Nick Payne-3 wrote
> See below. In bar 1, where the starting point of the hairpin in the top
> voice is a rest, the hairpin starts at a point midway between that rest
> and the following note. If the hairpin starts on a note, or if the
> hairpin is move to another voice consisting of only spacer rests, then
> the behaviour is different.
>
> The difference in behaviour is the same if there is only a single voice,
> though then it doesn't make sense to start the hairpin on the rest.
>
> \version "2.17.96"
>
> \relative c'' {
> \time 2/4
> <<
> {
> r16\> a a a a a a a\!
> r16 a a a a a a a
> a16\> a a a a a a a\!
> }
> \\
> {
> a,2
> a
> a
> }
> \\
> {
> s2
> s16\> s s s s s s s\!
> s2
> }
> >>
> }
>
> _______________________________________________
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> lilypond-user@
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
> test.png (6K)
> <http://lilypond.1069038.n5.nabble.com/attachment/154551/0/test.png>
I don't follow what you're saying. What behavior are you expecting w/ the
hairpins? I saw the PNG but I can't figure out what you're after. Sorry.
-----
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