All of the stuff I decided to sponsor (Ardour, GNU, Dawkins,
Wikipedia, Jacob Colier...) I sponsored through Paypal. For the
recipients getting 95% of the amount was still much better
than getting nothing. I would still sponsor Lilypond development
and have tried in the past but found it a lot hard
On Fri, 23 Oct 2015, Ivan Kuznetsov wrote:
> Maybe the Linux Foundation can help us set up a Lilypond foundation?
>
> Are there any lawyers on this list that can donate their time?
>
> Or perhaps Lilypond software can become sponsored by the Linux Foundation?
The fact that the package is named "GN
Simon Albrecht writes:
> On 23.10.2015 20:31, Bernardo Barros wrote:
>> Something I requested many years ago was the support for quarter-tone
>> tablatures notation, which seems to work but is actually buggy at the
>> moment, it generates wrong tablatures in strings with quarter-tones
>> alterati
Il giorno ven 23 ott 2015 alle 21:49, Thomas Morley
ha scritto:
I recently made some code offering the possibility that TabStaff
accepts quarter-tones.
Harm, should I enter an issue in the tracker for this? So if/when you
have time to include it in LilyPond (as you said you'd like to do one
Il giorno ven 23 ott 2015 alle 15:19, Federico Bruni
ha scritto:
I agree, but I think that we can easily improve the situation. A few
simple ideas:
1) DOWNLOAD PAGE
What's the most viewed page in the website (excluding the home)?
Probably the download page:
http://lilypond.org/website/downlo
Happy to donate. Just need to know how :)
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Sent from the User mailing list archive at Nabble.com.
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Dear Lilyponders
How do you hide bars in Lilypond, that is make them invisible?
And how do you end a crescendo on a whole note when it is the last note
of a piece?
Thank you :-)
Karl
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Hello Karl,
welcome to the list!
On 24.10.2015 14:35, Karl Husum wrote:
How do you hide bars in Lilypond,
There’s a really nice command for that: ‘\hide BarLine’ :-)
that is make them invisible?
\hide does typeset the grob, but invisibly, and thus still reserves
space; you might also try
Thank you for your help :-)
I want to hide the bar, not the barline :-)
I am trying to put the end of the crescendo on an ekstra bar in the
piece, and then hide it.
Not sure if it the most elegant solution, but it should mbe possible.
Thank you
Karl
Den 24-10-2015 kl. 13:54 skrev Simon Albre
On 24.10.2015 15:17, Karl Husum wrote:
Thank you for your help :-)
I want to hide the bar, not the barline :-)
I am trying to put the end of the crescendo on an ekstra bar in the
piece, and then hide it.
I don’t quite get what you’re trying to achieve here. Can you give an
image example, or
{ c1\mp\<\fermata \bar ":|."| %16
\break
r1\! | %17 }
Bar 16 is the last bar of my piece. I have added an ekstra bar and ended
the crescendo on the first beat on that.
My intention is to hide the ekstra bar to get the crescendo as i want.
Thank you :-)
K
Am 24.10.2015 um 15:17 schrieb Karl Husum:
I want to hide the bar, not the barline :-)
I am trying to put the end of the crescendo on an ekstra bar in the
piece, and then hide it.
Not sure if it the most elegant solution, but it should mbe possible.
You can have a last bar of zero length:
\
That did the trick, thank you! :-) , but how do you hide a complete bar
in lilypond?
-Karl
Den 24-10-2015 kl. 14:57 skrev Malte Meyn:
Am 24.10.2015 um 15:17 schrieb Karl Husum:
I want to hide the bar, not the barline :-)
I am trying to put the end of the crescendo on an ekstra bar in the
pi
I communicated this to OP in a private email but I thought I'd let the
list in on it as well. My suggestion was to just change the paper size
and put it in landscape mode. I found the following to work nicely:
#(set-default-paper-size "b4landscape")
Now the entire score is on one line and the spaci
Hi Karl,
> That did the trick, thank you! :-) , but how do you hide a complete bar in
> lilypond?
For what reason [other than the one already solved] do you want to hide a
complete measure?
Thanks,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmil
It's still not completely clear what you're trying to achive, at least
to me. If you want to hide a complete bar with notes and stuff in it,
you'll have to explicitly hide everything that's in it. But that doesn't
really make sense.
If you want to have an empty space within a given staff, you
Hi Karl,
perhaps I just don't get your point. But sometimes it helps if you don't
insist on a particular way of solving a problem but rather describe the
problem/the goal and be open for the best solution.
A bar is not an object on itself but it is there because there is music
between two points
Hi Federico,
No, it's not quarter-tone bending. Certain strings themselves are tuned in
quarter-tones. Let's say the first string would be eeh' instead of e so
when you write notes on that string, the tablature has to be able to
interpret those quarter-tones and return the right fret. As I underst
Thank you, I will revisit this material, I would need to check everything
to report the situation.
On Sat, Oct 24, 2015 at 11:55 AM, Bernardo Barros
wrote:
> Hi Federico,
>
> No, it's not quarter-tone bending. Certain strings themselves are tuned in
> quarter-tones. Let's say the first string wo
Il giorno sab 24 ott 2015 alle 17:55, Bernardo Barros
ha scritto:
No, it's not quarter-tone bending. Certain strings themselves are
tuned in quarter-tones. Let's say the first string would be eeh'
instead of e so when you write notes on that string, the tablature
has to be able to interpret th
Am 24.10.2015 um 16:06 schrieb Karl Husum:
That did the trick, thank you! :-) , but how do you hide a complete bar
in lilypond?
Of course one could do something like the following, but why would you
want that? Please let us know about your use case, maybe there is a much
simpler solution (
Hi Bernardo,
please see attached. Does it fit your needs?
Hi Federico,
2015-10-24 10:12 GMT+02:00 Federico Bruni :
> Il giorno ven 23 ott 2015 alle 21:49, Thomas Morley
> ha scritto:
>>
>> I recently made some code offering the possibility that TabStaff
>> accepts quarter-tones.
>
The attached
Hi,
I would like to use a semi-bold font in my score (for TextScript or
DynamicText). Is that possible? I tried this:
\version "2.19.21"
\paper {
#(add-pango-fonts fonts 'textFont "Linux Libertine O" (/ (*
staff-height pt) 2.5))
}
{
% when overriding font-name, the font-series can't be use
On 24.10.2015 15:25, Karl Husum wrote:
{ c1\mp\<\fermata \bar ":|."| %16
\break
r1\! | %17 }
The easiest way is using an empty chord <> to attach the \!. It has no
duration, so you can just insert it before or after the \bar command:
{
c1\mp\<\fermata
Hi Harm,
I just tested your changes (from 2014) to fret-diagram.scm and I really like
the new
options.
There is only one little issue: when one defines text inside dots
for open strings an unwanted capo bar appears. Tiny example:
\version "2.19.30"
\markup
\override #'(size . 5)
\override #
Is there a way, from within Scheme, to access (read/write) the following:
- the current rehearsal \mark number;
- (optionnally) the current value of Score.markFormatter?
The reason I am asking this is that I am typesetting a score where the
mark J *and K* are skipped (I guess that this is becaus
Dear Abraham,
I have a question to you, but I thought perhaps lilypond-users are also
interested:
When I use smaller glyphs in a score (change clefs, cue clefs, a solo
voice above the piano part, etc.), LilyPond usually uses a different
font such that the font weight harmonizes with the other sta
2015-10-24 22:42 GMT+02:00 pls :
> Hi Harm,
>
> I just tested your changes (from 2014) to fret-diagram.scm and I really like
> the new
> options.
Glad you like it.
> There is only one little issue: when one defines text inside dots
> for open strings an unwanted capo bar appears. Tiny example:
>
On 24.10.2015 22:54, Jérôme Plût wrote:
Is there a way, from within Scheme, to access (read/write) the following:
- the current rehearsal \mark number;
- (optionnally) the current value of Score.markFormatter?
The reason I am asking this is that I am typesetting a score where the
mark J *and
On Sat, 2015-10-24 at 23:12 +0200, Noeck wrote:
> Dear Richard,
>
> first I want to emphasize that this was not against you or Denemo, just
> a connection between my favoured workflows and the tools I use.
I quite understand/understood. Actually, I see that this was on
lilypond-devel not lilypond
Joram,
There's not a convenient pango interface (yet) for selecting variants
outside the Regular/Italic/Bold/Bold Italic styles. However, with the way
you are doing it, you should be able to just add "Semibold" to the original
font name and mostly work (i.e., you can then also select the 'italic s
2015-10-24 23:20 GMT+02:00 Thomas Morley :
> 2015-10-24 22:42 GMT+02:00 pls :
>> Hi Harm,
>>
>> I just tested your changes (from 2014) to fret-diagram.scm and I really like
>> the new
>> options.
>
> Glad you like it.
>
>> There is only one little issue: when one defines text inside dots
>> for op
Joram,
On Sat, Oct 24, 2015 at 3:01 PM, Noeck [via Lilypond] <
ml-node+s1069038n182656...@n5.nabble.com> wrote:
> Dear Abraham,
>
> I have a question to you, but I thought perhaps lilypond-users are also
> interested:
>
> When I use smaller glyphs in a score (change clefs, cue clefs, a solo
> voi
I know there are ways in lilypond to not display the stem. I would
like to do something slightly different, which is to position the note head
associated with a stem at varying distances away from the stem to denote a
relative rhythmic placement which can be seen in Xenakis' Mists
https://www.youtu
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