Janek Warchoł wrote Monday, January 13, 2014 7:13 AM
> 2014/1/13 Noeck :
>> what is the reason that the default margins are so small?
>> Could this be added to the issue tracker?
>
> Let's first have an agreed-upon proposal.
No, that's not the way it works. The issue tracker should be used
t
Am Sonntag, den 12.01.2014, 23:29 -0500 schrieb Shane Brandes:
> Hi all I came up with the following as way of indicating the
> indecisive fingering in Godowsky's score from Urs's challenge. This is
> definitely not the best since it involves 3 tweaks and additional
> would mess up an analysis coun
hi,
On Mon, Jan 13, 2014 at 2:51 AM, pabuhr wrote:
> I'm sorry, I can't make this example smaller and generate the problem.
>
> I want line 2 to end with the mark "Fine", but the mark "Fine" appears at the
> start of line 3. How do I get "Fine" to appear at the end of line 2?
this is probably wh
On 01/11/2014 09:51 AM, Martin Tarenskeen wrote:
On Sat, 11 Jan 2014, Noeck wrote:
But you can do better than default timidity:
timidity/timidity++ has no default soundfont. In fact it doesn't have
a soundfont at all. It's the distributions that provide a soundfont or
patchset and use thi
Hi,
2014/1/9 Simon Bailey :
> hi all,
>
> when running the following file (sorry, this is as minimal as i can get it):
>
> <<<
> \version "2.18.0"
> \language "deutsch"
> \include "openlilylib/notation-snippets/shaping-bezier-curves/shapeII.ily"
>
> \relative c' {
> \time 4/4
> e1 | \break
> a8 h
Paul,
On 2014-01-12 02:21, Paul Morris wrote:
Hi Phil, I'm replying to the whole list so others can also benefit
from our
exchange.
snip . .
And if you want to take this a step further... the way I do it with
Clairnote[1] is to define a custom staff context called
"StaffClairnote"
tha
2014/1/13 Trevor Daniels :
>
> Janek Warchoł wrote Monday, January 13, 2014 7:13 AM
>
>> 2014/1/13 Noeck :
>
>>> what is the reason that the default margins are so small?
>>> Could this be added to the issue tracker?
>>
>> Let's first have an agreed-upon proposal.
>
> No, that's not the way it work
Philip Rhoades writes:
> Yes, in the great tradition of include files - now to get to grips
> more with Scheme itself . .
It's a more rewarding enterprise these days than it has been a few years
ago: while the limits of what you can achieve with Scheme have remained
rather similar, it's starting
Hi Kieren,
thanks for your reply. It’s nice to see that my aesthetic feeling is not
completely wrong.
> I’m hoping to submit a more attractive set of defaults for consideration, the
> moment I get my current engraving project done.
That would be very much appreciated.
> (That being said, I’ve
Am 13.01.2014 09:34, schrieb Bric:
[...]
Not to digress from lilypond /too/ much, but FWIW, some default patches
for the timidity(++) on my Ubuntu sound significantly better than the
ones in the FluidR3 soundfont (strings, for instance). I am talking
about the quality (verisimilitude) and beauty
David,
On 2014-01-13 20:07, David Kastrup wrote:
Philip Rhoades writes:
Yes, in the great tradition of include files - now to get to grips
more with Scheme itself . .
It's a more rewarding enterprise these days than it has been a few
years
ago: while the limits of what you can achieve wi
People,
I am doing my own Alternative Notation for Classical Guitar and with a
lot of help from Paul Morris am making good progress. I was about to
write a little Ruby script to generate random notes (400 == 100 bars)
within different ranges to practise jumping around the fretboard but it
oc
On Jan 13, 2014, at 12:38 PM, Philip Rhoades wrote:
> People,
>
> I am doing my own Alternative Notation for Classical Guitar and with a lot of
> help from Paul Morris am making good progress. I was about to write a little
> Ruby script to generate random notes (400 == 100 bars) within differ
Philip Rhoades writes:
> People,
>
> I am doing my own Alternative Notation for Classical Guitar and with a
> lot of help from Paul Morris am making good progress. I was about to
> write a little Ruby script to generate random notes (400 == 100 bars)
> within different ranges to practise jumping
David,
On 2014-01-13 22:06, David Kastrup wrote:
Philip Rhoades writes:
People,
I am doing my own Alternative Notation for Classical Guitar and with a
lot of help from Paul Morris am making good progress. I was about to
write a little Ruby script to generate random notes (400 == 100 bars)
Hi Janek (et al.),
> I agree with left/right margins, but not top/bottom. Top/bottom are
> more tricky because you *want* to allow the page to compress when
> there's really a lot of content; so the adjustment should be done
> using compressible top-markup-spacing and the like.
Agreed.
> I sugg
Hi Joram,
> Not sure if I understand that. You have a lot to do?
This month, I have to engrave a complete stage musical, arrange two one-hour
stage shows, and compose an eight-minute piece for violin and harp.
And that’s not even my day job! =)
> As a first step you could just post one or seve
Hello,
I am using LilyPond 2.16.2 in my Linux Mint 16 - Cinnamon Edition. And I
am not able to find Manual web page for 2.16.2. Where can I rich them from?
Thank you for your answers from now.
--
Server ACİM
- Besteci (Composer)
- İnönü Üniversitesi Öğretim Üyesi (Full Professor of Music Composit
On Mon, Jan 13, 2014 at 9:03 AM, Server Acim wrote:
> Hello,
> I am using LilyPond 2.16.2 in my Linux Mint 16 - Cinnamon Edition. And I
> am not able to find Manual web page for 2.16.2. Where can I rich them from?
>
>
>
There doesn't seem to be a link to it on the Lilypond website, but it still
e
Hi,
With the first version of voiceB below I get “ warning: ignoring too many
clashing note columns”
The second version works as expected. The difference seems to be whether the
quoted music begins with a rest.
Bug?
\version "2.18.0"
voiceA = \relative c'' { e4 d r b a b }
\addQuote "A" {
2014/1/13 Kieren MacMillan :
>
> This month, I have to engrave a complete stage musical, arrange two one-hour
> stage shows, and compose an eight-minute piece for violin and harp.
> And that’s not even my day job! =)
Ah, so you must be nocturnal! I.e. you have night jobs, and sleep
during the d
Hello all,
I would like to ask you some opinion on how to improve the look of grace
notes against the ledger lines, when the notes are very low. What looks ugly
in my opinion is how the beams of the grace notes are not coinciding with
the ledger lines, thus making them all quite hard to read. So f
Gilberto,
Perhaps writing the pitches one octave higher and using "ottava -1."
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Gilberto Agostinho
Sent: Monday, January 13, 2014 11:09
> From: James Worlton [mailto:jworl...@gmail.com]
> Sent: Monday, January 13, 2014 10:08 AM
> To: Server Acim
> Cc: lilypond-user
> Subject: Re: Where is the former manual page ? (2.16.2)
>
>
> On Mon, Jan 13, 2014 at 9:03 AM, Server Acim wrote:
> > Hello,
> > I am using LilyPond 2.16.2 in my L
Hi Mark,
Thanks for your reply. That would certainly solve the ugly issue, but
unfortunately "an octave under" markings are not standard for neither the
Clarinet nor the Bass Clarinet, which are the instruments I am writing for
now. Actually, I learned that it is considered wrong to use 8va bassa
Gilberto,
Would reducing the duration of the graces, e.g., from 32 down to 16 (or even
8) look more to your liking?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Gilberto Agostinho
Philip Rhoades wrote
> OK, got that working - the actual music .ly "data" file is slimming down
> now - but I still need to investigate why some notes needed manual
> editing so they were in the right place when I converted a Mutopia file.
Hi Phil, If it was just changing the octave of certain n
2014/1/13 Daniel Rosen
> Seems like there should be a link to it at
> http://www.lilypond.org/all.html. (Whoever looks at this may also want to
> check out the link on that page to the 2.14 documentation---right now it
> redirects me to the home page.)
>
thanks Daniel, I've added a comment here:
Hi Mark,
Mark Stephen Mrotek wrote
> Would reducing the duration of the graces, e.g., from 32 down to 16 (or
> even
> 8) look more to your liking?
Hmm, that is something that I am not willing to do either, I really think
that for the kind of notation I am using, the 32nd notes are the best
choic
Hi Gilberto,
here are some tweaks that I consider to look better than the default
(one for the 16th and two options for the 32th notes):
\version "2.17.95"
{
\override Beam.length-fraction = #0.69
\override Beam.positions = #'( -3.91 . -3.91)
\slashedGrace {c32 c c c}
\revert Beam.length-
Hi Janek,
> Ah, so you must be nocturnal! I.e. you have night jobs, and sleep during the
> day - no day job at all?
> ;-)
Actually, I have a full day job, and then tackle all my music projects at night.
Sleep is, currently, optional at best. =\
Cheers,
Kieren.
Hi Noeck,
Thanks a lot for your code. Indeed it looks better than the default
(particularly the 2nd option for the 32nd notes), but on my case this won't
help since I am composing music algorithmicaly, which means I can't afford
to tweak things individually, such as using \override Beam.positions
2014/1/13 Kieren MacMillan :
> Hi Janek,
>
>> Ah, so you must be nocturnal! I.e. you have night jobs, and sleep during
>> the day - no day job at all?
>> ;-)
>
> Actually, I have a full day job, and then tackle all my music projects at
> night.
> Sleep is, currently, optional at best. =\
OMG!
2014/1/13 Trevor Daniels
> > Let's first have an agreed-upon proposal.
>
> No, that's not the way it works. The issue tracker should be used
> to record problems and discussions about them, not final proposals.
> So first create a tracker, or two if you wish, and use that to record
> opinions as
Gilberto Agostinho wrote
> after some other tweaks, I came up with the following solution
This solution is actually not working properly. It works perfectly if grace
notes are below the pitch B in the middle line. If the grace notes are above
(thus having their stem down), I get the following erro
Hello all,
What would be involved in developing a feature to add notes or tweaks at an
arbitrary moment within a music expression?
e.g.
global = \repeat unfold 100 s1
music = \addAt (4 3/8) \global \once \override RehearsalMark.extra-offset
#’(-1 . 0)
where (4 3/8) means “in the fourt
On Jan 14, 2014, at 1:03 AM, Kieren MacMillan
wrote:
> Hello all,
>
> What would be involved in developing a feature to add notes or tweaks at an
> arbitrary moment within a music expression?
>
> e.g.
>
>global = \repeat unfold 100 s1
>music = \addAt (4 3/8) \global \once \override R
Hi,
if I update my scores with convert-ly to 2.18, it changes every \vspace to
\combine \null \vspace (within \markup{ \column {} }).
Why? Does that make sense?
Greetlings, Hraban
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net
http://angerweit.tikon.ch/lieder/
https://www.cacert.org (
>global = \repeat unfold 100 s1
>music = \addAt (4 3/8) \global \once \override
>RehearsalMark.extra-offset #’(-1 . 0)
>
> where (4 3/8) means “in the fourth measure, at the moment of the 3rd
> eighth note”
I suggest that such a command allows for a third, optional parameter,
which ma
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