On 12/18/2013 08:30 AM, Urs Liska wrote:
Am 18.12.2013 07:53, schrieb Urs Liska:
Interesting. I'll have to investigate the "Henle" stylesheet. Something
has to be in there that produces this misbehaviour.
OK, I've commented out anything that even looks like touching the Script
layout, but with
Am 18.12.2013 09:03, schrieb Alexander Kobel:
On 12/18/2013 08:30 AM, Urs Liska wrote:
Am 18.12.2013 07:53, schrieb Urs Liska:
Interesting. I'll have to investigate the "Henle" stylesheet. Something
has to be in there that produces this misbehaviour.
OK, I've commented out anything that even
Urs Liska writes:
> Am 18.12.2013 09:03, schrieb Alexander Kobel:
>> On 12/18/2013 08:30 AM, Urs Liska wrote:
>>> Am 18.12.2013 07:53, schrieb Urs Liska:
Interesting. I'll have to investigate the "Henle" stylesheet. Something
has to be in there that produces this misbehaviour.
>>>
>>> O
Am 18.12.2013 10:05, schrieb David Kastrup:
Urs Liska writes:
Oh, I tried to \revert locally, and this didn't have an effect.
You mean, like \revert Score.Script.padding ? That should have likely
worked.
No: \revert Script.padding
which should _not_ have worked ...
___
Hi all,
> keeping the override, but with outside-staff-padding yields the desired
> result - in this case. I think Kieren should think about (or at least tell
> us) what the override is actually used for.
IIRC, I was trying to duplicate the exact script padding for staccato dots
OUTSIDE the st
Hi all,
I'm working on a piece for guitar here where in some parts I want to show
the position it is played in (e.g. IV, forth position) .
I know I have to use textspanners for this, but this is intended for
'spanning over a melody'. What should be used if there is only one note?
Instinctivly I
When using \RemoveEmptyStaves, after a section of percent repeats the next
line containing only rests doesn’t get removed:
\version "2.17.29"
{
\repeat percent 4 {
c'1
} \break
R1*4
}
\layout {
\context {
\Staff
\RemoveEmptyStaves
}
}
Is there a way to manually remove th
bart deruyter writes:
> Hi all,
>
> I'm working on a piece for guitar here where in some parts I want to show
> the position it is played in (e.g. IV, forth position) .
>
> I know I have to use textspanners for this, but this is intended for
> 'spanning over a melody'. What should be used if ther
Sorry for the late answer …
Thanks for the suggestion, Kieren, anyway I decided to go with my two-voice
approach because I needed the markup to appear at the beginning of the bar
and so needed no further adjustments.
I’m wondering, though, why \halign #5 doesn’t work in my above example.
Seems to
Peter Crighton writes:
> Hello List,
>
> why is it not possible to horizontal align markups attached to a
> MultiMeasureRest in the positive direction (i.e. left)?
>
> I expected this code to work, but the \halign seems to be ignored (#-5
> would work):
>
>
> \version "2.17.29"
>
> \new Staff <<
Good question. I think I may have just mixed those two up …
--
Peter Crighton | Musician & Music Engraver based in Mainz/Wiesbaden, Germany
http://www.petercrighton.de
2013/12/18 David Kastrup
> Peter Crighton writes:
>
> > Hello List,
> >
> > why is it not possible to horizontal align marku
On Wed, Dec 18, 2013 at 3:59 PM, David Kastrup wrote:
> bart deruyter writes:
>
> <...SNIPPETY SNIP...>
> > consistent way of indicating a position, without having to rely on
> spanners?
>
> What's wrong with spanners?
>
> You know about \endSpanners ?
>
THAT is a cool trick. 10 years of lilypo
Am 18.12.2013 14:56, schrieb Kieren MacMillan:
Hi all,
keeping the override, but with outside-staff-padding yields the desired result
- in this case. I think Kieren should think about (or at least tell us) what
the override is actually used for.
IIRC, I was trying to duplicate the exact scr
On Sun, Dec 01, 2013 at 09:46:09AM -0500, Kieren MacMillan wrote:
> Hello all,
>
> This is *killing* my productivity on my current [extremely-high-pressure,
> past-due] project…
>
> For one example (hardly the worst), here’s Lilypond’s default output from one
> section of my bass part:
>
>
>
On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote:
> Follow-up…
> Cancel the bounty call for now: I’ve hacked my way through the
> problem manually.
My hack has been to add the tempo markings etc. to a manual generation
of the Rehearsal Mark. Do you have time to tell me what your
Aha! That was part of the problem, but the other thing is to put the column
inside the original markup:
melody = \relative c' {
c4 c c c | d d d d
}
text = \lyricmode {
\set stanza = #"1." This is verse one.
It has two lines.
}
\score {
<<
\new Voice = "one" { \melody }
\new Lyri
Thanks for the tips, Simon's solution seems to be the best. Thank you very
much :-D .
@David Kastrup:
I didn't know \endSpanners. It's an interesting solution, but it adds a
spanner line up to the next note in my case. At least here it does with
lilypond 2.17.97. I read in the manual it should not
On Wed, Dec 18, 2013 at 5:12 PM, bart deruyter wrote:
> Thanks for the tips, Simon's solution seems to be the best. Thank you very
> much :-D .
>
you're welcome. i'll be needing this function in the next month or so, so
it didn't hurt that you asked... :D
> @David Kastrup:
> I didn't know \endS
bart deruyter writes:
> Thanks for the tips, Simon's solution seems to be the best. Thank you very
> much :-D .
>
> @David Kastrup:
> I didn't know \endSpanners. It's an interesting solution, but it adds a
> spanner line up to the next note in my case. At least here it does with
> lilypond 2.17.9
Why dis you drop \column?
On Dec 18, 2013, at 12:23 AM, bombcar wrote:
> In the multiple verses under the music example in
> http://www.lilypond.org/doc/v2.16/Documentation/notation/stanzas#printing-stanzas-at-the-end-in-multiple-columns
> is it possible to replace the verses in the markup wit
You could define a function that formats its argument the way you want it to
look.
On Dec 18, 2013, at 9:21 AM, bart deruyter wrote:
> Hi all,
>
> I'm working on a piece for guitar here where in some parts I want to show the
> position it is played in (e.g. IV, forth position) .
>
> I know
The documentation seems to be silent on the topic
http://www.lilypond.org/doc/v2.17/Documentation/notation/contemporary-scoring-techniques
On Dec 17, 2013, at 9:18 PM, SoundsFromSound wrote:
> James Dorfer wrote
>> Hello all!
>> Is is possible in LilyPond to create a score where empty measur
Hello
I prefer this :
%%caseSpanner #"case" note\startTextSpan note note\stopTextSpan
%%CUTE===CUTE
caseSpanner =
#(define-music-function (parser location str)(string?)
#{
\once \override TextSpanner.style = #'line %or dashed-line
\once \override TextSpanner.s
Am 18.12.2013 02:53, schrieb James Dorfer:
Hello all!
Is is possible in LilyPond to create a score where empty measures are
invisible? I'm looking for
something similar to Crumb's score for "Vox Balaenae" (seen here:
http://www.youtube.com/watch?
v=D8zxHNG1dWo). Any help is greatly appreciat
Dear LilyPond users,
Can anyone provide me with instructions (or a link) to help me get
point-and-click working on OSX? I use aquamacs (i.e. emacs) to edit
lilypond files, and compilation/view works fine, but point and click
still opens the built-in LilyPond editor. I tried searching for
instruct
Alex Loomis wrote Wednesday, December 18, 2013 2:56 PM
> The documentation seems to be silent on the topic
> http://www.lilypond.org/doc/v2.17/Documentation/notation/contemporary-scoring-techniques
Yes, we're waiting for someone with the knowledge, experience, enthusiasm and
time to write thi
Am 16.12.2013 23:56, schrieb Michael:
Hello LilyPond community!
I want to use LilyPond file format for storing music sheets, could you tell
me if there are any lilypond file format parsers available? Preference is
.net based, but any other parsers would be useful too.
With Regards,
Michael
I
Hello,
2013/12/16 David Kastrup
> I don't see an obvious solution (but then I don't understand the bug)
> but I boiled down the example somewhat more, killing most of its
> musicality but making the problem more apparent. I was suspecting the
> tuplets to be involved, but no. In the following,
I ran into the same problem earlier. It should be much easier to write, i.e.,
Allegro 4=130 doucement avec expression.
On Dec 18, 2013, at 10:49 AM, Paul Scott wrote:
> On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote:
>> Follow-up…
>> Cancel the bounty call for now: I’ve hack
Hi Alex,
> I ran into the same problem earlier. It should be much easier to write,
i.e., Allegro 4=130 doucement avec expression.
I have made a start with a function that does what you want but it still
needs manual setting the offset. This is probably not necessary but I don't
know how to fix it
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