Olivier Biot writes:
> Many thanks for your help David!
>
> Having used it I realize that it works perfectly for my purpose, but
> maybe others may want to add e.g. fingerings, cautionary accidentals,
> articulations and dynamics to the arpeggiated output. That of course
> won't work with the cur
Greetings,
For \path the manual (for 2.17.10) states:
Line-cap styles and line-join styles may be customized by overriding
the line-cap-style and line-join-style properties, respectively.
Available line-cap styles are 'butt, 'round, and 'square. Available
line-join styles are 'miter,
Todd Hesla writes:
> On Mon, Jan 28, 2013 at 12:09:03AM +, Colin Hall wrote:
> > Todd Hesla writes:
> >
> > > When processing a repeat block with a leading rest (and lyrics), Lilypond
> > > 2.14.2
> > > adds an extraneous leading repeat sign where the lyrics start (after the
> > > rest).
>
- Original Message -
From: "Todd Hesla"
To: "Colin Hall"
Cc:
Sent: Monday, January 28, 2013 5:02 AM
Subject: Re: Extraneous repeat with leading rest
Colin,
Interesting. The code you presented actually works, despite not following
the
guidelines in the Notation Reference (Section
Hi Keith,
Thanks for your report and your suggested override. I'll give it a shot; in
the meantime, I've gone for a popular contemporary music workaround: the
addition of a third staff with an octave treble clef, to eliminate the
ledger lines. (hence my post about changing staffs for the notes of
Wim van Dommelen-4 wrote
> Hi,
>
> I'm trying to get some prints with the woodwind fingering diagrams on
> it. When I use the basic diagram, all defined keys show up, but as
> soon as I enter one hole to be used some of the keyholes (not of the
> central one to six holes, but especially on t
Hi,
It should be pointed out that it's a common notational practice to hide the
unused non-center keys in fingering diagrams; this behavior is idiomatic.
(Although there's no reason why that means you can't display all the keys,
as you want.)
just sayin,
Jeff
On Mon, Jan 28, 2013 at 2:27 AM, Elu
On 01/28/2013 11:34 AM, Jeffrey Trevino wrote:
It should be pointed out that it's a common notational practice to hide the
unused non-center keys in fingering diagrams; this behavior is idiomatic.
Common, but not ubiquitous or standard, I'd say.
On Mon, Jan 28, 2013 at 2:27 AM, Eluze wrote:
p
2013/1/28 Andrew Bernard :
> Greetings,
>
> For \path the manual (for 2.17.10) states:
>
> Line-cap styles and line-join styles may be customized by overriding the
> line-cap-style and line-join-style properties, respectively. Available
> line-cap styles are 'butt, 'round, and 'square. Available li
On 28 janv. 2013, at 11:21, Jeffrey Trevino wrote:
> Hi Keith,
>
> Thanks for your report and your suggested override. I'll give it a shot; in
> the meantime, I've gone for a popular contemporary music workaround: the
> addition of a third staff with an octave treble clef, to eliminate the le
Alberto Simões-2 wrote
> Hello
>
> instrumentSwitch can be used to switch an instrument.
>
> But how to define it? namely, how to set an instrument that was created
> with addInstrumentDefinition?
hi
there's an example, see
http://www.lilypond.org/doc/v2.16/Documentation/notation/writing-parts
Stefan Thomas-5 wrote
> Dear community,
> I have a problem with the script extraxtMusic, which I have downloaded at
> http://gillesth.free.fr/Lilypond/extractMusic/extractMusic.ly
> I think, it has to do with the fact, that the file consists of more files.
> I get the error message
>
>> mmR = {
>>
Dominicus wrote
> (no response requested)
>
>
> Sample lilypond documentation referencing use of negative hspace:
> http://lilypond.org/doc/v2.17/Documentation/snippets/expressive-marks#expressive-marks-creating-a-delayed-turn
> Intrestingly...the case above continues to work in 2.16.1...maybe as
On 28/01/13 11:24, Eluze wrote:
Alberto Simões-2 wrote
Hello
instrumentSwitch can be used to switch an instrument.
But how to define it? namely, how to set an instrument that was created
with addInstrumentDefinition?
hi
there's an example, see
http://www.lilypond.org/doc/v2.16/Documentati
Alberto Simões-2 wrote
> All those examples redefine the instrument, setting the instrument name
> and short instrument name. My idea was to use the definition already
> created with addInstrumentDefinition.
I don't really follow you - do you have a small example or picture to
illustrate!?
than
Minimal example attached, in diagram 3 lots of keys are gone.On 28 Jan 2013, at 12:03 , Joseph Rushton Wakeling wrote:On 01/28/2013 11:34 AM, Jeffrey Trevino wrote:It should be pointed out that it's a common notational practice to hide theunused non-center keys in fingering diagrams; this behavior
On Jan 28, 2013, at 5:32 AM, m...@mikesolomon.org wrote:
> I haven't completely wrapped my head around the best way to implement it, but
> it seems like one solution is overriding the stencil function of the
> LedgerLineSpanner to be continuous across notes.
Hmmm... I tried overriding the lin
Am 28.01.2013 16:49, schrieb Paul Morris:
On Jan 28, 2013, at 5:32 AM, m...@mikesolomon.org wrote:
I haven't completely wrapped my head around the best way to implement it, but
it seems like one solution is overriding the stencil function of the
LedgerLineSpanner to be continuous across note
On 01/28/2013 01:54 PM, Wim van Dommelen wrote:
Agreed, but for a series showing e.g. a scale it would be nice to have similar
diagrams, so I would like to control the behaviour myself.
Personally I prefer to see all the keys when it's a visual diagram.
That said, I think my preference _in gen
On Jan 28, 2013, at 11:24 AM, Eluze wrote:
> adding
>
> \stopStaff \startStaff
>
> works
Thanks! I also added an override to keep the stems from being extended all the
way down. Not sure if this is the best approach, but good to know how to use
it.
-Paul
\version "2.16.1"
\relative c'
On Mon, Jan 28, 2013 at 10:03 AM, David Kastrup wrote:
> Olivier Biot writes:
>
> > Many thanks for your help David!
> >
> > Having used it I realize that it works perfectly for my purpose, but
> > maybe others may want to add e.g. fingerings, cautionary accidentals,
> > articulations and dynami
Il 29/01/2013 01:10, MING TSANG ha scritto:
Hi, lily user'
I coded \bar"|:" and \bar":|" and the pdf does not print them. What
am I did wrong in the code? Help is appreciated. I am running
v2.17.11 V2.16.2 works
Hi Ming
you should run convert-ly before using a new version.
You would
Federico: Thank you for the info pertain to bar interface change. I manually
updated my .ly file.
I am running frescobaldi - how do I run convert-ly using frescobaldi?
From:Federico Bruni
Subject: Re: \bar"|:" & \bar":|"
Date: Tue, 29 Jan 2013 01:30:38 +0100
User-agent: Mozilla/5
On Jan 28, 2013, at 8:47 PM, MING TSANG wrote:
> how do I run convert-ly using frescobaldi?
Hi Ming, try:
Tools menu --> Update with convert-ly...
HTH,
-Paul
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lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listi
Paul:
Thank you.
I try tools menu update with convert-ly & I got the following error from
frescobaldi.
Blessing in+,
Ming.
Traceback (most recent call last):
File "C:\Program Files\Frescobaldi\frescobaldi_app\documentactions.py", line
105, in convertLy
convert_ly.convert(self.mainwindow()
I didn't include a tempo marking but I should clarify that the tempo is fast
enough that the tremolo would probably be too difficult to play with one hand.
Throughout the piece the emphasis is on the alternating hand pattern with the
melody in the "right half" of the right hand (You can hear th
Am 29.01.2013 08:20, schrieb Curt:
> I didn't include a tempo marking but I should clarify that the tempo is
> fast enough that the tremolo would probably be too difficult to play
> with one hand. Throughout the piece the emphasis is on the alternating
> hand pattern with the melody in the "righ
Il 29/01/2013 04:25, MING TSANG ha scritto:
I try tools menu update with convert-ly & I got the following error
from frescobaldi.
Blessing in+,
Ming.
Traceback (most recent call last):
File "C:\Program Files\Frescobaldi\frescobaldi_app\documentactions.py",
line 105, in convertLy
convert_ly
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