2013/9/5 Simon Bailey :
> thanks. :) i'm really happy with the output. i've been developing the house
> style through the typesetting of 8-10 pieces so far, and it's starting to
> look exactly how i'd like it.
Indeed, i like this layout too!
> mac preview doesn't seem to have the issues mentioned
A small update:
2013/8/21 Janek Warchoł :
> It was my dream for more than a year to automate the process of
> compiling custom LilyPonds from source code in a way that would allow
> to use these versions completely independently, and at the same time
> have them linked together. I think that i've
I can set midi instrument with e.g.
Ms = \relative c' {
c
% ...
}
Ma = \relative c' {
a
% ...
}
% etc...
\score { \unfoldRepeats
<<
%\set Score.midiInstrument = #"church organ" % 20
%\set Score.midiInstrument = #"electric bass (finger)" % 34
%\set Score.midiInstrument = #"choir
k...@aspodata.se (Karl Hammar) writes:
> I can set midi instrument with e.g.
[...]
> but can I set where in the stereo left-right sound picture the sound
> will be placed ?
No.
--
David Kastrup
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2013/9/4 Shane Brandes :
> That is interesting. Janek's modifications are slight but make
> everything look a little tighter. I like it especially the different
> flags.
Thank you! If you have access to a Linux box (could be Ubuntu in a
virtual machine) and you'd like to try building lilypond wit
Janek Warchoł writes:
> 2013/9/4 Shane Brandes :
>> That is interesting. Janek's modifications are slight but make
>> everything look a little tighter. I like it especially the different
>> flags.
>
> Thank you! If you have access to a Linux box (could be Ubuntu in a
> virtual machine) and you'd
[Janek--sorry about the duplicate message!]
Hi,
On Thu, Sep 5, 2013 at 7:17 AM, Janek Warchoł wrote:
> Hi!
>
> 2013/9/5 Mark Polesky :
> > Hi everyone,
> >
> > On a whim I decided to try to implement a roman numeral
> > harmonic analysis interface, entirely in scheme.
>
I haven't experimented
2013/9/5 David Kastrup :
> Janek Warchoł writes:
>
>> 2013/9/4 Shane Brandes :
>>> That is interesting. Janek's modifications are slight but make
>>> everything look a little tighter. I like it especially the different
>>> flags.
>>
>> Thank you! If you have access to a Linux box (could be Ubuntu
Re multiple master fonts,
this concept predated OpenType and is no longer current.
There are some uses for it in in-house font design - which to some
extent could include lilypond - but MM fonts are not really offered any
more, and nobody is developing along those lines.
It's more or less an o
David Kastrup schrieb:
>Janek Warchoł writes:
>
>> 2013/9/4 Shane Brandes :
>>> That is interesting. Janek's modifications are slight but make
>>> everything look a little tighter. I like it especially the different
>>> flags.
>>
>> Thank you! If you have access to a Linux box (could be Ubu
Hi all,
>> It's not really pretty that a house style should require building a
>> particular version of LilyPond.
+1
> "Multiple master fonts contain two or more "masters" — that is,
> original font styles — and enable a user to interpolate between these
> masters along a continuous range of "ax
Hi all,
> It's more or less an obsolete technology, and could not be recommended for
> lilypond.
What *would* be great — and I would want to support — is what we started
discussing a little while ago (a discussion that did not, I believe, come to a
satisfactory conclusion): the ability for Lil
2013/9/3 David Kastrup :
> Thomas Morley writes:
>
>> Hi Rachael,
>>
>> I'm in a hurry: For now a first sketch.
>
> [two billion lines of code omitted]
>
> Sometimes I am reminded of a reoccuring theme in the "Back to the
> Future" trilogy when Doc Emmett Brown illustrates plans cobbled together
>
Please don't post fullquotes with comments above. People can be
expected to use their mail reader or other tools if they really need to
refer to all the original content for some reason.
Instead, just cite what you are referring to and put your comments
below. It makes for a lot of work for peo
Kieren MacMillan writes:
> Hi all,
>
>> It's more or less an obsolete technology, and could not be
>> recommended for lilypond.
>
> What *would* be great — and I would want to support — is what we
> started discussing a little while ago (a discussion that did not, I
> believe, come to a satisfact
Shane Brandes wrote
> Hi all,
>
> This is really just a few observations on the including of graphics.
> I noticed it is possible to import eps files. This is neat. It turns
> out that you can move things about using the following:
>
> \markup {{
> \vspace #21
> \hspace #45
> \rotate #45 % Thi
A clarification re Adobe Multiple Masters font technology. This predated
OpenType, and such fonts are no longer offered and are discontinued. I
omitted to mention that OpenType does not support the parameterization
concept of MM, and so OT is not an evolution of MM. This is generally
because MM
Eluze writes:
> Shane Brandes wrote
>> Hi all,
>>
>> This is really just a few observations on the including of graphics.
>> I noticed it is possible to import eps files. This is neat. It turns
>> out that you can move things about using the following:
>>
>> \markup {{
>> \vspace #21
>> \hsp
[wearing the FreeType maintainer hat]
>> There are some uses for it in in-house font design - which to some
>> extent could include lilypond - but MM fonts are not really offered
>> any more, and nobody is developing along those lines.
Basically, I don't see any technical difficulties in using M
> I omitted to mention that OpenType does not support the
> parameterization concept of MM, and so OT is not an evolution of MM.
This is not correct. Earlier versions of the OpenType specification
*did* support MM, but since Adobe stopped using them, those tables
were removed from the OT specs t
Hi,
2013/9/5 Kieren MacMillan :
> What *would* be great — and I would want to support — is what we started
> discussing a little while ago (a discussion that did not, I believe, come to
> a satisfactory conclusion): the ability for Lilypond to support multiple
> different fonts. That way, one c
Urs Liska writes:
> David Kastrup schrieb:
>
>>Janek Warchoł writes:
>>
>>> 2013/9/4 Shane Brandes :
That is interesting. Janek's modifications are slight but make
everything look a little tighter. I like it especially the different
flags.
>>>
>>> Thank you! If you have access t
>
>Hi Peter,
>
>> How does one create a hairpin that crosses the barline but
>ends at the first note in the bar?
>
>http://lsr.dsi.unimi.it/LSR/Item?id=595
>
>Hope this helps!
>Kieren.=
Just the ticket thanks.
I had searched the hairpin interface but didn't find this override. I will try
to se
Hairpins seem to interact with bar lines in a way I do not understand.
When the required hairpin is between two notes on either side of a bar line it
ends before the bar line even though the \! is placed
after the second note (A). If the \! is placed after a second note following
the bar line the
David Kastrup:
> k...@aspodata.se (Karl Hammar) writes:
>
> > I can set midi instrument with e.g.
>
> [...]
>
> > but can I set where in the stereo left-right sound picture the sound
> > will be placed ?
>
> No.
http://www.midi.org/aboutmidi/intromidi.pdf
Says on page 14:
42 LSB for Control
k...@aspodata.se (Karl Hammar) writes:
> David Kastrup:
>> k...@aspodata.se (Karl Hammar) writes:
>>
>> > I can set midi instrument with e.g.
>>
>> [...]
>>
>> > but can I set where in the stereo left-right sound picture the sound
>> > will be placed ?
>>
>> No.
>
> http://www.midi.org/aboutmi
Hi Peter,
> How does one create a hairpin that crosses the barline but ends at the first
> note in the bar?
http://lsr.dsi.unimi.it/LSR/Item?id=595
Hope this helps!
Kieren.
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> I had searched the hairpin interface but didn't find this override. I will
> try to see how I miised it.
It's probably buried in line-spanner-interface (or whatever it's called).
Cheers, Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
ht
Karl Hammar wrote:
> David Kastrup:
>> > k...@aspodata.se (Karl Hammar) writes:
>> >
>> > > but can I set where in the stereo left-right sound picture the sound
>> > > will be placed ?
>> >
>> > No.
> http://www.midi.org/aboutmidi/intromidi.pdf
> Says on page 14:
>
> 42 LSB for Control 10 (Pan)
>
>Hi Peter,
>
>> How does one create a hairpin that crosses the barline but
>ends at the first note in the bar?
>
>http://lsr.dsi.unimi.it/LSR/Item?id=595
>
>Hope this helps!
>Kieren.=
Just the ticket thanks.
I had searched the hairpin interface but didn't find this override. I will try
to se
\translate is much better, but that command is not on the
documentation page about adding graphics.
Eluze to clarify. Should you wish to move the graphic it takes a bit
of guesswork to place the graphic somewhere else. To further clarify
why this might be useful. Say we are asked to put some funny
I know there is already bug report for this:
https://code.google.com/p/lilypond/issues/detail?id=2942
But I’d like to know if there is some kind of workaround that I’m missing.
Any ideas?
--
Peter Crighton | Musician & Music Engraver based in Mainz/Wiesbaden, Germany
http://www.petercrighton.de
__
Dear Karl,
which platform do You use?
WIndows, Mac, Linux?
For which purposes do You want to use midi?
On Linux I can recommand rosegarden (it is very easy to edit midi-files
with it), for Windows there are a lot of apps available.
I guess reaper is not bad.
> David Kastrup:
> > k...@aspodata.se
In Documentation/out-www/notation.pdf, under 1.5.2 Multiple voices,
Collision resolution
http://www.lilypond.org/doc/v2.16/Documentation/notation/multiple-voices#collision-resolution
<<
{
c8 d e d c d c4
g'2 fis
} \\ {
c2 c8. b16 c4
e,2 r
} \\ {
\oneVoice
s1
e8 a
David Kastrup:
> k...@aspodata.se (Karl Hammar) writes:
> > David Kastrup:
> >> k...@aspodata.se (Karl Hammar) writes:
> >>
> >> > I can set midi instrument with e.g.
> >>
> >> [...]
> >>
> >> > but can I set where in the stereo left-right sound picture the sound
> >> > will be placed ?
> >>
>
Peter Crighton wrote
> I know there is already bug report for this:
> https://code.google.com/p/lilypond/issues/detail?id=2942
> But I’d like to know if there is some kind of workaround that I’m missing.
> Any ideas?
what version do you use - with 2.17.25 I can't see the collision!
Eluze
--
Vi
Werner LEMBERG writes:
> [wearing the FreeType maintainer hat]
> Howver, my opinion is that we don't *need* Multiple Masters in
> general. What we really need is an option to select a stylistic
> variant which contains a set of finely tuned glyphs representing a
> certain style, and OpenType pr
I use 2.17.24, haven’t got to the update yet – but that would be fantastic
if it was fixed in the new version! I’ll try it out, but probably only
tomorrow.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2013/9/5 Eluze
> Peter Crighton wrote
>
On 09/05/2013 11:49 PM, David Rogers wrote:
There are (were?) situations where multiple-masters are useful. But music
isn't one of them IMO.
Lyrics are, I suppose, but only for character width.
But how many multiple master fonts are there in existence? And how many
free ones?
Alas, I found on
I am using the automatic part combiner in preparing SATB hymn sheets. The
issue I have is that when the notes are chorded by the apc, if there is a
slur (in both parts), only one slur is printed (as is seen in the
documentation for automatic part combining). In virtually all the examples
I've seen,
I believe this bug was finally fixed in the very latest version (2.17.15).
Prior to that I made a macro that adjusted the
Glissando.bound-details.right.padding value temporarily each time, but it
has no use now.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Glissando-co
Hello all,
In the example below when you get to the second measure the ottava
symbol "8va" collides with the bar line. I know that typically these
symbols will be above the upper staff or below the lower staff but not
in the middle like this but for this score it is necessary. For the
time being I
On 09/05/2013 10:44 PM, Karl Hammar wrote:
http://www.lilypond.org/doc/v2.16/Documentation/notation/multiple-voices#collision-resolution
<<
{
c8 d e d c d c4
g'2 fis
} \\ {
c2 c8. b16 c4
e,2 r
} \\ {
\oneVoice
s1
e8 a b c d2
}
1, why is the snippet
Stefan Thomas:
> which platform do You use?
> WIndows, Mac, Linux?
Linux.
> For which purposes do You want to use midi?
Producing exercise sound files for the choir, they basically wants
mp3's or something similar. I have tried ogg but their systems kind
of not understands that.
I'd like to hav
on 2013-09-06 at 00:50 Karl Hammar wrote:
> Trying rosegarden, immense abount of debug msg on the terminal,
> lots of buttons I don't understand, yes I can see it connected to
> jack, no sound, yes there a knob with "pan" labelled here, etc...
> oops why does it abort?
ugh, i'm sorry you're havi
On 06/09/13 06:37, Eluze wrote:
Peter Crighton wrote
I know there is already bug report for this:
https://code.google.com/p/lilypond/issues/detail?id=2942
But I’d like to know if there is some kind of workaround that I’m missing.
Any ideas?
what version do you use - with 2.17.25 I can't see the
many thanks to the generous and anonymous donor!
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Glissando-collides-with-accidentals-tp150278p150294.html
Sent from the User mailing list archive at Nabble.com.
___
lilypo
Carl Peterson writes:
> I am using the automatic part combiner in preparing SATB hymn sheets. The
> issue I have is that when the notes are chorded by the apc, if there is a
> slur (in both parts), only one slur is printed (as is seen in the
> documentation for automatic part combining).
Why wou
On Thu, Sep 5, 2013 at 9:44 PM, David Kastrup wrote:
> Carl Peterson writes:
>
> > I am using the automatic part combiner in preparing SATB hymn sheets. The
> > issue I have is that when the notes are chorded by the apc, if there is a
> > slur (in both parts), only one slur is printed (as is see
Carl Peterson writes:
> On Thu, Sep 5, 2013 at 9:44 PM, David Kastrup wrote:
>
>> Carl Peterson writes:
>>
>> > I am using the automatic part combiner in preparing SATB hymn sheets. The
>> > issue I have is that when the notes are chorded by the apc, if there is a
>> > slur (in both parts), onl
On Thu, Sep 5, 2013 at 10:11 PM, David Kastrup wrote:
>
>
> Well, this is probably going nowhere fast, but it's moderately amusing
> that it seems to do something:
>
>
Agreed on both counts.
This probably means that if it bothers me enough, I'm going to have to go
back into the part-combiner.scm
On 6 September 2013 08:50, Karl Hammar wrote:
>
> Stefan Thomas:
> > which platform do You use?
> > WIndows, Mac, Linux?
>
> Linux.
>
> > For which purposes do You want to use midi?
>
> Producing exercise sound files for the choir, they basically wants
> mp3's or something similar. I have tried og
Carl Peterson writes:
> On Thu, Sep 5, 2013 at 9:44 PM, David Kastrup wrote:
> Why would you use the part combiner? I know SATB as basically
>
> \new ChoirStaff
> << \new Staff { \clef "treble" << { \soprano } \\ { \alto } >> }
> \new Staff { \clef "bass" << { \tenor } \\ {
> Alas, I found one:
> http://www.fontfabrik.com/lucfuse.html
> "FUSE 11 has pornography as theme. My contribution to this issue is
> a MultipleMaster font. [...] Five characters are converted to small
> FREE PORNO MOVIES. New versions use antialiasing and gif
> compression."
Actually, this is
Werner LEMBERG writes:
>> Alas, I found one:
>> http://www.fontfabrik.com/lucfuse.html
>> "FUSE 11 has pornography as theme. My contribution to this issue is
>> a MultipleMaster font. [...] Five characters are converted to small
>> FREE PORNO MOVIES. New versions use antialiasing and gif
>> co
On 09/06/2013 06:54 AM, David Kastrup wrote:
Werner LEMBERG writes:
Alas, I found one:
http://www.fontfabrik.com/lucfuse.html
"FUSE 11 has pornography as theme. My contribution to this issue is
a MultipleMaster font. [...] Five characters are converted to small
FREE PORNO MOVIES. New versi
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