On 26.05.2015, at 23:58, Carl Sorensen wrote:
>
> Let's try again. I have checked this version; it has the warning code.
Yes, it does. Looks very good to me!
Thanks a lot,
patrick
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Hi Joram,
2015-05-26 14:46 GMT+02:00 Noeck :
> Dear Pierre,
>
> thanks for looking into this. However, I don't understand what you tell
> me here. If I run your code, I see that it does *not* automatically
> scale the brace but it is rather odd: too small or too big.
>
> Cheers,
> Joram
>
See:
Marc Hohl hohlart.de> writes:
>
> Am 27.05.2015 um 00:12 schrieb Sébastien Besnier:
> > Hello,
... Is it a way to specify the rhythm, and then
> > gives the notes ? For example, my snippet could rewrite:
> >
> > \repeatRythm{8. 16}{c, c f e d d e f}
>
> Have a look at
>
> http://lsr.di.unimi.i
>-Original Message-
>From: Thomas Morley [mailto:thomasmorle...@gmail.com]
>Sent: Tuesday, May 26, 2015 5:33 PM
>To: Peter Gentry
>Cc: lilypond-user
>Subject: Re: Subject: Re: Notehead color on programmed pitch change
>
>2015-05-26 18:09 GMT+02:00 Peter Gentry :
>> Thanks very much for
>-Original Message-
>From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
>Sent: Wednesday, May 27, 2015 10:16 AM
>To: 'lilypond-user@gnu.org'
>Cc: 'Thomas Morley'
>Subject: Re: Notehead color on programmed pitch change
>
>
>
>>-Original Message-
>>From: Thomas Morley [mail
Op Tue, 26 May 2015 05:52:29 +0200
Helge Kruse schreef:
> many thanks for this excellent program and the installer. I had never
> any problem with the installation as it runs out of the box. The
> components in the installer are assembled by you with intention and I
> have the impression with cau
>-Original Message-
>From: Phil Holmes [mailto:m...@philholmes.net]
>Sent: Wednesday, May 27, 2015 11:49 AM
>To: Peter Gentry; lilypond-user@gnu.org
>Cc: 'Thomas Morley'
>Subject: Re: Notehead color on programmed pitch change (now \tweak)
>
>- Original Message -
>From: "Peter Ge
Hello all,
For many of the markup items in my scores, I use Lilypond’s built-in
\abs-fontsize function, and Mike Solomon’s useful \absFontsize extension
(designed for grobs that don’t respond to \abs-fontsize).
In general, this is (for me) superior to using relative font sizes, since I
have mo
> Is there any way to set baseline-skip in absolute measurements?
I use a solution as below.
Werner
==
#(define-public (pt-to-ss size)
"Convert from points to staff space units."
;; The value `output-scale' gives th
> I use a solution as below.
Oops! Here the complete e-mail.
Werner
==
#(define-public (pt-to-ss size)
"Convert from points to staff space units."
;; The value `output-scale' gives the size (in mm) of the staff sp
Hi Werner,
> I use a solution as below.
This is great! Thanks.
1. Any thought about submitting a patch for inclusion in the main distro?
2. Maybe along with Mike Solomon’s \absFontSize function (which has proven
invaluable to me):
%%
allowGrobCallback =
#(define-scheme-function (pars
On Wed, May 27, 2015 at 4:15 AM, Peter Gentry
wrote:
[...]
> (make-music
> 'SequentialMusic
> 'elements
> (list (make-music
> 'NoteEvent
> 'duration
> (ly:make-duration 0)
> 'pitch
> (ly:make-pitch 0 0))
> (make-music
> '
On Tue, 2015-05-26 at 12:47 -0500, David Nalesnik wrote:
> Hi David,
>
> On Tue, May 26, 2015 at 10:32 AM, David Sumbler
> wrote:
> I often use 's1*0\!' to end a hairpin just before a barline.
>
> But how can a get a dynamic mark (e.g. 'ff') to appear at the
> end
- Original Message -
From: "David Sumbler"
But both of these are "work-arounds" for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
be, and the other method implies tha
Hi david
I think the hairpin alignment is with the DynamicText which aligns under
the note. So by moving the text the hairpin follows.
\once \override DynamicText.X-offset = #'x
So you could do
{
c''4\< \once \override DynamicText.X-offset = #'1.1 c''2.\ff |
R1 |
}
However in the first
Am 27.05.2015 um 22:03 schrieb David Sumbler:
But both of these are "work-arounds" for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
be, and the other method implies that the
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler wrote:
>
> >
> But both of these are "work-arounds" for something which is actually
> fairly normal musical notation. They are work-arounds because one
> method implies that a note is not really the length that it appears to
> be, and the
On Wed, 2015-05-27 at 22:14 +0100, Phil Holmes wrote:
> - Original Message -
> From: "David Sumbler"
>
> > But both of these are "work-arounds" for something which is actually
> > fairly normal musical notation. They are work-arounds because one
> > method implies that a note is not rea
On Wed, 2015-05-27 at 16:52 -0500, David Nalesnik wrote:
> Hi David,
>
> On Wed, May 27, 2015 at 3:03 PM, David Sumbler
> wrote:
> >
> But both of these are "work-arounds" for something which is
> actually
> fairly normal musical notation. They are work-arounds b
David Sumbler aeolia.co.uk> writes:
>
> I often use 's1*0\!' to end a hairpin just before a barline.
Is that needed? If you end it on the first note of the next bar, it should
be typeset to end just before the barline, see
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-at
On Wed, May 27, 2015 at 5:19 PM, Mats Bengtsson
wrote:
As has already been discussed, the question is what the musical meaning of
> such a notation would be. Certainly, I can think of printed music, not to
> mention hand-written manuscripts, where dynamic marks are placed far from
> the note they
Hi Pierre,
now it makes sense to me. Thanks for the explanation. Once I know how to
use it correctly, I see that this is perfectly what I was looking for.
Thanks,
Joram
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On 26/05/2015 17:31, Colin Jesse Kinlund wrote:
\version "2.18.2"
firstVoice = \lyricmode {
I -- av -- na -- na, }
pirveliEkhma = \lyricmode {
ი -- ავ -- ნა -- ნა, }
melody = \relative c'' {
\time 5/4 c4 d e e8( d4.)}
\score {
\new ChoirStaff
<<
\new Voice = "pirveli"
{ \melody }
\new Lyrics
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