Abraham,
How wonderful it was to experiment with these new fonts.
In particular, I enjoyed the documentation. It was exceptionally clear how
to use them (including the 2.18 patch, though I ended up upgrading to 2.19
anyway.) The .ily files that demonstrated the fine tuning were really
helpful a
Hi,
I'm trying for the first time to engrave partcombine-d parts, and I'm
running in an issue for which I don't see anything in
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices.html#automatic-part-combining.
Consider the attached example. As it it it compiles fine. But if y
From: "Urs Liska"
Hi,
I'm trying for the first time to engrave partcombine-d parts, and I'm
running in an issue for which I don't see anything in
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices.html#automatic-part-combining.
Consider the attached example. As it it it comp
hey for partial after first one in statement use
% part bars
\set Score.measureLength = #(ly:make-moment 1 8)
% done
a'' -4\f |
% set back
\set Score.measureLength = #(ly:make-moment 4 8)
% done
___
lilypond-user mailing list
lilypond-user@gnu.org
Am 20.10.2014 16:02, schrieb Phil Burfitt:
From: "Urs Liska"
Hi,
I'm trying for the first time to engrave partcombine-d parts, and I'm
running in an issue for which I don't see anything in
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices.html#automatic-part-combining.
Hi Urs (et al.),
Perhaps this is time for me to renew my call for GUPPY (the Grand Unified
Partcombine Project, Yay!). ;)
I can put together some bounty money for rewriting the \partcombine framework
in a serious way.
Given the recent and excellent work on divisi (i.e., expanding staves), and
From: "Urs Liska"
Hi Urs,
Use the \voiceXXX commands...specifically \voiceOne and \voiceTwo in your
case.
What do you mean, adding explicit voice numbers in the music expressions
instead of using \partcombine?
That wouldn't work, but of course I also need the music independently
(it's ac
Anyone happen to know if there are any compatibility problems with LilyPond
or Frescobaldi on the new Mac OSX 10.10 (Yosemite)?
I have no reason to expect that there would be, but it would be nice to know
before upgrading.
Thanks in advance,
-Paul
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http://lil
> On Oct 20, 2014, at 10:21 PM, Paul Morris wrote:
>
> Anyone happen to know if there are any compatibility problems with LilyPond
> or Frescobaldi on the new Mac OSX 10.10 (Yosemite)?
>
> I have no reason to expect that there would be, but it would be nice to know
> before upgrading.
>
> Th
Am 20.10.2014 18:46, schrieb Phil Burfitt:
From: "Urs Liska"
Hi Urs,
Use the \voiceXXX commands...specifically \voiceOne and \voiceTwo in
your case.
What do you mean, adding explicit voice numbers in the music
expressions instead of using \partcombine?
That wouldn't work, but of course
No problem with lilypond
Frescobaldi runs without problem BUT be aware to not update your macports setup
at this time. Some dependencies may cause some problems, as the have to be
recompiled for the new system (with some possible problem with frescobaldi
dependencies)
Philippe
> Le 20 oct. 20
2014-10-20 21:21 GMT+02:00 Paul Morris :
> Anyone happen to know if there are any compatibility problems with LilyPond
> or Frescobaldi on the new Mac OSX 10.10 (Yosemite)?
Speaking of Frescobaldi, if you installed it with MacPorts, I advise
you to wait some time before upgrading: the buildbot for
Urs,
On Mon, Oct 20, 2014 at 1:30 PM, Urs Liska wrote:
Yes, that's (unfortunately) correct.
I have (say) two flute parts that will be printed individually in
parts. But in the score they should be combined (which is what
\partcombine should be good for ...).
But for some reasons I have to
Am 20.10.2014 21:39, schrieb Abraham Lee:
Urs,
On Mon, Oct 20, 2014 at 1:30 PM, Urs Liska wrote:
Yes, that's (unfortunately) correct. I have (say) two flute parts
that will be printed individually in parts. But in the score they
should be combined (which is what \partcombine should be good f
Recently you posted:
> It seems clear to me that I am mis-formatting something.
>
> What I am trying to do is is to put multiple tunes on a single page
> as for a "set" of tunes for a dance. The problem that I'm having is
> that many of these tunes start both the "A" part and the "B" part
> with
2014-10-20 1:19 GMT+02:00 Gilberto Agostinho :
> Hello LilyPonders,
>
> I am having a problem creating a single variable that involves \tweak.
> Basically, here is the problem:
>
> This works fine:
> myVariable = \markup{"foo bar"}
> { c'^\myVariable }
>
> This works fine as well:
> myVariable = \m
Hello,
Over the past two days, I have sent three versions of almost exactly the same
post to these lists — the first two times cc’ed to both, the last time sent
only to -user — but none of those posts have appeared on the list. This despite
several other posts I’ve sent in the interim appearing
i have upgraded to yosemite, lilypond and frescobaldi still works even though
the MacPorts update is failing on cmake
Error: org.macports.configure for port cmake returned: configure failure:
command execution failed
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Am 2014-10-20 um 23:02 schrieb Abraham Lee :
> Personally, I agree with your comment about LilyJAZZ. While there is a
> certain personality behind it, I don't think I'd use it for a large score.
> However, I think there are lots of people who would, so that's cool! I've got
> another font done
Glad you like it! The snippet portrayed in the image is from a piece called
Nálada. You probably noticed it as an example score I've used to showcase some
other other fonts. I call this font "Improviso".
Regards,
Abraham
Sent from my iPhone
> On Oct 20, 2014, at 9:07 PM, Henning Hraban Ramm w
> The snippet portrayed in the image is from a piece called
> Nálada. You probably noticed it as an example score I've used to
> showcase some other other fonts. I call this font "Improviso".
In case it's a font intended for songbooks, you might call it
`Lalala' :-)
Werner
_
Well, I can't say that it was intended for any particular purpose, other than
to look like a hand copyist's writing, but that was clever!
Regards,
Abraham
Sent from my iPhone
> On Oct 20, 2014, at 9:58 PM, Werner LEMBERG wrote:
>
>
>> The snippet portrayed in the image is from a piece called
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