:
- Original Message - From: "Michael Käppler"
To: "David Kastrup"
Cc:
Sent: Monday, April 24, 2017 8:24 AM
Subject: Re: Speedup with recent lilypond
I'm on Win7 x64. When has the font caching been fixed? I could not
find the commit
2017-04-24 5:52 GMT+02:00 Andrew Bernard :
> LSR down again.
>
> Who is the maintainer? I'd be happy to mail them.
>
> Andrew
:((
I'll send you the contact-data privately, afaik he's not subscribed to
the user-list.
Cheers,
Harm
___
lilypond-user m
Hi Hans,
Thank-you very much for responding to my first efforts at learning Lilypond.
I am going to take advantage of your kindness and submit my next conundrum to
you.
I have written a flute melody which is is complete at 32 bars in length. Is it
too late to integrate a second flute part b
Am 24.04.2017 um 03:35 schrieb Margaret Voorhaar:
> Hi Hans,
> Thank-you very much for responding to my first efforts at learning Lilypond.
>
> I am going to take advantage of your kindness and submit my next conundrum to
> you.
>
> I have written a flute melody which is is complete at 32 ba
The example with the problem is
[Example]
\version "2.19.41"
global = {
\key c \major
\time 4/4
}
upper = \relative c' {\voiceOne
\global
e'1 \ottava #1 e'1
}
lower = \relative c' { \voiceTwo
\global
e,1 ~ e1
}
\score {
\new Staff { \clef "treble_8" << \upper \\ \lower >>
Am 24.04.2017 um 10:23 schrieb zs.has...@gmx.de:
> I do not know, how to switch off the influence of \ottava #1 in the upper
> voice to the lower voice.
\ottava seems to change the middleCPosition for the whole staff so try
\set Voice.middleCPosition = 1
in the lower voice.
_
Urs Liska writes:
> Am 24.04.2017 um 03:35 schrieb Margaret Voorhaar:
>> Hi Hans,
>> Thank-you very much for responding to my first efforts at learning Lilypond.
>>
>> I am going to take advantage of your kindness and submit my next
>> conundrum to you.
>>
>> I have written a flute melody which
Am 24.04.2017 um 10:35 schrieb David Kastrup:
> Urs Liska writes:
>
>> Am 24.04.2017 um 03:35 schrieb Margaret Voorhaar:
>>> Hi Hans,
>>> Thank-you very much for responding to my first efforts at learning
>>> Lilypond.
>>>
>>> I am going to take advantage of your kindness and submit my next
>
Sagt mal, was ist aus dem Forum geworden. Ich frage, weil ich mir überlege,
dem Domainbesitzer einen Brief zu schreiben, um das Forum, wenn der Aufwand
entsprechend gering ist, zu übernehmen.
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Am 24.04.2017 um 10:49 schrieb zs.has...@gmx.de:
> Sagt mal, was ist aus dem Forum geworden. Ich frage, weil ich mir überlege,
> dem Domainbesitzer einen Brief zu schreiben, um das Forum, wenn der Aufwand
> entsprechend gering ist, zu übernehmen.
DE: In den nächsten Tagen übernehme ich die Domain,
On Mon, 24 Apr 2017, Margaret Voorhaar wrote:
\version "2.18.2-1"
I don't think is valid version number syntax (is it?)
use
\version "2.18.2"
--
MT
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On Mon, 24 Apr 2017, Margaret Voorhaar wrote:
I have a flute melody which is 32 bars in length. Is it too late to integrate
a second flute part beneath this? Thank-you!
First two bars are below:
It's never too late for anything, once you learn the habit to put your
parts in variables, a
% -- 8< --
foo = {c' c' c' c'}
{ \foo }
% -- 8< --
--- is ok.
soprano = { \soprano \anotherSoprano }
--- is ok also.
I mean:
% -- 8< --
soprano = \lyricmode {
la -- la -- la
}
refrain = \lyricmode {
ha -- ha -- ha
}
soprano = { \soprano \refrain }
% --
Hello,
I added additional stanzas below a score as described in the doc
(http://lilypond.org/doc/v2.18/Documentation/notation/stanzas#printing-stanzas-at-the-end-in-multiple-columns).
Now I want to print repeat signs at the beginning and at the end of a
line. Of course, I could use the pipe s
Thank you, that was the solution.
Regards
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Hi Stephan,
This is described in the NR Section 1.1.3 (version 2.19.59), "
* Adding an ottava marking to a single voice".*
Something I use all the time. But a bit hard to find in the doc as it is
not indexed specifically.
Andrew
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Margaret,
Two methods are described at
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Margaret Voorhaar
Sent: Sunday, April 23, 2017 6:35 PM
To: Han
On Sun, Apr 23, 2017 at 8:09 AM, Kieren MacMillan [via Lilypond] <
ml+s1069038n202546...@n5.nabble.com> wrote:
> Hi Johannes,
>
> any ideas how to get a more even - ot lets say rhytmic - distribution of
> the notes with lyrics?
>
>
> This is an ongoing frustration I have. (I *just* talked about th
thanks for the information
cheers
Arne
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/openlilylib-edition-engraver-and-partial-tp202558p202589.html
Sent from the User mailing list archive at Nabble.com.
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Abraham,
> So, the real question is this: can we make LyricText.self-alignment-X dynamic
> instead of static? In other words, can we use a springs-like mechanism
> between LyricText syllables, but that are more flexible than the
> springs-and-rods between NoteColumns? That way, the NoteColumns
On Mon, Apr 24, 2017 at 11:13 AM, Kieren MacMillan
wrote:
> Abraham,
>
>> So, the real question is this: can we make LyricText.self-alignment-X
>> dynamic instead of static? In other words, can we use a springs-like
>> mechanism between LyricText syllables, but that are more flexible than the
>
Am 24.04.2017 um 03:35 schrieb Margaret Voorhaar:
I have written a flute melody which is is complete at 32 bars in length. Is it
too late to integrate a second flute part beneath this?
There is no problem at all with that, you can make every change to your
score that you like :-)
But how?
N
Am 24. April 2017 18:50:47 MESZ schrieb David Nalesnik
:
>>
>
>This seems to me to be an extremely complex undertaking, involving a
>rewrite of a lot of spacing code. I would vote to implement something
>more modest, a simple adjustment of self-alignment-X, as per Abraham's
>suggestion. Much
Am 24.04.2017 um 19:19 schrieb Urs Liska:
Maybe we could revive the stalled lyric project? Janek did a lot of
work breaking lyric issues down into manageable chunks.
Where is this available?
They are around a dozen issues, around #2450. I don’t know if the Lyrics
project label made its way t
Am 24.04.2017 um 15:25 schrieb Gregor Buchholz:
Is there a way to get some nice repeat signs printed in the text?
I don’t know if there is anything easier than this:
repeatBarMarkupClose =
\markup {
\raise #.6
\with-dimensions #'(-.5 . .8) #'(-1.6 . 1.6)
\score {
\la
On Sun 23 Apr 2017 at 04:12:32 (+0200), caag...@gmail.com wrote:
> On 04/23/17 03:47, David Wright wrote:
> >Then I don't know what you mean. When you drag over them, they turn
> >blue because you _have_ selected them (drag.png, apologies for the
> >size). Then you can paste them into, say, a bash
Hi David (et al.),
>> Is the built-in** lyric tie/elision tweakable?
> There's no LyricTie grob, so no convenient way to tweak it. You
> could modify "tied-lyric" in scm/define-markup-commands.scm, since
> that's what's engaged with the tilde.
I manually tweaked that function (see snippet, bel
Seems the latest devel version (2.19.59) has fixed that bug, so it's
probably not important anymore.
On 04/24/17 19:43, David Wright wrote:
Well, I can't take a view on that because AFAICT the source in the OP
only contained kanji (complicated-looking) characters. Would that be
correct? Could y
Am 24.04.2017 um 19:42 schrieb Simon Albrecht:
I don’t know if there is anything easier than this:
...
Thank you very much, it works like a charm!
Maybe you’ll want to scale it.
I do! And I did it by adding a "#(layout-set-staff-size 9)" to your
\layout section and a "\override StaffSymbol.s
when I try to convert musicxml to lilypond 2.18. with frescobaldi 3.0.
(windows) there is no output.
in frescobali I use the dialog for import with $musicxml2ly --nd --nrp
--npl --no-beaming -m $filename
do I need any information for the output file?
best regards
ralph
___
Hello all,
when removing both the Clef and BarNumber engraver, an occasional
RehearsalMark at the beginning of a line affects the horizontal position of
the following note. How can I prevent this, so the first note of every line
is in the same horizontal position? See example below.
This is not u
2017-04-24 23:02 GMT+02:00 Peter Crighton :
> Hello all,
>
> when removing both the Clef and BarNumber engraver, an occasional
> RehearsalMark at the beginning of a line affects the horizontal position of
> the following note. How can I prevent this, so the first note of every line
> is in the same
Hi David,
2017-04-24 1:34 GMT+02:00 David Nalesnik :
> On Sun, Apr 23, 2017 at 6:15 PM, Thomas Morley
> wrote:
>> 2017-04-23 12:34 GMT+02:00 Andrew Bernard :
>>
>>> Next thing to do is to achieve the half dashed/half solid appearance - or
>>> can this be done already, in the same way that slurs
By PDF title I mean the one shown in the PDF viewer's title bar. It
seems to be extracted from the header:title field, but in my case, the
title contains some complex markup and isn't extracted properly. Can I
override the title somehow?
___
lilypond
2017-04-25 0:49 GMT+02:00 :
> By PDF title I mean the one shown in the PDF viewer's title bar. It seems to
> be extracted from the header:title field, but in my case, the title contains
> some complex markup and isn't extracted properly.
It should.
Could you post the title-markup?
Cheers,
Harm
```
title = \markup {
\concat {
"W"
\scale #'(15/22 . 15/22) \combine
"o"
\translate-scaled #'(0 . 1.2) "a"
"ndering"
}
}
```
This is extracted as "Wandering" (or at least that's what Atril shows).
I want it to be "W[ao]ndering" (or maybe "Wꜵndering"), because it's
s
2017-04-25 1:43 GMT+02:00 :
> ```
> title = \markup {
> \concat {
> "W"
> \scale #'(15/22 . 15/22) \combine
> "o"
> \translate-scaled #'(0 . 1.2) "a"
> "ndering"
> }
> }
> ```
>
> This is extracted as "Wandering" (or at least that's what Atril shows).
The function doin
2017-04-25 2:18 GMT+02:00 Thomas Morley :
> 2017-04-25 1:43 GMT+02:00 :
>> ```
>> title = \markup {
>> \concat {
>> "W"
>> \scale #'(15/22 . 15/22) \combine
>> "o"
>> \translate-scaled #'(0 . 1.2) "a"
>> "ndering"
>> }
>> }
>> ```
>>
>> This is extracted as "Wandering"
`pdftitle` seems to be exactly what I was looking for. I also added
`midititle = #pdftitle` for good measure.
On 04/25/17 02:21, Thomas Morley wrote:
2017-04-25 2:18 GMT+02:00 Thomas Morley :
2017-04-25 1:43 GMT+02:00 :
```
title = \markup {
\concat {
"W"
\scale #'(15/22 . 15/22
2017-04-25 0:01 GMT+02:00 Thomas Morley :
> 2017-04-24 23:02 GMT+02:00 Peter Crighton :
> > Hello all,
> >
> > when removing both the Clef and BarNumber engraver, an occasional
> > RehearsalMark at the beginning of a line affects the horizontal position
> of
> > the following note. How can I preve
Why does this mess up?
\version "2.19.59"
{
\override TupletNumber.avoid-slur = #'outside
\tuplet 5/4 { c''( bes' fis' d' ges') }
}
How do you get a slur to go inside a tuplet bracket?
Andrew
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ht
Hi all,
I've been working a bit on Beethoven's Op.106, here's my first version of
the scherzo: http://lilybin.com/adlr67/1
There's a lot of code in there, including unused code, because I had to
copy over two includes files.
In case it doesn't show up correctly, here's a PDF:
http://wedemandhtml.
On Mon 24 Apr 2017 at 21:35:48 (+0200), caag...@gmail.com wrote:
> Seems the latest devel version (2.19.59) has fixed that bug, so it's
> probably not important anymore.
>
> On 04/24/17 19:43, David Wright wrote:
> >Well, I can't take a view on that because AFAICT the source in the OP
> >only cont
Hi Michael,
The Henle Verlag edition has no slur over this section. What source are you
engraving from?
Aside from that if you need to shape slurs the best tool is the \shapeII
function in the openlilylib library. If you need help setting it up, just
mail me.
Fingerings? Unless the composer wrot
Hi Michiel,
The Artaria engraving of about 1819 is freely available at IMSLP. This is
very beautifully done, a model of excellence. Possibly better than finding
the MS because I suspect it contains many corrections.
http://imslp.org/wiki/Piano_Sonata_No.29,_Op.106_(Beethoven,_Ludwig_van)
No slur
Try this code:
\version "2.19.48"
{
\override TupletBracket.avoid-slur = #'outside
\tuplet 5/4 { c''( bes' fis' d' ges') }
}
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H Manuela,
I did, naturally. The slur intersects the bracket, and commenting out the
override you show produces the same result as having it. So I don't think
this is the answer.
Andrew
On 25 April 2017 at 15:06, Manuela wrote:
> Try this code:
>
> \version "2.19.48"
> {
> \override TupletB
Hi Andrew,
the code you posted doesn't produce a bracket at all entered to lilybin.com
Try this
\version "2.19.48"
{
\override TupletBracket.avoid-slur = #'outside
\shape #'((0 . 2) (0 . 2) (0 . 2) (0 . 2)) Slur
\tuplet 5/4 { c''( bes' fis' d' ges') }
}
Greeting,
Manuela
2017-04-25 7:25
Sry, this was wrong, you wanted it the other way round.
\version "2.19.48"
{
\override TupletBracket.avoid-slur = #'outside
\shape #'((0 . -1.5) (0 . -1.5) (0 . -1.5) (0 . -1.5)) Slur
\tuplet 5/4 { c''( bes' fis' d' ges') }
}
Greetings,
Manuela
2017-04-25 8:17 GMT+02:00 Manuela Gößnitzer :
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