It's a common header, used on all the web pages, and therefore uses the same
version number throughout. Non-trivial to change.
--
Phil Holmes
- Original Message -
From: Nick Payne
To: lilypond-user@gnu.org ; bug-lilyp...@gnu.org
Sent: Monday, October 15, 2012 11:50 PM
Subj
- Original Message -
From: "Janek Warchoł"
To: "David Nalesnik" ; "Thomas Morley"
; "David Kastrup" ; "LilyPond
Users"
Sent: Tuesday, October 16, 2012 6:53 AM
Subject: tuplet numbers on kneed beams - David's function stopped working
Hi,
David Nalesnik's function correcting tuplet
> Have you had a look at either balloon help or footnotes:
>
>
> http://lilypond.org/doc/v2.16/Documentation/notation/outside-the-staff#balloon-help
> http://lilypond.org/doc/v2.16/Documentation/notation/creating-footnotes
>
> Nick
>
Yes I use the balloons all the time (they're great). If I could
Hi Janek,
>> David Nalesnik's function correcting tuplet number placement on kneed
>> beams throws an error with Lilypond 2.17.5 (it works with 2.16.0):
>>
>> Drawing systems.../home/janek/desk/tuplet_numers_on_kneed_beams.ily:44:26:
>> In procedure * in expression (* 0.5 (ly:grob-property beam #)
2012/10/16 David Nalesnik :
> Hi Janek,
>
>>> David Nalesnik's function correcting tuplet number placement on kneed
>>> beams throws an error with Lilypond 2.17.5 (it works with 2.16.0):
>>>
>>> Drawing systems.../home/janek/desk/tuplet_numers_on_kneed_beams.ily:44:26:
>>> In procedure * in express
Thomas Morley writes:
> 2012/10/16 David Nalesnik :
>> Hi Janek,
>>
David Nalesnik's function correcting tuplet number placement on kneed
beams throws an error with Lilypond 2.17.5 (it works with 2.16.0):
Drawing systems.../home/janek/desk/tuplet_numers_on_kneed_beams.ily:44:2
Hi Harm,
> 'beam-gap is now a pair.
> So I'm not sure if it should be
> (car (ly:grob-property grob 'beam-gap))
> or
> (interval-length (ly:grob-property grob 'beam-gap))
>
> Currently I haven't found a proper documentation:
>
> git grep beam-gap
>
Thank you for pointing this out! Here, your fir
David,
On Tue, Oct 16, 2012 at 7:20 AM, David Kastrup wrote:
[...]
> Of course, the change of the beam API is mentioned nowhere. Not even in
> the commit message.
Unfortunately I missed it, since I searched at the savannah site by commit.
-David
_
Hi list,
Is there an effective (and relatively straightforward) way (is there
perhaps a template?) to notate percussion scores where each instrument
has its own staff and the stems cross the staffs where necessary to link
notes on different instruments in one rhythmic group?
Many thanks,
Pet
Dear LilyPond Users,
How should I go about producing a paper which includes musical examples? In
the past I've exported to a high quality PNG and scaled the image down to
the appropriate size but that inevitably ended up with musical examples
that had different sized staff (even though I tried my
- Original Message -
From: "Peter O'Doherty"
To: "lilypond-user"
Sent: Tuesday, October 16, 2012 4:13 PM
Subject: Cross-staff stems
Hi list,
Is there an effective (and relatively straightforward) way (is there
perhaps a template?) to notate percussion scores where each instrument h
2012/10/16 Keehun Nam :
> Dear LilyPond Users,
>
> How should I go about producing a paper which includes musical examples?
Start here:
http://www.lilypond.org/doc/v2.16/Documentation/usage/lilypond_002dbook
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
_
On Oct 16, 2012, at 5:21 PM, Keehun Nam wrote:
> Dear LilyPond Users,
>
> How should I go about producing a paper which includes musical examples? In
> the past I've exported to a high quality PNG and scaled the image down to the
> appropriate size but that inevitably ended up with musical exa
On Tue, Oct 16, 2012 at 2:20 PM, David Kastrup wrote:
> commit d8dfa746ead381a80901106b9c9b079dc9b5d004
> Author: Mike Solomon
> Date: Fri Aug 31 09:27:17 2012 +0200
>
> Uses a heuristic to determine if chord tremolos collide with accidentals.
>
> This heuristic makes several assumption
Exactly what I was looking for. Thanks!
On Tue, Oct 16, 2012 at 10:48 AM, james wrote:
>
> On Oct 16, 2012, at 5:21 PM, Keehun Nam wrote:
>
> > Dear LilyPond Users,
> >
> > How should I go about producing a paper which includes musical examples?
> In the past I've exported to a high quality PNG
> Dear LilyPond Users,
>
> How should I go about producing a paper which includes musical examples? In
> the past I've exported to a high quality PNG and scaled the image down to
> the appropriate size but that inevitably ended up with musical examples
> that had different sized staff (even though
Dear Steven,
no, those notes are not (at least not exactly) simultaneous to the
following.
Can't they be called "stroked out notes?"
2012/10/15 Mark Stephen Mrotek
> Mr. Thomas:
>
> ** **
>
> Well the little note, the acciaccatura (with the stroke) is play
> simultaneously as the note to whi
Appoggiatura is a term in composition for a particular kind of note
that doesn't belong to the harmony.
Acciaccatura ("crushed") is a playing technique that composers can request.
Neither one is really the name of this little note.
The little note isn't stroked OUT, because "stroked out" would me
I've never heard 'stroke out notes' before. I've always taken 'acciaccatura'
and 'grace note' to be synonyms.
Regarding whether the notes have a slash/stroke: if they do, then they're
certainly grace notes. If they don't, however, the context sometimes will
suggest that they are still this rath
On Tue, Oct 16, 2012 at 10:12 AM, Owain Sutton wrote:
> I've always taken 'acciaccatura' and 'grace note' to be synonyms.
I think that's probably correct. Which means that "grace note" would
not be the best name for this notation either.
I jokingly propose Lnwl.
(Little note with line)
--
Da
I don't have any of the engraving manuals - what is this note called
in those books? It would probably be better to go along with the
"industry standard name", even if that name turns out not to be
perfect.
--
David
___
lilypond-user mailing list
lilyp
Mr. Thomas:
What I presented was the technical term used by classical musicians. In the
modern world you could call them anything that communicates.
A more detailed explanation, in various languages, is available at
http://en.wikipedia.org/wiki/Ornament_(music).
Mark
From: Stefan
- Original Message -
From: "David Rogers"
To: "Owain Sutton" ; "Stefan Thomas"
; ; "Mark Stephen
Mrotek"
Sent: Tuesday, October 16, 2012 6:20 PM
Subject: Re: how to call these notes?
I don't have any of the engraving manuals - what is this note called
in those books? It would proba
Dear all,
thanks for Your help and for Your explanations!
2012/10/16 Phil Holmes
> - Original Message - From: "David Rogers" <
> davidandrewrog...@gmail.com>
> To: "Owain Sutton" ; "Stefan Thomas" <
> kontrapunktste...@gmail.com>; ; "Mark Stephen
> Mrotek"
> Sent: Tuesday, October 16, 2
On 16 oct. 2012, at 18:49, Janek Warchoł wrote:
> On Tue, Oct 16, 2012 at 2:20 PM, David Kastrup wrote:
>> commit d8dfa746ead381a80901106b9c9b079dc9b5d004
>> Author: Mike Solomon
>> Date: Fri Aug 31 09:27:17 2012 +0200
>>
>>Uses a heuristic to determine if chord tremolos collide with acc
Hello,
2012/10/16 Nick Payne
> Going to the manual page for 2.16 ( http://lilypond.org/manuals.html)
> and entering a search term (eg I tried "footnote") in the search box at
> upper right returns hits in the 2.17 manuals. The search presented to
> Google is:
>
> site:lilypond.org/doc/v2.17 foot
On Tue, Oct 16, 2012 at 09:02:18AM +0100, Phil Holmes wrote:
> It's a common header, used on all the web pages, and therefore uses the same
> version number throughout. Non-trivial to change.
Shouldn't it be v2.16, though? It's safer to point to v2.16
rather than v2.17.
- Graham
_
Hi all,
After going through the work of specifying parts and score for a whole
lot of pieces, I decided to put together a script that would do it for
me. The result has been pretty useful so I thought I'd share it with
everyone else. Basically, it gives you a scheme function you can call
with a l
Sorry, quick follow-up... the link should be
https://github.com/mwitmer/LyUtil
On Tue, Oct 16, 2012 at 9:08 PM, Mark Witmer wrote:
>
> Hi all,
>
> After going through the work of specifying parts and score for a whole
> lot of pieces, I decided to put together a script that would do it for
> me.
When playing in an orchestra it's important to count rests. To make this
tasks easier you can write numbers into rest measures.
Especially for a piano staff it gives a calm picture when the empty
space between the staves is used. The attached picture shows this
starting at Allegretto. Further
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