Hi Harm,
Many thanks for the work-round, I'd found this problem too a while ago,
but am only just catching up with this list.
Cheers, :-) Ian
On 22/03/13 21:27, Thomas Morley wrote:
> Hi Jan-Peter,
>
> thanks for your reply.
>
> 2013/3/22 Jan-Peter Voigt :
>> Hello Harm,
>>
>> I don't have a s
- Original Message -
From: "Janek Warchoł"
To: "Phil Holmes"
Cc: "Jun Wang" ; "LilyPond Users"
Sent: Thursday, April 11, 2013 11:45 AM
Subject: Re: Vocal music sheet - hyphens wrongly engraved
Phil.
2013/4/11 Phil Holmes :
Jun,
[...]
I hope my notes have been useful and you'l
"Phil Holmes" writes:
> Jun,
>
> There are a number of "challenges" with this song file. It's these
>that produce the errors rather than versions of lilypond. I thought it
>might be better to run through the errors and their fixes line by line
>- hopefully this will help you into the future. I
Phil.
2013/4/11 Phil Holmes :
> Jun,
>
> [...]
> I hope my notes have been useful and you'll persevere with my converter and
> lilypond. There's some learning to do, but the results are worth it, IMHO.
Is the attached pdf the default output after running the song through
the converter? If so, i
- Original Message -
From: "David Kastrup"
To:
Sent: Thursday, April 11, 2013 11:43 AM
Subject: Re: Vocal music sheet - hyphens wrongly engraved
"Phil Holmes" writes:
Jun,
There are a number of "challenges" with this song file. It's these
that produce the errors rather than vers
Hi Federico and Davide,
In English we use the Italian work portamento when singers or players
want to scoop between notes.
Aren't "doit" and "fall" forms of portamento without a define
start/end note?
"Doit" (pron do-it) is a portamento up to the notated pitch, "Fall" is
a portamento down from t
"Phil Holmes" writes:
>> "Phil Holmes" writes:
>>
>>> Jun,
>>>
>>> There are a number of "challenges" with this song file. It's these
>>>that produce the errors rather than versions of lilypond. I thought it
>>>might be better to run through the errors and their fixes line by line
>>>- hopeful
Hi PhilYour notes is very helpful, appreciate your help to fix it. good to
know you fixed a bug because of this.Alex Voice also helped me to cleanup the
lilypond file generated from musicxml which has same problem of not handling
partial measure.I will review the pdf later or at weekend, and le
Hi,
the patch that corrects clef transposition positioning is 99% ready;
now it's only waiting until my rewrite of self-alignment-interface
will be accepted (that will unfortunately take some time, but some
features available after that rewrite are needed to position all clef
transpositions correc
2013/4/11 Ian Hulin :
> In English we use the Italian work portamento when singers or players
> want to scoop between notes.
We use that word in Italian, too, with the same meaning.
> Aren't "doit" and "fall" forms of portamento without a define
> start/end note?
Yes, they can be seen as forms o
I know there is already a bug report for this:
https://code.google.com/p/lilypond/issues/detail?id=3146
But I would like to know if there is any way to manually alter the
position of a PercentRepeat, or rather a DoublePercentRepeat.
Strange, though, that this example doesn’t produce a
DoublePercen
David Kastrup wrote Thursday, February 28, 2013 7:37 AM
> Daniel Rosen writes:
>
>>> -Original Message-
>>> From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
>>> Sent: Wednesday, February 27, 2013 6:44 PM
>>> To: wjm; d...@gnu.org; Lilypond-User List
>>> Subject: Re: Footnotes to lyr
MING TSANG wrote:
>
> 2. Is it a lily pond feature that will transpose the whole score even
> there are two or more key signatures?
Yes. Some of the common uses of \transpose are to allow one to write
the music in concert pitch, but print it out for a transposing
instrument, such as a clarinet i
Am Mittwoch, den 10.04.2013, 12:28 +0200 schrieb Werner LEMBERG:
> >%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
>
> I like that. It's tedious to type manually, but a computer
> program doesn't know that word :-)
> >>>
> >>> Indeed, but i find it unreadable, especially if it was placed at
Carl Peterson writes:
> As I mentioned in another thread, I'm working on a hymnal/psalter project
> and ideally would like to justify both the left and right edges of each
> line of lyrics. I'm willing to settle for the left edge, if the right edge
> is too cumbersome to do. I manually right-just
Tim Roberts,
Thank you for the info. I always transpose a whole song that contains only a
key signature. The is the first time I transpose a song with two key
signatures. Thank you for your info.
Ming.
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lilypond-user@gn
Davide Liessi writes:
>> direct
> I can't understand this glossary entry, since there isn't enough context.
> I don't think it is specifically a musical term, and I couldn't find
> occurrences of "direct" in NR with a different meaning from the usual,
> literal, common one.
> Why is "direct" in
2013/4/11 MING TSANG :
> (hope this time the email will not be rejected by lilypond-owner}
>
> Hi lily user:
>
> I have a hard time coding cross voice tie. I end up of spliting the chord
> into two voices. Please refer to pdf and .ly files.
> 1. How can I code so that it will be the same as ~origi
Hi, Thomas:
Thank you for the work-a-round. It displays great - true to the original.
Thank You.
Blessing,
Ming.
>
> From: Thomas Morley
>To: MING TSANG
>Cc: lilypond-usermailinglist
>Sent: Thursday, April 11, 2013 7:52:41 PM
>Subject: Re: tie between voi
Hi,
I experience a collision of left hand fingering when using lilypond 2.16.2,
with fingeringOrientations set to left, when the notes are consecutive.
How to reproduce:
\version "2.16.2"
#(define RF rightHandFinger)
config = {
\set fingeringOrientations = #'(left)
\set strokeFingerOrien
On 12/04/13 13:18, Timothy Gu wrote:
\version "2.16.2"
#(define RF rightHandFinger)
config = {
\set fingeringOrientations = #'(left)
\set strokeFingerOrientations = #'(down)
}
\relative c'' \new Voice {
\config \voiceOne
b2\rest \mp < b-0-\RF #3 a-2-\RF #2 d,-0---\RF #1 >4 < c-1 g-
On Fri, 2013-03-22 at 15:06 +, Trevor Daniels wrote:
> Werner LEMBERG wrote Friday, March 22, 2013 1:31 PM
> >
> >> See below. In 2.16.2, the fingering indications are vertically
> >> aligned. In 2.17.14, they aren't.
> >>
> >> \relative f'' {
> >> \set fingeringOrientations = #'(left)
> >
> 2013/4/11 MING TSANG rogers.com>:
> > I have a hard time coding cross voice tie.
> > I end up of splitting the chord into two voices.
>
That is the way to think of the music in LilyPond's terms. The tied note
is written with two notes, but is one sound and logically stays in one
voice. The
On 12/04/13 04:14, dra wrote:
There is no such thing as an authority on music notation, especially
that for guitar. Regards, daveA
Why do you set yourself up as one, then?
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https://lists.gnu.org/ma
Peter Crighton googlemail.com> writes:
> Anyway, for me the important part is how to center the
> DoublePercentRepeat (as in a two-bar repeat).
>
\compressFullBarRests
This collapses multi-measure rests into one measure for parts,
and collapses measures with slash-repeats in a way that /might
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