Use X-offset for the stems.
For example:
\once \override Stem.X-offset = #n
where n is positive or negative.
Andrew
On 25 Oct 2015, at 17:48, Ryan Michael wrote:
I know there are ways in lilypond to not display the stem. I would
like to do something slightly different, which is to posit
Using a grace note set that spans two staves, reduced from a vastly more
complex real score to a more minimal example, if I use a hairpin between the
sfz and the p indications, I get a programming error related to vertical
alignment that I am unable to understand, or eliminate. Can folks explain
Thomas Morley writes:
> Hi Bernardo,
>
> please see attached. Does it fit your needs?
What's the essential difference to the current code?
--
David Kastrup
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Brilliant Simon! 😊
And why would I need to hide a bar full of entries?
In improv pieces I often write all the material out sequencial in a score. Then
I choose what materiel the different players should use, and I hide the rest of
the bars.
That way I can have one score a piece, and the individua
2015-10-25 8:34 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> Hi Bernardo,
>>
>> please see attached. Does it fit your needs?
>
> What's the essential difference to the current code?
>
> --
> David Kastrup
Current `determine-frets' from scm/translation-functions.scm checks
whether the ca
Hi all,
I am working on a score for solo viola. There are measures in which I
change from alto clef to treble clef, and then back to alto clef. Each time
there is a clef change, Lilypond rewrites accidentals. I understand the
usefulness of this default, but is there a way to turn this feature off?
Yes, naturally PayPal takes commission. So does your bank, any credit card
provider, WorldPay or Moneygram or any other similar service. However,
PayPal is secure and reliable enough for Amazon and a huge number of online
stores to be happy using it, not to mention charitable organizations that
ben
On 25/10/15 11:08, Chris Yate wrote:
> As I understand it, there are some differences in the commission payable
> for sending money to a friend vs buying a thing, but I've not looked
> into it for a couple of years. We were investigating it for managing our
> orchestra subs - I think it was about £
Thomas Morley writes:
> 2015-10-25 8:34 GMT+01:00 David Kastrup :
>> Thomas Morley writes:
>>
>>> Hi Bernardo,
>>>
>>> please see attached. Does it fit your needs?
>>
>> What's the essential difference to the current code?
>>
>> --
>> David Kastrup
>
> Current `determine-frets' from scm/translat
Hi Ryan,
As each note head has its proper alignment, I don't see how this can be
achieved without using markups.
Long work though...
Something like :
\version "2.19.29"
#(set-global-staff-size 15)
\paper {
indent = 0
ragged-right = ##f
}
\new PianoStaff \with {
\omit TimeSignature
\
Il giorno sab 24 ott 2015 alle 20:31, Thomas Morley
ha scritto:
Harm, should I enter an issue in the tracker for this? So if/when
you have
time to include it in LilyPond (as you said you'd like to do one
day) we'll
know it.
As a reminder, please do. Thanks.
Added:
https://sourceforge.ne
Simon Albrecht writes:
> On 22.10.2015 19:21, David Kastrup wrote:
>> As you all know, my sole source of income are donations from happy
>> LilyPond users. It would appear that LilyPond users have stopped being
>> happy with my work.
>
> You must know that this is not the case. I should be much
Or shorter :
\version "2.19.29"
#(set-global-staff-size 15)
\paper {
indent = 0
ragged-right = ##f
}
xen = #(define-scheme-function (parser location music)
(ly:music?)
#{
\markup {
\with-dimensions #'(0 . 0) #'(0 . 0)
\score {
\magnifyMusic 0.8 { $music
Jacques Menu writes:
> Hello folks,
>
> I’m only an amateur musician, but I really appreciate Lilypond’s
> availability. I haven’t been creating scores any other way since I
> first encountered it at the time of version 2.12.
>
> Current example : Bach’s Magnificat, in which I partly double the
>
Robert Schmaus writes:
> I can only subscribe to what Simon (and all other responders) wrote.
>
> Like Urs pointed out, that the absence of any reports about the
> financial situation on the developer side left me under the impression
> that it wasn't really problematic.
It means I don't want t
Thomas Morley writes:
> 2015-10-24 23:20 GMT+02:00 Thomas Morley :
>>
>> Well, it's not related to my changes, as far as I can tell. See:
>>
>> \markup {
>> \fret-diagram-verbose #'(
>> (place-fret 4 0)
>> )
>> }
>>
>> I could follow this one bac to 2.14.2, the oldest I've
Hi Noah,
I'm not really familiar with accidental styles (as the default is
perfectly fine for me).
But there's a 'manual' solution which works. I just can't say if it's
too much extra-input for your taste:
\version "2.18.2"
\relative c' {
\time 4/4
\clef "alto"
cis4
I get a segmentation fault from 2.19.29 that I don't get with
2.19.28. I'm running 64-bit on Debian sid. It looks to be size
related so a minimal example doesn't seem to be relevant.
I'd be happy to run any diagnostic that might help.
Paul
___
lily
Noah Fields writes:
> Hi all,
>
> I am working on a score for solo viola. There are measures in which I
> change from alto clef to treble clef, and then back to alto clef. Each time
> there is a clef change, Lilypond rewrites accidentals. I understand the
> usefulness of this default, but is ther
Paul Scott writes:
> I get a segmentation fault from 2.19.29 that I don't get with
> 2.19.28. I'm running 64-bit on Debian sid. It looks to be size
> related so a minimal example doesn't seem to be relevant.
Garbage collection while slurs are being processed during the iteration
stage. Yes, s
On Sun, Oct 25, 2015 at 08:15:49PM +0100, David Kastrup wrote:
> Paul Scott writes:
>
> > I get a segmentation fault from 2.19.29 that I don't get with
> > 2.19.28. I'm running 64-bit on Debian sid. It looks to be size
> > related so a minimal example doesn't seem to be relevant.
>
> Garbage c
Quoting David Kastrup (d...@gnu.org):
> Noah Fields writes:
> > I am working on a score for solo viola. There are measures in which I
> > change from alto clef to treble clef, and then back to alto clef. Each time
> > there is a clef change, Lilypond rewrites accidentals. I understand the
> > usef
2015-10-25 13:00 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> 2015-10-25 8:34 GMT+01:00 David Kastrup :
>>> Thomas Morley writes:
>>>
Hi Bernardo,
please see attached. Does it fit your needs?
>>>
>>> What's the essential difference to the current code?
>>>
>>> --
>>> Davi
2015-10-25 21:33 GMT+01:00 Thomas Morley :
> 2015-10-25 13:00 GMT+01:00 David Kastrup :
>> Thomas Morley writes:
>>
>>> 2015-10-25 8:34 GMT+01:00 David Kastrup :
Thomas Morley writes:
> Hi Bernardo,
>
> please see attached. Does it fit your needs?
What's the essent
Dear Abraham,
> but I have great plans to remedy this situation. Please stay tuned!
That's good to hear that you are aware of it. I will stay tuned.
> Here are some test runs of what I've done (compared to Emmentaler, using
> the example from the LilyPond essay). They are definitely NOT perfect,
Hi Abraham,
> There's not a convenient pango interface (yet) for selecting variants
> outside the Regular/Italic/Bold/Bold Italic styles.
That's a pity. But thanks for confirming it.
> However, with the way
> you are doing it, you should be able to just add "Semibold" to the original
> font nam
Hi,
can somebody tell me what happend to this topic:
http://lilypond.1069038.n5.nabble.com/Draft-Extended-mensural-notation-support-td172204.html
I have seen some discussion on devel and also some issues where code
related to this seems to be included in some 2.19 versions. But I could
not find i
> On Oct 22, 2015, at 2:55 PM, ciconia wrote:
>
> I'm sure many would agree with me that your hard work (and indeed that of
> all lilypond contributors) is greatly appreciated.
+1
I hope this appeal will lead to a more financially viable situation that will
allow you to continue with your va
At 15:19 25/10/2015 -0500, David Wright wrote:
I'm glad we singers don't meet this sort of thing in "normal" music.
My own take is for having extra accidentals (ie clef
changes=>forget) but also the extra cancellations (1471). (Perhaps
written above.)
[from a position of ignorance of conventi
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