Hi all,
I'm poking around in the reference but don't find a simpler solution.
I have a function that returns an integer that represents the semitones
over a reference (by default the middle c). From this I want to
construct a pitch so that e.g.
(pitch 2) would return the equivalent to (ly:make-p
Hi Tim,
On Nov 27, 2015, at 1:15 AM, tim...@bitstream.net wrote:
> Given an Am(sus) chord on a chart I would wonder whether the composer wants a
> suspended chord (A D E) or a triad with a 4th- or much more likely 11th-
> added (A C E D).
In most of the scores I read (and write), that’s A(add4)
> On Nov 27, 2015, at 4:48 AM, Kieren MacMillan
> wrote:
>
> Hi Tim,
>
> On Nov 27, 2015, at 1:15 AM, tim...@bitstream.net wrote:
>> Given an Am(sus) chord on a chart I would wonder whether the composer wants
>> a suspended chord (A D E) or a triad with a 4th- or much more likely 11th-
>> ad
2015-11-23 11:48 GMT+01:00 jmechmech :
> Perfect for a snippet :
>
>
>
> \version "2.18.2"
>
> #(define (lower-extension pitch chbass)
>"Return lowered markup for pitch note name."
>#{
> \markup \raise #-1.9 \halign #0.2
> #(note-name->markup pitc
On Fri, 16 Oct 2015 20:10:14 +0200
Yann wrote:
> Hello all !
>
> Is there a way to modify 7dim
C#7dim is not correct. The standard name is C#m7b5. Not elegant,
but unambiguous as concerns the minor 7th or dim. 7th interval.
It is called a leading tone seventh or a half-diminished 7th.
The symb
Hi Peter,
Peter Crighton-4 wrote
> Could this snippet be adapted to having the bass note appearing directly
> beneath the root note, separated by a horizontal line?
unfortunately not (see below).
The sequence is (from left to right) root note, slash, bass note. Therefore
the horizontal placement
Andrew,
I have seen similar hit-and-miss results with text fonts when exporting to
SVG. I can't tell what's driving the inconsistent results.
Best,
Abraham
On Friday, November 20, 2015, Andrew Bernard [via Lilypond] <
ml-node+s1069038n183886...@n5.nabble.com> wrote:
> More investigation on font
[image: Screen Shot 2015-11-28 at 6.06.47 am.png]
Hi Lilyponders,
Any idea how I can prevent the rehearsal marks from being pushed upwards by
the tempo indication, and get the tempo marks to be moved a little to the
right.
I have been experimenting with:
\override MetronomeMark.extra-spacing-wid
Am 27.11.2015 um 21:10 schrieb Craig Dabelstein:
and get the tempo marks to be moved a little to the
right.
Just do that ;) (\once) \override MetronomeMark.X-offset = 3 or
something similar.
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ht
Klaus Blum wrote
> The sequence is (from left to right) root note, slash, bass note.
> [...]
> It would be necessary to modify the function that puts together those
> ingredients
I've tried to modify "chord-ignatzek-names.scm" where this function is
located (see attached).
chord-ignatzek-names.s
There have been some discussions about this in the past (e.g.
https://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00930.html,
https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00040.html). I
can't find a thread with a good resolution though.
In any case the main two simple option
Hi,
for some engraver I need to look at all Voices, comparing them in some regard.
If I put the engraver in every Voice, then every Voice is processed,
yes, but I can't find a method to compare them.
So I thought the way might be to put the engraver in Score, get the
Voices and do nasty things ..
Thomas Morley writes:
> Hi,
>
> for some engraver I need to look at all Voices, comparing them in some regard.
>
> If I put the engraver in every Voice, then every Voice is processed,
> yes, but I can't find a method to compare them.
> So I thought the way might be to put the engraver in Score, g
2015-11-27 23:45 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> Hi,
>>
>> for some engraver I need to look at all Voices, comparing them in some
>> regard.
>>
>> If I put the engraver in every Voice, then every Voice is processed,
>> yes, but I can't find a method to compare them.
>> So I
Thomas Morley writes:
> 2015-11-27 23:45 GMT+01:00 David Kastrup :
>>>
>>> How to get all Voices looking down from Score?
>>
>> You could have an engraver listen for AnnounceNewContext and
>> RemoveContext events and keep tally of the Voice contexts among them in
>> a hash table or something like
Hello all,
I would like to ask if anyone knows how to control the speed of the trills
in the MIDI output when using articulate.ly. Currently, the articulate.ly
simply converts a note with a trill into a bunch of 32nd notes, regardless
of the tempo of the piece. This works very well for slow tempi
On Fri, Nov 27, 2015 at 05:32:37PM -0700, Gilberto Agostinho wrote:
> Hello all,
>
> I would like to ask if anyone knows how to control the speed of the trills
> in the MIDI output when using articulate.ly. Currently, the articulate.ly
> simply converts a note with a trill into a bunch of 32nd not
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