Re:

On 24 November 2012 18:22, ed stuckems wrote: > What's special about the \clef command in the following: > > (snip) > > So my question is "why does adding the \clef also require adding the > "\new Staff" when section 2.2.1 suggests otherwise?" What have I > missed? Hi, I'd say that's probably b

Re:

On 25 November 2012 14:21, Xavier Scheuer wrote: > > Hi, > > I'd say that's probably because clefs are engraved by the > "Clef_engraver", which is (by default) part of the Staff context. > > But my general advice would be to never trust "implicit" context > creation and instead *always* use explic

Harp lever changes

A question for Helge Kruse: were you ever able to find a solution for harp lever changes? I have several arrangements for Harpsicle that I would like to score. Thanks, BillR ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/m

Re: review of a Mutopia file (why TabStaff gives error here?)

Il 24/11/2012 22:53, Nick Payne ha scritto: BTW, given that guitar right-hand fingering in a score is indicated by the letters "p", "i", "m", and "a", I think that the source is easier to read if you define P=\rightHandFinger #1 I=\rightHandFinger #2 M=\rightHandFinger #3 A=\rightHandFinger #4

Re: Collision avec lignes supplémentaires

elmamyra wrote Je copie une partition polyphonique (à 3 voix), \relative c'' { << \new Voice {\voiceOne \repeat unfold 4 e2} \\ \new Voice {\voiceTwo \scaleDurations 2/3 {\repeat unfold 8 {r8 e, e}}} \\ \new Voice {\voiceFour \repeat unfold 2 e,1} >> } Je trouve que le mi grave

Re: Collision avec lignes supplémentaires

Sorry. Wrong list. (Email is hard.) On Sun, 25 Nov 2012 12:17:58 -0800, Keith OHara wrote: elmamyra wrote Je copie une partition polyphonique (à 3 voix), ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/

\breathe at the bottom in \voiceTwo ???

Hello, i have two voices in one staff. I would like to get breathe-signs for the lower voice at the bottom line instead of the top line of the stave. Is there a possibility to get that behavior? greetings Werner ___ lilypond-user mailing list lilyp

Re: \breathe at the bottom in \voiceTwo ???

2012/11/25 Werner : > Hello, > > i have two voices in one staff. I would like to get breathe-signs for the > lower > voice at the bottom line instead of the top line of the stave. > > Is there a possibility to get that behavior? > > greetings > > Werner > > > __

Re: \breathe at the bottom in \voiceTwo ???

Werner writes: > Hello, > > i have two voices in one staff. I would like to get breathe-signs for > the lower > voice at the bottom line instead of the top line of the stave. > > Is there a possibility to get that behavior? \new Staff << { c'' \breathe c'' c'' c'' } \\ { c' c' c' \tweak #'Y-

Re: \breathe at the bottom in \voiceTwo ???

Thank you for the solution!! I just insert it in every voiceTwo: \voiceTwo { % to get breathing-signs at bottom line instead of top line for lower voice: \override BreathingSign #'Y-offset = #-2 ... } Werner ___ lilypond-user mail

MIDI channel

Hello, Sorry to repost this, I've checked the manual pretty thoroughly, I think, and can't find the answer. I don't mean to be a nuisance, I won't post this again. Is it possible to specify a channel for MIDI output? Also, is there a choice of encoding that will allow me to read the contents of the

Re: specify MIDI channel?

Il 19/11/2012 22:11, Gerard McConnell ha scritto: Hello, I understand that I can send information to separate (sequential) MIDI channels by using different staves. You can also send each voice to a different channel, see Notation Reference 3.5.1, Instrument Names, selected snippets (which uses

simple choral example: warnings/clashes and no midi

I am still relatively new to lilypond. I have a simple four voice choral attached. (1) This example produces numerous warnings about clashing notes which look like: choral-beethoven-moonlight-01-simple.ly:16:62: warning: ignoring too many clashing note columns e'2 e'2 e'2 fs'2

Re: review of a Mutopia file (why TabStaff gives error here?)

On 24/11/12 13:34, Keith OHara wrote: barre = #(define-music-function (parser location strg music) (number? ly:music?) #{ \set TabStaff.minimumFret = $strg \set TabStaff.restrainOpenStrings = ##t \once\override TextSpanner #'(bound-details left text) = #(form

Re: simple choral example: warnings/clashes and no midi

2012/11/26 : > > I am still relatively new to lilypond. > I have a simple four voice choral attached. > > > (1) > This example produces numerous warnings about > clashing notes which look like: > > choral-beethoven-moonlight-01-simple.ly:16:62: warning: ignoring too many > clashing note colum

Re: simple choral example: warnings/clashes and no midi

Thank you very much for you answers! Thomas Morley writes: > > 2012/11/26 : > > > > This example produces numerous warnings about > > clashing notes which look like: > > [...] > > Why is this happening? > > Because of "many clashing note columns" ;) > To avoid this use \voiceOne and \voiceT

include header conflicts

Hello all! I've got an individual .ly file for each cue (song or orchestral interlude) in my musical. I want to include them in a complete score .ly file, but when I do that the header variables conflict (e.g., the first or last 'title' or 'piece' value gets printed in the header of all scores)

Re: Aleatoric / modern notation

Hi Jeffrey, On Sat, Nov 24, 2012 at 11:47 AM, Jeffrey Trevino wrote: > Hi David, > > Yes, I think it's reasonable to confine the frame to a single line, even > though the arrow must be breakable. > > I'm also having problems using the construct on parallel staffs within a > score. It works fine f

Re: review of a Mutopia file (why TabStaff gives error here?)

Nick Payne internode.on.net> writes: > > On 24/11/12 13:34, Keith OHara wrote: > > \once\override TextSpanner #'to-barline = ##t > > <>\startTextSpan > > $music > > <>\stopTextSpan > Why is lilypond thinking that the > TextSpanner is breaking across staves when it isn't?

Re: include header conflicts

On 11/25/2012 08:12 PM, Kieren MacMillan wrote: > I've got an individual .ly file for each cue (song or orchestral > interlude) in my musical. I want to include them in a complete > score .ly file, but when I do that the header variables conflict > (e.g., the first or last 'title' or 'piece' value

Re: include header conflicts

Hi Chris, > You need to split each cue into two files: foo_music.ly contains the > actual music (staves, notes, phrasing, etc.) and variable definitions > (e.g., fooTitle = "Foo"), while foo.ly has \include foo_music.ly and > the headers with things like title=\fooTitle). Then, in your complete >

Tuplets

Hello: Please refer to the attached. Must the command "\times 2/3" be entered for every tuplet? Thank you for your kind attention. Mark Stephen Mrotek \version "2.16.0" global = { \key e \major \time 2/2 } rightOne = \relative c'' { \global \mergeDifferentlyHeadedOn s

Re: Tuplets

Mark Stephen Mrotek wrote > Hello: > > > Please refer to the attached. > > > Must the command "\times 2/3" be entered for every tuplet? > > > Thank you for your kind attention. > > > > Mark Stephen Mrotek > > Tuplets.ly (1K) >

Re: Tuplets

On 26/11/12 14:47, Mark Stephen Mrotek wrote: Hello: Please refer to the attached. Must the command "\times 2/3" be entered for every tuplet? Not if the tuplets are contiguous: \relative c'' { \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { \repeat unfold 48 { c8 }

RE: Tuplets

SoundsFromSound: Thank you for the reference. Citing documentation allows me to investigate further. Mark -Original Message- From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of SoundsFromSound Sent: Sunday, Nov

Re: include header conflicts

Kieren MacMillan writes: > Hello all! > > I've got an individual .ly file for each cue (song or orchestral > interlude) in my musical. I want to include them in a complete score > .ly file, but when I do that the header variables conflict (e.g., the > first or last 'title' or 'piece' value gets p

dynamics alignment

Hello, I write four-voices in a system of two staves with two voices in each stave. With ^\f or _\f e.g. I can get dynamics over the upper voice or under the second. I also found out, that I can align them with e.g. \override DynamicLineSpanner #'staff-padding = #4.0 Unfortunately I don't under

PS (dynamic alignment)

> I would like to have dynamics for the single voices (I use ^ for voiceOne > and _ for voiceTwo) but also dynamics for all 4 voices. These should be > aligned just in the middle between the two staves. > > Do I have > to write a fifth voice containing only s s s ... for that > or > to overrid