Re: what do you use ragged-bottom for?

Keith E OHara wrote Saturday, November 16, 2013 4:00 AM > So for what kind of music do you use ragged-bottom=##t ? I don't use it at all (I set mainly short SATB + piano, occationally orchestral). > The manual (currently) suggests it for scores, where maybe just two systems > fit on a page; b

Re: musicxml2ly output indentation style

On 11/14/2013 09:16 AM, Martin Tarenskeen wrote: Hi, The lilypond output that is produced from musicxml2ly uses another indentation style than I see in my own scores when using for example Vim or Frescobaldi, or in all examples in the Lilypond documentation. for example: %commonly used st

Re: musicxml2ly output indentation style

Peter Bjuhr schrieb: > >On 11/14/2013 09:16 AM, Martin Tarenskeen wrote: >> >> Hi, >> >> The lilypond output that is produced from musicxml2ly uses another >> indentation style than I see in my own scores when using for example >> Vim or Frescobaldi, or in all examples in the Lilypond docume

Write to a separate file from a custom set of engravers

Hi all, If I create an additional set of engravers in Scheme, what approach should I take if I want the output of these engravers to end up in a separate output file? This separate file should not be the generated post script file or a log file. I could call (open-file ) and write to it, I could

Re: Write to a separate file from a custom set of engravers

Maurits Lamers writes: > Hi all, > > If I create an additional set of engravers in Scheme, what approach > should I take if I want the output of these engravers to end up in a > separate output file? > This separate file should not be the generated post script file or a log file. > I could call (

Frescobaldi Project Support

Does anyone know of a place where one can donate to help support the Frescobaldi project? I can't find any link on the website, http://www.frescobaldi.org/ and I was curious if there was another location maybe. Thanks. - composer | sound designer LilyPond Tutorials (for beginners) --> http

Re: Frescobaldi Project Support

SoundsFromSound schrieb: >Does anyone know of a place where one can donate to help support the >Frescobaldi project? I can't find any link on the website, >http://www.frescobaldi.org/ and I was curious if there was another >location >maybe. No, there isn't. You should ask Wilbert Berendsen p

Partial measures (in middle of score)

I'm attempting to set a Classical-era piece using LilyPond and I can't figure out how to create partial measures in the middle of the score (while also avoiding bar check failures). I can use the partial command at the beginning of my score without issue, but when it comes time to put the other "

Re: lilypond-user Digest, Vol 132, Issue 81

Thank you! Have been searching through docs, but didn’t find this one. It seems to be perfect! cheers Maurits On 16 nov. 2013, at 13:30, lilypond-user-requ...@gnu.org wrote: > From: David Kastrup > Subject: Re: Write to a separate file from a custom set of engravers > Date: 16 november 2013 1

Re: Partial measures (in middle of score)

SoundsFromSound writes: > I'm attempting to set a Classical-era piece using LilyPond and I can't figure > out how to create partial measures in the middle of the score (while also > avoiding bar check failures). > > I can use the partial command at the beginning of my score without issue, > but

Re: Partial measures (in middle of score)

2013/11/16 SoundsFromSound : > I'm attempting to set a Classical-era piece using LilyPond and I can't figure > out how to create partial measures in the middle of the score (while also > avoiding bar check failures). > > I can use the partial command at the beginning of my score without issue, > bu

Re: Partial measures (in middle of score)

- Original Message - From: "SoundsFromSound" To: Sent: Saturday, November 16, 2013 2:33 PM Subject: Partial measures (in middle of score) I'm attempting to set a Classical-era piece using LilyPond and I can't figure out how to create partial measures in the middle of the score (whil

Re: Partial measures (in middle of score)

David Kastrup wrote > See issue 3645, to appear in LilyPond 2.19.0 and likely in 2.18.1 (note > that 2.18.0 will be released in few weeks at the earliest). > > If you follow > ; to the > Code Review, you'll easily see the change in docum

Re: Partial measures (in middle of score)

SoundsFromSound writes: > David Kastrup wrote >> See issue 3645, to appear in LilyPond 2.19.0 and likely in 2.18.1 (note >> that 2.18.0 will be released in few weeks at the earliest). >> >> If you follow >> ; to the >> Code Review, you

Re: Partial measures (in middle of score)

David Kastrup wrote > SoundsFromSound < > soundsfromsound@ > > writes: > >> David Kastrup wrote >>> See issue 3645, to appear in LilyPond 2.19.0 and likely in 2.18.1 (note >>> that 2.18.0 will be released in few weeks at the earliest). >>> >>> If you follow >>>

RE: what do you use ragged-bottom for?

Mr. O'Hara: My use of the ragged bottom is very particular. I use Lilypond to set piano scores for viewing on a tablet (easy page turning!). In a set of variations, some (if not all) of the variations might not be long enough to fill the page, and two consecutive variations would be too much. Each

How to structure piano music?

Hi, I am trying to engrave small pieces for piano and I realize how difficult that can be. What should be my approach? The example is meant to be one staff of a piano staff group (PianoStaff). I don't want to have any shifts for notes played at the same time. The voices should combine to chords (

Re: How to structure piano music?

PS: What I forgot to ask: How can I solve the warnings about colliding note columns? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: How to structure piano music?

Joram, My response is based on a trial and success learning of Lilypond, not on any in-depth understanding of its codes or workings. I set piano music using 2.16.2. To me "voices" means a polyphonic setting, e.g., a fugue. Lilypond seems to think the same. So using the command "voice" always se

Re: How to structure piano music?

Am 16.11.2013 20:34, schrieb Noeck: PS: What I forgot to ask: How can I solve the warnings about colliding note columns? \override NoteColumn #'ignore-collision = ##t HTH Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.o

Re: How to structure piano music?

Am 16.11.2013 20:33, schrieb Noeck: Hi, I am trying to engrave small pieces for piano and I realize how difficult that can be. What should be my approach? The example is meant to be one staff of a piano staff group (PianoStaff). I don't want to have any shifts for notes played at the same time.

Re: How to structure piano music?

Urs Liska writes: > Am 16.11.2013 20:34, schrieb Noeck: >> PS: What I forgot to ask: >> How can I solve the warnings about colliding note columns? > > > \override NoteColumn #'ignore-collision = ##t Those warnings are usually there for a good reason, mainly when multiple voices are being used wi

Re: How to structure piano music?

David Kastrup schrieb: >Urs Liska writes: > >> Am 16.11.2013 20:34, schrieb Noeck: >>> PS: What I forgot to ask: >>> How can I solve the warnings about colliding note columns? >> >> >> \override NoteColumn #'ignore-collision = ##t > >Those warnings are usually there for a good reason, mainly

Re: what do you use ragged-bottom for?

On 11/16/13 10:38 AM, "Mark Stephen Mrotek" wrote: >Mr. O'Hara: > >My use of the ragged bottom is very particular. I use Lilypond to set >piano >scores for viewing on a tablet (easy page turning!). In a set of >variations, >some (if not all) of the variations might not be long enough to fill the

Re: How to structure piano music?

Hi Urs, thanks for your answer (from someone who has the experience with LP piano music)! > It's not completely clear from your example how the logical structure of > the music is. > Do you actually have independent voices that you just want to appear as > chords? > Or do you basically have chord

Re: How to structure piano music?

Hi Urs, thanks for your answer (from someone who has the experience with LP piano music)! > It's not completely clear from your example how the logical structure of > the music is. > Do you actually have independent voices that you just want to appear as > chords? > Or do you basically have chord

Re: How to structure piano music?

2013/11/16 Joram Berger : > Hi Urs, > > thanks for your answer (from someone who has the experience with LP > piano music)! > >> It's not completely clear from your example how the logical structure of >> the music is. >> Do you actually have independent voices that you just want to appear as >> ch

RE: what do you use ragged-bottom for?

Mr. Sorenson, That is exactly the way I use the command. Mark -Original Message- From: Carl Sorensen [mailto:c_soren...@byu.edu] Sent: Saturday, November 16, 2013 2:23 PM To: Mark Stephen Mrotek; 'Keith E OHara'; lilypond-user@gnu.org Subject: Re: what do you use ragged-bottom for? On

Re: Crash with \repeat ... \alternative and \remove "Bar_engraver" on 2.17.26

Cc and Reply-To to bug-lilypond Jim Long writes: > I was researching a method for defining form (repeats, rehearsal > marks, etc.) and line breaking in separate, hidden parallel staff > contexts, and ran across the following crash: > > GNU LilyPond 2.17.26 > Processing `bug6-crash.ly' [...] >

Re: Crash with \repeat ... \alternative and \remove "Bar_engraver" on 2.17.26

On Sun, Nov 17, 2013 at 12:15:45AM +0100, David Kastrup wrote: > > What is this good for? I'm debugging on this > http://code.google.com/p/lilypond/issues/detail?id=3663> and though > I've gotten the crash under control, my results are not identical to the > 2.16 results. I have a hard time deci

Lyrics not starting on 1st bar of music

Hi, I have a song consisting of a single staff which has the following structure: (1) Intro | (2) Part one | (3) Music only | (4) Part two How do I add lyrics to Parts One and Two only? Section (3) is a short 4 bars of music. I've gone through the help documentations, but didn't find anything t

Re: Lyrics not starting on 1st bar of music

On 11/16/2013 07:50 PM, ayutheos wrote: > I have a song consisting of a single staff which has the following > structure: > > (1) Intro | (2) Part one | (3) Music only | (4) Part two > > How do I add lyrics to Parts One and Two only? Section (3) is a > short 4 bars of music. > > I've gone throug

Re: Lyrics not starting on 1st bar of music

\skip http://lilypond.org/doc/v2.16/Documentation/notation/writing-rests#index-_005cskip If you're using a development version, search find \skip in the index of the pertinent documentation. Hope that helps. Regards, David On 11/16/2013 8:51 PM, lilypond-user-requ...@gnu.org wrote: How d

Re: Lyrics not starting on 1st bar of music

On Sun, Nov 17, 2013 at 09:50:16AM +0800, ayutheos wrote: > I have a song consisting of a single staff which has the following structure: > > (1) Intro | (2) Part one | (3) Music only | (4) Part two > > How do I add lyrics to Parts One and Two only? melodyA = { c'4 c' c' c' } melodyB = { c'4 c'

Re: Lyrics not starting on 1st bar of music

Hi Ayutheos, Please "reply all" so everyone can see the conversation. On 11/16/2013 9:48 PM, ayutheos wrote: I found this in the documentation http://www.lilypond.org/doc/v2.16/Documentation/snippets/rhythms#rhythms-skips-in-lyric-mode But I can't get the lyrics to skip more than 1 note. Say f

Re: what do you use ragged-bottom for?

> If your variations are only one page long, you could achieve the > same effect with ragged-last-bottom. Keith is asking about > ragged-bottom, which applies to every page of the score. My concern is to compute a document where each page consists of a single large system in its `natural', uncom