On 13 August 2012 16:16, David Kastrup wrote:
> \lyricsto refits the durations.
Ah, that would explain it. My real-world example is something like this:
\skip 1*17 \skip 4*4 % 17 3/4 bars of complicated music
I’m using a blank syllable and \melisma at the moment, but was
investigating other opt
Vaughan McAlley writes:
> On 13 August 2012 16:16, David Kastrup wrote:
>> \lyricsto refits the durations.
>
> Ah, that would explain it. My real-world example is something like this:
>
> \skip 1*17 \skip 4*4 % 17 3/4 bars of complicated music
>
> I’m using a blank syllable and \melisma at the m
Reading Kirill Sidorov's comments on Lilypond uplist has reminded me of
something which has crept into my composing, arranging and editing over
the last couple of years. I often now find myself annotating paper
drafts with corrections in Lilypondish (Pondish?) especially where the
score is crow
On Aug 12, 2012, at 6:58 PM, "Peter Gentry"
wrote:
> I have a score with many repeated beamed quavers and semi-quavers on ledger
> lines. The default layout is difficult to read as ledger lines and the staff
> produce an almost hypnotic effect which confuses the reader. This resuluts in
> lo
On 13 août 2012, at 05:35, Keith OHara wrote:
> Peter Gentry sunscales.co.uk> writes:
>
>> I have a score with many
>> repeated beamed quavers and semi-quavers on ledger lines. The default
>> layout is difficult to read as ledger lines and the staff produce an almost
>> hypnotic effect whic
I am having difficulty understanding what is going on in the \chords dialog.
I have not seen anything on the website that clarifies the point either. Is
"s4" supposed to skip four beats, and if so is that what a \breve is worth?
For instance when I have :
<<
\chords { c \breve:m s4 s f s4 c:m }
* 2012-08-13 16:55 +0200 BrAthanasius:
> I am having difficulty understanding what is going on in the \chords
> dialog. I have not seen anything on the website that clarifies the
> point either. Is "s4" supposed to skip four beats, and if so is that
> what a \breve is worth?
Durations in chord m
Thank you for explaining it to me
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Is Lilypond capable of helping with exotic stuff like this,
from Delia Dervyshire's notes for her, maybe lost, Radio Newsreel signature tune
e.g. the bottom of
http://delia-derbyshire.net/papers/html/dd164139.html
the top left and bottom left corners of
http://delia-derbyshire.net/papers/html/dd164
In the following:
\version "2.14.2"
\score {
\relative c' {
\time 2/4
\set Staff.keySignature = #`(((0 . 4) . ,SHARP) ((0 . 3) . ,SHARP))
\clef treble
c8 a c d
%%% Commenting out the following line solves the problem %%%
\clef bass
e fis d c
}
\layout {}
james writes:
> In the following:
> \version "2.14.2"
> \score {
>\relative c' {
> \time 2/4
> \set Staff.keySignature = #`(((0 . 4) . ,SHARP) ((0 . 3) . ,SHARP))
> \clef treble
> c8 a c d
> %%% Commenting out the following line solves the problem %%%
> \clef bas
Hello,
I was wondering if there are (well-known) sheet music publishing companies
(or engraving services) using GNU LilyPond, if so which ones?
So far I know there are many composers/musicians on this list who use it,
as well as web services providing an online IDE/editor, what about the
companie
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