Re: lyric problems with latest development version(s)

> Is anyone else finding that melismas are not working in >= v2.19.14 as they > did in <= v2.19.13? > Specifically, ties seem to no longer force melismas. Hi Kieren, do you have a minimal example showing the problem ? That would make it easier for others to look into it (you know). Especially if

distinguishing between cautionary accidentals and musica ficta

In editions of renaissance music, both cautionary accidentals and ficta may be notated above the staff. I would like to distinguish between these cases, using parentheses. It is possible to do so, on a case-by-case basis, using \once \override Staff.AccidentalSuggestion.parenthesized =

Re: distinguishing between cautionary accidentals and musica ficta

Solved it. I was stupidly trying to overload \ficta. Anyway: \version "2.19.2" ficta = { \once \set suggestAccidentals = ##t \once \accidentalStyle "dodecaphonic" % mark _all_ the ficta in the bar } cautionary = {

Re: Thanks to David Nalesnik and Jan-Peter Voigt

David, I tried your snippet with a different meter and it gives some weird results. It seems to produce additional bars - I changed the bar after the compound meter to double bar so we can see the extraneous bars. And the notes are not placed properly. Am I doing something totally foolish here? %

Re: Thanks to David Nalesnik and Jan-Peter Voigt

On Wed, Oct 1, 2014 at 4:41 PM, Jay Vara wrote: > > > >> I wonder two things: >> >> (1) Is there a way to combine the notes and rests in the 1/4 division of >> the bars? >> > > Not sure what you mean. > In the example below, it looks strange that there are two tied eighth-note Gs instead of a si

Re: Thanks to David Nalesnik and Jan-Peter Voigt

On Thu, Oct 2, 2014 at 7:11 AM, Jay Vara wrote: > David, > > I tried your snippet with a different meter and it gives some weird > results. It seems to produce additional bars - I changed the bar after the > compound meter to double bar so we can see the extraneous bars. And the > notes are not p

Two time signature at start of system

Dear lilyponders, I didn't realize until I have coded a hymn with 92 measures that two time signature at bar #78. So I code a test version just bar 76-79 to show the problen system. I have been playing with code and still couldn't remove one of them. What should I do? Also, I run just the "righ

Re: Thanks to David Nalesnik and Jan-Peter Voigt

On Thu, Oct 2, 2014 at 7:28 AM, David Nalesnik wrote: > > > On Wed, Oct 1, 2014 at 4:41 PM, Jay Vara wrote: > >> >> >> >>> I wonder two things: >>> >>> (1) Is there a way to combine the notes and rests in the 1/4 division of >>> the bars? >>> >> >> Not sure what you mean. >> > > In the example b

Re: Two time signature at start of system

Hi Ming, This is a known issue: You need to add a grace note skip to the other staff context(s) in order to synchronize. Hope this helps! Kieren. ___ Kieren MacMillan, composer

Re: Two time signature at start of system

Am 02.10.2014 um 14:50 schrieb MING TSANG: Dear lilyponders, I didn't realize until I have coded a hymn with 92 measures that two time signature at bar #78. So I code a test version just bar 76-79 to show the problen system. I have been playing with code and still couldn't remove one of them.

Re: Two time signature at start of system

It’s the “grace note bug”. Workaround: insert \acciacatura s8 after \time 6/8 in your right-variable. hth patrick On 02.10.2014, at 14:50, MING TSANG wrote: > Dear lilyponders, > I didn't realize until I have coded a hymn with 92 measures that two time > signature at bar #78. So I code a test

Re: Two time signature at start of system

Thank you Simon and Kieren, Immanuel, Ming On Thursday, October 2, 2014 8:59 AM, pls wrote: It’s the “grace note bug”. Workaround: insert \acciacatura s8 after \time 6/8 in your right-variable. hth patrick On 02.10.2014, at 14:50, MING TSANG wrote: Dear lilyponders, >I didn't realize un

lilypond-book cuts out the bottom or top parts

Dear lily-experts, I wonder if this is a known issue. The phenomenon happens sistematically when I don't have objects down to the first line of my staves or up at the top. Suggestions? -- View this mes

Re: Two time signature at start of system

Sorry, I mix up Simon and Patrick. Thanks for the answer. Immanuel, Ming On Thursday, October 2, 2014 9:03 AM, MING TSANG wrote: Thank you Simon and Kieren, Immanuel, Ming On Thursday, October 2, 2014 8:59 AM, pls wrote: It’s the “grace note bug”. Workaround: insert \acciacatura s8

Figured bass - rest - hepl please

Hi, is there somebody, who can some way, how I can write rests in figured bass? I need is necessary for one Oratory - my masterthese... I'm thankful for any suggestion. \new FiguredBass \figuremode { \set figuredBassAlterationDirection = #RIGHT \set figuredBassPlusDirection =

Re: Figured bass - rest - hepl please

Of course r4 = s4. But I need have the "symbol of rest" in the figured bass. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Figured bass - rest - hepl please

> Of course r4 = s4. > But I need have the "symbol of rest" in the figured bass. Never seen this before. Please post a scan of what you want to achieve. Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/

RE: Two time signature at start of system

Ming, Upper voice, measure three, at the beginning, add "\acciaccatura s8." Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of MING TSANG Sent: Thursday, October 02, 2014 5:50 AM To: lilypond-user@gnu.or

remove first empty staff and ambitus

Dear list, a few weeks ago I asked about removing the first empty staff in choir music and inserting the ambitus in the n-th system for selected voices. From the answers you gave, I could built the following example, which solved a whole set of problems. Now, can anyone come up with an idea ho

Special bar lines at end of a line

I have four bars per line, plus I have double bar lines at the beginning and end of a line as seen in the code below. I tried to get a special bar line at the end of the FirstPart (at the end of the first line) without success. I think I was able to get it in one of the trials, but that made the d

Re: LilyPond Enhancement Proposal (with Bounty)

On Sep 30, 2014, at 8:04 PM, Paul Tannous wrote: > Abraham and Mike, > > Thank you for expressing an interest in our proposal. Our objective is to > automate the repositioning of the text that falls directly above and below > the bar lines, per Chris’s graphic. We are above all interested

Re: Special bar lines at end of a line

2014-10-02 20:58 GMT+02:00 Jay Vara : > I have four bars per line, plus I have double bar lines at the beginning > and end of a line as seen in the code below. > > I tried to get a special bar line at the end of the FirstPart (at the end > of the first line) without success. > What kind of "speci

Re: LilyPond Enhancement Proposal (with Bounty)

On Thu, Oct 2, 2014 at 2:48 PM, Chris Crossen wrote: Due to the lack of response, I’m wondering if this question is posted on the right list. Is there another list where this question is more likely to be seen by developers? Thanks, Chris Chris, I looked into this a little bit and found

Re: Special bar lines at end of a line

Thomas   > I tried to get a special bar line at the end of the FirstPart (at the end of the first line) without success. > > > What kind of "special bar line"? > > Does\defineBarLine "||" #'("|." "||" "||") do the job? > Not quite. This definition makes all the lines end with the "special"

Overriding header fonts in a template

I am trying to modify header fonts for the requirement of a publisher. I would rather not use text markup commands in the header, as it's not simple to change multiple works at the same time. I would much rather put the style changes in an external file, so they can all be changed at the same tim

Re: Overriding header fonts in a template

On Thu, Oct 2, 2014 at 4:16 PM, Jeff Harris [via Lilypond] wrote: > I am trying to modify header fonts for the requirement of a > publisher. > > I would rather not use text markup commands in the header, as it's > not > simple to change multiple works at the same time. > > I would much rat

Re: LilyPond Enhancement Proposal (with Bounty)

Hi all, This feature may (or may not) be a good fit with my [bounty-attached] request, which is that one could set a “minimum-duration” for a markup, and the music underneath would stretch accordingly. Use cases: 1. A MetronomeMark or RehearsalMark over a MultiMeasureRest would stretch the MM

Re: Two time signature at start of system

Thank you. Ming On Thursday, October 2, 2014 2:42 PM, Mark Stephen Mrotek wrote: Ming, Upper voice, measure three, at the beginning, add “\acciaccatura s8.” Mark From:lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Beh

Re: Overriding header fonts in a template

Abraham, Thanks for the help. Creating a new header block is working, it does seem to work better when the variables are defined before they are used. The issue with this is that I don't know what header elements will be used for the next engraving. The bookTitleMarkup looks like it is more robu

Re: Overriding header fonts in a template

On Thu, Oct 2, 2014 at 6:34 PM, Harris, Jeff wrote: Abraham, Thanks for the help. Creating a new header block is working, it does seem to work better when the variables are defined before they are used. The issue with this is that I don't know what header elements will be used for the next

Re: LilyPond Enhancement Proposal (with Bounty)

On Oct 2, 2014, at 4:21 PM, Kieren MacMillan wrote: > Hi all, > > This feature may (or may not) be a good fit with my [bounty-attached] > request, which is that one could set a “minimum-duration” for a markup, and > the music underneath would stretch accordingly. > > Use cases: > > 1. A Me

Re: LilyPond Enhancement Proposal (with Bounty)

Hi Chris, > What we are looking for is an option that can be set for a LilyPond compile > that would prevent text (not lyrics which can already be handled) from > appearing above or below measure bars. > Would this functionality take care of your requirement? No… I believe your requested funct

How to make staff spacing with lyrics fixed

Hey all, How do I get the spacing between lyrics and the surrounding staves to be equal and fixed, regardless of whether noteheads/stems collide with the lyrics? I've tried a number of different combinations of settings and can't get the stems ignored. Also, I noticed that the spacing depends on

Re: Figured bass - rest - hepl please

Me too. But my professor told me, that is correctly. http://www.imgup.cz/image/gK6 http://www.imgup.cz/image/gK7 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user