Re: An invitation to a LilyPond powered concert

2013-11-27 Thread Henning Hraban Ramm
Am 2013-11-26 um 23:57 schrieb Marcos Press : > I'm completly with you! > > The thing is "Trade Treaties" means there are ownership discussion. > I do respect Authors but Ownership is a little different. > > Corporates rats exist everywhere and from any origen. Even here in Argentina > (South-

Re: lilypond and midi

2013-11-27 Thread Federico Bruni
Il 26/nov/2013 07:43 "Federico Bruni" ha scritto: > > > Il 26/nov/2013 05:19 "Stephanie Mitchell" ha scritto: > > > > > Hi all, > > How do I create midi playback using the mac version of lilypond? > > I am a blind musician and would like to check my scores using midi before printing. > > Thanks,

Re: invert the colors (to print white score on black paper)

2013-11-27 Thread Federico Bruni
Il 25/nov/2013 22:33 "ryanmichaelmcclure" ha scritto: > > Give this a try. I used some snippets in the LSR to apply a giant markup > black background and changed everything to white. > > \version "2.17.29" > > #(define (override-color-for-all-grobs color) > (lambda (context) >(let loop ((x a

Re: Discussion: automatic engraving and single-source publishing

2013-11-27 Thread Janek Warchoł
Hi, 2013/11/27 Noeck : > Hi > > Just a quick but honest thank you from my side to all of you for > improving the out-of-the-box quality, tweaking-possibilities (e.g. > \shape) and simplifications for users (e.g. the.dot.syntax instead of #')! You're welcome! And i join the acknowledgements for t

Re: Problems with LilyJAZZ.ily

2013-11-27 Thread Janek Warchoł
2013/11/26 Federico Bruni : > 2013/11/25 Janek Warchoł >> >> If you'd like to help with getting bend stuff and LilyJAZZ into >> openlilylib/snippets that would be absolutely awesome! We accept pull >> requests on github, or you could send us patches. If you don't feel >> comfortable with such wo

Workarounds for issue 1127?

2013-11-27 Thread Daniel Rosen
My problem is the one documented at http://code.google.com/p/lilypond/issues/detail?id=1127. Looking over that issue, I see that multiple people have offered monies on multiple occasions (as recently as a month ago, in fact) for it to be resolved, but that no one has taken it up yet. What's the

Re: Workarounds for issue 1127?

2013-11-27 Thread Keith OHara
Daniel Rosen gmail.com> writes: > My problem is the one documented at http://code.google.com/p/lilypond/ issues/detail?id=1127. > Looking over that issue, I see that multiple people have offered monies on multiple occasions (as > recently as a month ago, in fact) for it to be resolved, but that

Re: Workarounds for issue 1127?

2013-11-27 Thread Kieren MacMillan
Hi Keith, > Often each staff has different dynamics in piano music. > I leave out the Dynamics context, indicating dynamics on notes or > spacer rests in a temporary parallel sequence > { c1\p << d2 {s4.\< s8\> <>\!} >> e2 } > > To space the dynamics form the staff, > \override PianoStaff.Dynami

RehearsalMark and MetronomeMark together… again…

2013-11-27 Thread Kieren MacMillan
Hello all, Given the snippet below, what do I need to do to have RehearsalMark and MetronomeMark grobs sit on the same plane (“as expected")? I’ve asked this question several times before, and believe that I’ve incorporated the most recent “best practices”… but clearly not. In the Do The Right

Re: RehearsalMark and MetronomeMark together… again…

2013-11-27 Thread Kieren MacMillan
Hello again, To be clear, \markLengthOn does not solve the problem. Thanks, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

automatic chord splitting in piano staff

2013-11-27 Thread Jean-Alexis Montignies
Hi There! I’m writing a reduction of a big band part. The saxes have to be printed into a piano staff. For now I have written everything in one music expression. For instance: {8 q8 4 8 8 r8 q4. ~ q4 r4} I would like that every note below c automatically gets in the lower staff, and the rest

Re: automatic chord splitting in piano staff

2013-11-27 Thread Eluze
Jean-Alexis Montignies-2 wrote > Hi There! > > I’m writing a reduction of a big band part. The saxes have to be printed > into a piano staff. For now I have written everything in one music > expression. For instance: > { > > 8 q8 > > 4 > > > > 8 > > 8 r8 q4. ~ q4 r4} > > I would like th

Consistency of engraving of hairpin

2013-11-27 Thread Nick Payne
See below. In bar 1, where the starting point of the hairpin in the top voice is a rest, the hairpin starts at a point midway between that rest and the following note. If the hairpin starts on a note, or if the hairpin is move to another voice consisting of only spacer rests, then the behaviour

Re: Consistency of engraving of hairpin

2013-11-27 Thread SoundsFromSound
Nick Payne-3 wrote > See below. In bar 1, where the starting point of the hairpin in the top > voice is a rest, the hairpin starts at a point midway between that rest > and the following note. If the hairpin starts on a note, or if the > hairpin is move to another voice consisting of only spacer

Horizontal alignment of MultiMeasureRest markups

2013-11-27 Thread Peter Crighton
Hello List, why is it not possible to horizontal align markups attached to a MultiMeasureRest in the positive direction (i.e. left)? I expected this code to work, but the \halign seems to be ignored (#-5 would work): \version "2.17.29" \new Staff << { R1^\markup { \null \halign #5 "t

Re: Horizontal alignment of MultiMeasureRest markups

2013-11-27 Thread Kieren MacMillan
Hi Peter, > why is it not possible to horizontal align markups attached to a > MultiMeasureRest in the positive direction (i.e. left)? It is: \version "2.17.96" \paper { ragged-right = ##f } \new Staff << { R1-\tweak #'self-alignment-X #LEFT ^\markup { "text" } } >> Hope this h

Re: Workarounds for issue 1127?

2013-11-27 Thread Keith OHara
On Wed, 27 Nov 2013 12:34:12 -0800, Kieren MacMillan wrote: I leave out the Dynamics context, indicating dynamics on notes or spacer rests in a temporary parallel sequence { c1\p << d2 {s4.\< s8\> <>\!} >> e2 } \override PianoStaff.DynamicLineSpanner #'staff-padding = #2.5 I used to do t

Re: RehearsalMark and MetronomeMark together…again…

2013-11-27 Thread Keith OHara
Kieren MacMillan sympatico.ca> writes: > Given the snippet below, what do I need to do to have RehearsalMark and MetronomeMark grobs sit on the same > plane (“as expected")? > In the Do The Right Thing™ Department, I would think Lilypond should automatically slide the [first] > MetronomeMark s

Re: RehearsalMark and MetronomeMark together…again…

2013-11-27 Thread Keith OHara
Kieren MacMillan sympatico.ca> writes: > To be clear, \markLengthOn does not solve the problem. > Just for anybody searching the archives, what \markLengthOn *does* do is space the music out to give room for the marks. So it helps when the RehearsalMark and tempo are on different notes, barlin

Re: Consistency of engraving of hairpin

2013-11-27 Thread Keith OHara
Nick Payne internode.on.net> writes: > See below. In bar 1, where the starting point of the hairpin in the top > voice is a rest, the hairpin starts at a point midway between that rest > and the following note. If the hairpin starts on a note, or if the > hairpin is move to another voice consi