Hi,
I would like to typeset some scores where only the main melody is obligatory:
\language "deutsch"
global = {
\time 3/4
\key f \major
}
melody = \fixed c' {
\global
2.~ |
2. |
}
while one could optionally add some ornaments:
\fixed c' {
s4 g4. a8 |
b2. |
}
and
Thomas,
Thanks - I've just found the version number issue hidden in the Usage manual!
But the double newline issue is still an annoyance - it seriously reduces the
amount of text I can get on a screen. I've looked at the files with a hex
editor and it's interesting. I'm using Frescobaldi to gen
I'm trying to engrave the attached score fragment, but can't work out how to
get it right. I agree with LP that it's not beautiful, but that's what the
composer wrote.
The snippet below is as far as I've got, but there are too many clashes (not
surprising). So the cross-staff chords aren't work
What about the attached?
This makes the lower voice \voiceTwo, the middle voice \voiceFour and
keeps all the stems downward.
Additionally one would have to move the inner voice a little bit to the
right so it doesn't touch the lower one.
Just an idea
Urs
Am 19.12.2016 um 11:51 schrieb Peter T
Hi all,
I just discovered a bug with my function above. It turns out the function
works well when there are two of more notes inside the \slashedGrace{}, but
when a single note is there the file does not compile. I believe I need a
conditional somewhere to take care of this but I don't really know
And using Urs' suggestion for voiceFour, and some force-hshift and
forcing of beam positions, I get the following (attached).
Rutger
\version "2.19.0"
\score {
\new PianoStaff \with {
\consists #Span_stem_engraver
} <<
\new Staff = "up" <<
\relative c'' {
In the following snippet, is there a way to set the alignment of the
"℟." so that it always appears after the barline, rather than under it.
I expect more space needs to be added to the bar in which it appears for
this to happen.
Also, is there a way to eliminate the need for the "." to make t
rride Beam.beamed-stem-shorten = #'(0.3 0.3 0)
>> \stemDown f8[ \stemUp b,~]
>> \stemDown b[ b] \stemDown f'[ \stemUp b,] |
>> \stemDown g'8[ \stemUp d]_~ \stemDown d[ g_~] g \stemUp d]
>>}
>>
Thanks Rutger. That looks brilliant.
I find that the main problem with Lilypond is working out exactly which
property of which object to tweak. Presumably this comes with experience.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com___
lilypond
Hi Gilberto,
On Mon, Dec 19, 2016 at 6:43 AM, Gilberto Agostinho
wrote:
> Hi all,
>
> I just discovered a bug with my function above. It turns out the function
> works well when there are two of more notes inside the \slashedGrace{}, but
> when a single note is there the file does not compile. I
On 19.12.2016 11:51, Peter Toye wrote:
I'm trying to engrave the attached score fragment, but can't work out
how to get it right. I agree with LP that it's not beautiful, but
that's what the composer wrote.
The method used in that engraving is nice, but difficult to get right
and rarely used.
Simon,
I agree, and would have written that myself. In fact, as the middle voice is
mostly played with the right hand, I'd have moved that to the upper staff as
well.
But I'm trying to reproduce what the composer (Ivor Gurney) and his editor
(Gerald Finzi I think) published, rather than modern
Br. Samuel Springuel wrote
> is there a way to set the alignment of the
> "℟." so that it always appears after the barline, rather than under it.
I would simply fill the space between the barline and the first note with
invisible rests.
Br. Samuel Springuel wrote
> is there a way to eliminate
On 2016-12-19 11:56 AM, Klaus Blum wrote:
\cadenzaOn \hide r8 \hide r8 \cadenzaOff
Other than the duration throwing off the later notes (easily corrected)
it works well. Out of curiosity, why `\hide r` instead of `s`? I
tested the later and it seems to work too, is there a reason to favor
Hi David,
First of all, thanks for your reply and for your help!
David Nalesnik wrote
> The problem is that there is no Beam grob, so an error is raised when
> you query its properties.
I see!
> Following is a simple way to use substitute values when there is no Beam
> object.
This modified
Is there a way to get lyric extenders to appear automatically when
lyrics have been applied to a voice using `\lyricsto`? I know how to
manually get them to appear (with `__`), but I'm wondering if there is a
simple setting that can be changed in an included style file that would
allow me to m
On 2016-12-19 21:09, Br. Samuel Springuel wrote:
Is there a way to get lyric extenders to appear automatically when
lyrics have been applied to a voice using `\lyricsto`? I know how to
manually get them to appear (with `__`), but I'm wondering if there is a
simple setting that can be changed in
Br. Samuel Springuel wrote
> ... the duration throwing off the later notes
Ooops, I forgot that I changed the recent duration. Of course it shoud read
g'4 f-sharp'( g') e' f-sharp' g' \bar ":|."
Br. Samuel Springuel wrote
> why `\hide r` instead of `s`? I
> tested the later and it seems to w
On Mon, Dec 19, 2016 at 1:32 PM, Gilberto Agostinho
wrote:
> Hi David,
>
> First of all, thanks for your reply and for your help!
>
>
> David Nalesnik wrote
>> The problem is that there is no Beam grob, so an error is raised when
>> you query its properties.
>
> I see!
>
>
>> Following is a simple
Hi David,
David Nalesnik wrote
>> I think the function needs
>> something like "if there is a beam, then add a slash, else if no beam
>> then
>> no slash". Do you think you could give me a hand with that?
>
> Sure, that's no problem. And it looks a bit cleaner than what I went
> in the last rep
On Mon, Dec 19, 2016 at 3:44 PM, Gilberto Agostinho
wrote:
> Hi David,
>
>
> David Nalesnik wrote
>>> I think the function needs
>>> something like "if there is a beam, then add a slash, else if no beam
>>> then
>>> no slash". Do you think you could give me a hand with that?
>>
>> Sure, that's no
2016-12-19 15:53 GMT+01:00 Br. Samuel Springuel :
> In the following snippet, is there a way to set the alignment of the "℟." so
> that it always appears after the barline, rather than under it. I expect
> more space needs to be added to the bar in which it appears for this to
> happen.
>
> Also, i
On 2016-12-19 5:04 PM, Thomas Morley wrote:
\once \override NoteColumn.X-offset = 3.5
That works well too. Which will have more predictable results when the
line width and staff size changes? I'm going to be using these snippets
in both a "normal" and a "large print" booklet, eventually, an
2016-12-19 11:35 GMT+01:00 Peter Toye :
> Thomas,
>
> Thanks - I've just found the version number issue hidden in the Usage
> manual!
>
> But the double newline issue is still an annoyance - it seriously reduces
> the amount of text I can get on a screen. I've looked at the files with a
> hex edito
I've included the files as instructed and it seems to be working fine
when applied to the first case. I did need to tweak
LyricExtender.minimum-length, as I wanted them to show up more often
than they were, but a simple override in my score fixed that nicely (I
assume that I'll need to keep th
On 19.12.2016 23:18, Br. Samuel Springuel wrote:
It'll take a bit to apply the autoextenders to all my scores in this
project,
Maybe the autoextenders function could be added to
toplevel-music-functions (a list of functions which will be applied to
all music in the score). You should be able
Federico Bruni-2 wrote
>> I'm on LINUX and don't use Frescobaldi.
>> At least I never experienced this behaviour.
>
> Me neither, and I use Linux and Frescobaldi (version 3 from master).
> So probably some Windows issue.
Where did you find Frescobaldi v3? I thought the next version (yet to be
rel
Hi again Samuel,
great that you find it useful. Yes, the minimum-length is
well-tweakable; the default will likely be different in the "final"
version. This version for killing extenders is my old and home-grown
solution for my use cases and by no means optimized. It's not been long
since Jor
On 19.12.2016 23:48, Alexander Kobel wrote:
Maybe the autoextenders function could be added to
toplevel-music-functions (a list of functions which will be applied to
all music in the score). [...]
Simon, very good catch. Indeed this will work; \autoextenders only
touches lyrics. Replace
\ne
2016-12-19 23:14 GMT+01:00 Br. Samuel Springuel :
> On 2016-12-19 5:04 PM, Thomas Morley wrote:
>>
>> \once \override NoteColumn.X-offset = 3.5
>
>
> That works well too. Which will have more predictable results when the line
> width and staff size changes?
No idea. I'm afraid you'll ned to try i
On 2016-12-19 6:27 PM, Simon Albrecht wrote:
I actually meant using an include file like the attached and not having to add
the music function locally at all.
This is definitely an idea I like, as it means I'm less likely to forget
it as I continue to add to the project and will make it easie
Hi Gilberto,
You may not be aware of my detailed work on slashed beams and slashed stems
that I recently contributed to openlilylib. Theres a function that provides
fine control over the parameters of beam slashes, and which works on the
left as well as the right (needed for many contemporary sco
In the following snippet I've got two slurred notes that are fairly far
apart. This leads to one having a natural stem up and the other down.
Naturally, when those stems are present, LilyPond should move the slur
so that it doesn't collide with the stems, as is shown in the first
Staff. Howev
Il giorno lun 19 dic 2016 alle 23:40, SoundsFromSound
ha scritto:
Me neither, and I use Linux and Frescobaldi (version 3 from master).
So probably some Windows issue.
Where did you find Frescobaldi v3? I thought the next version (yet to
be
released) was v2.20 - did I miss something?
I ru
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