Hello David,
Am 28.05.2015 um 00:17 schrieb David Sumbler:
On Wed, 2015-05-27 at 16:52 -0500, David Nalesnik wrote:
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler
wrote:
>
But both of these are "work-arounds" for something which is
actually
fairly
Il 24/05/15 21.49, Wilbert Berendsen ha scritto:
I just released Frescobaldi 2.18.1 in the wild, a maintenance
release containing bug fixes, small improvements and translation
updates.
Homepage: www.frescobaldi.org
Download: www.frescobaldi.org/download
The Mac OS X self-contained applications
Hi Noeck
Sorry for a late answer. I have been away from home and not being able
to read my e-mail.
On 2015-05-23 20:41, Noeck wrote:
Hi Kaj,
in general you are right: In case there is only one expression,
duplicating the 'brackets', << >> or { } is not needed. You can even
write a single not
Thankyou David but how is color associated with NoteHead?
I hope these ramblings of a gnarled old scheme/Lily tyro can be of general
interest
I'm guessing that 'tweaks is some sort of switch to open up properties of the
current music object.
In this case "pitch" is a property of 'N
On Thu, May 28, 2015 at 6:43 AM, Peter Gentry
wrote:
> Thankyou David but how is color associated with NoteHead?
>
> I hope these ramblings of a gnarled old scheme/Lily tyro can be of general
> interest
>
> I'm guessing that 'tweaks is some sort of switch to open up properties of
> the cur
>-Original Message-
>Date: Thu, 28 May 2015 07:17:42 -0500
>From: David Nalesnik
>To: Peter Gentry
>Cc: lilypond-user
>Subject: Re: Notehead color on programmed pitch change
>Message-ID:
>
>
>Content-Type: text/plain; charset="utf-8"
>
>On Thu, May 28, 2015 at 6:43 AM, Peter Ge
Hallo,
I would like to add the different movements of the missa into one large
volume. If one piece left space on a page the other should start
immediately. How can that be performed?
Kind regards
Bernhard
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lily
A simple way is shown below:
\markup {"Piece one"}
\score { \repeat unfold 20 c''1 }
\markup {"Piece two"}
\score { \repeat unfold 20 d''1 }
--
Phil Holmes
- Original Message -
From: Dr. Bernhard Kleine
To: lilypond-user@gnu.org
Sent: Thursday, May 28, 2015 4:16 PM
Subject: Several
I create a file and \include the files. you can add markups for space text
etc.
\version "2.18.2"
\include "Song1.ly"
\markup {\vspace #3 }
\include "Song2.ly"
\markup {text }
\include "Song3.ly"
\pageBreak
\include "Song4.ly"
\include "Song5.ly"
HTH
Stephen
_
Op Thu, 28 May 2015 11:35:26 +0200
Davide Liessi schreef:
> Il 24/05/15 21.49, Wilbert Berendsen ha scritto:
> > I just released Frescobaldi 2.18.1 in the wild, a maintenance
> > release containing bug fixes, small improvements and translation
> > updates.
> >
> > Homepage: www.frescobaldi.org
>
And another policy reminder: always edit the digest subject lines, so
threads remain coherent.
Thanks, Simon
Am 28.05.2015 um 14:54 schrieb Peter Gentry:
-Original Message-
Date: Thu, 28 May 2015 07:17:42 -0500
From: David Nalesnik
To: Peter Gentry
Cc: lilypond-user
Subject: Re:
On Thu, 28 May 2015 19:06:08 +0100
Richard Shann wrote:
> Is Sibelius really this bad (ties treated as slurs,
I frequently rewrite Sibelius scores into LilyPond, and this is one of the
issues that cost a lot of manual preprocessing. Moreover, it makes the
composer 'lazy' -- it doesn't matter wh
On Thu, 2015-05-28 at 20:22 +0200, Johan Vromans wrote:
> On Thu, 28 May 2015 19:06:08 +0100
> Richard Shann wrote:
>
> > Is Sibelius really this bad (ties treated as slurs,
>
> I frequently rewrite Sibelius scores into LilyPond, and this is one of the
> issues that cost a lot of manual preproc
I like that! I would add
\once \override DynamicText.X-offset = #'1
looks nicer to my eyes
afterDynamic =
#(define-music-function
(parser location mus dyn)
(ly:music? ly:music?)
#{
\afterGrace
$mus
{ \once \override DynamicText.X-offset = #'1 s4 $dyn }
#})
mus = {
c'1
\afterDynamic
Hello Richard,
Find attached what I get after raw import of the XML file into Sibelius 7.1.3
and then export as PDF.
It seems there’s no difference with what you got from IMSLP.
JM
weiss_Eb - Full Score.pdf
Description: Adobe PDF document
> Le 28 mai 2015 à 20:58, Richard Shann a écrit :
Thank you, Davide!
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In frescobaldi the tie was picked up as a slur
Stephen
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Hi Simon,
On Thu, May 28, 2015 at 2:28 AM, Simon Albrecht
wrote:
This sounds like a usecase for \afterGrace. I cooked up a music function
> for that, which works quite fine. Does that help you?
>
>
This is nice. I should point out that \afterGrace places the grace notes
using SimultaneousMusic
Am 28.05.2015 um 22:45 schrieb David Nalesnik:
Hi Simon,
On Thu, May 28, 2015 at 2:28 AM, Simon Albrecht
mailto:simon.albre...@mail.de>> wrote:
This sounds like a usecase for \afterGrace. I cooked up a music
function for that, which works quite fine. Does that help you?
This is nice
Your suggestions worked smoothly. Thank you very much.
Now I would like to know how to force a pageBreak before something, e.g after a
Solo and before a Tutti, that the Tutti starts the new page.
How to code that?
Kind regards
Bernhard
Von: Stephen MacNeil [mailto:classicalja...@gmai
Am 28.05.2015 um 23:03 schrieb Dr. Bernhard Kleine:
Your suggestions worked smoothly. Thank you very much.
Now I would like to know how to force a pageBreak before something,
e.g after a Solo and before a Tutti, that the Tutti starts the new page.
How to code that?
Well, use the \pageBreak c
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