2012/2/16 Joey Di Nardo :
> One more thing is that because they increase in speed, I don't want them
> labeled as a tuplet, so I suppose I'll have to figure out how to make that
> number invisible in that instance.
\once \override TupletNumber #'transparent = ##t
Cheers,
Harm
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Greetings,
I would like to input portions of my score in absolute.
How do I turn off \relative?
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Peter writes:
> Greetings,
>
> I would like to input portions of my score in absolute.
> How do I turn off \relative?
It is not on by default. If you want to insert music variables into
larger relative expressions, you can use the following trick:
absmusic = { c' d' e' f' }
\relative c' { c'
Frescobaldi can convert relative to absolute music.
hth,
patrick
Am 16.02.2012 um 14:21 schrieb David Kastrup:
> Peter writes:
>
>> Greetings,
>>
>> I would like to input portions of my score in absolute.
>> How do I turn off \relative?
>
> It is not on by default. If you want to insert mus
I forgot to reply. This worked very well except that I added an empty space
before or after the markup to make the even page numbers to the left and
the odd to the right
\version "2.14.1"
\paper {
oddHeaderMarkup = \markup \fill-line { " " \fontsize #2 \on-the-fly
#not-first-page \fromproperty
Hi all,
I'm typesetting in Lilypond a piece of mine for clarinet, that uses
some percussive sounds like tongue rams and key clicks.
The symbol for tongue ram in modern music is often a simple triangle
with an angle towards the bottom - just like the letter 'v'. See the
attached image.
Following
Hi Tiresia,
On Thu, Feb 16, 2012 at 11:38 AM, Tiresia GIUNO wrote:
>
> I replaced the note head with the glyphs 'noteheads.u2do' and/or
> 'noteheads.d2do' but I always get a triangle with an angle pointing
> upwards - let's say as in '^'
>
> Sure, I'm misunderstanding but I thought that '.u2do' an
2012/2/16 David Nalesnik :
> Hi Tiresia,
>
> On Thu, Feb 16, 2012 at 11:38 AM, Tiresia GIUNO
> wrote:
>>
>> I replaced the note head with the glyphs 'noteheads.u2do' and/or
>> 'noteheads.d2do' but I always get a triangle with an angle pointing
>> upwards - let's say as in '^'
>>
>> Sure, I'm misun
I use a arrowhead here to write slap tongues to clarinet...
\musicglyph #"arrowheads.close.1M1"
cheers
josé
--
http://zepadovani.info
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On Thu, 16 Feb 2012 19:40:16 +0100
Thomas Morley wrote:
> 2012/2/16 David Nalesnik :
>
> I can't say what the difference is between the glyphs, but they do
> have the same orientation in the Feta notation charts.
>
Thank you both! I believe that there is no difference between the
glyphs
Hi Marc,
2012/2/14 Marc Hohl :
> Hi Harm,
>
> Do you want to bundle up your definitions in a patch
> so they get included future versions of lilypond?
>
> Thanks for your work on this!
>
> Regards,
>
> Marc
I don't know what I'm expected to do here and currently I've less time
as usual to learn i
Hi Jean-Alexis,
2012/2/5 Jean-Alexis Montignies :
>
>> as remarked here:
>> lists.gnu.org/archive/html/lilypond-user/2012-02/msg00177.html
>> there are some problems with "polychord-column".
>> I changed it to the new "dir-column-line".
>>
>> But in both cases the chords are aligned with their roo
Hi Eluze,
2012/2/13 -Eluze :
>
>
> harm6 wrote:
>>
>>
>> seems I don't catch your point. May I ask you to provide an example?
>>
>>
>
> hi Harm
>
> here is an example for this request that just appeared on the French list:
> http://lilypond-french-users.1298960.n2.nabble.com/Insertion-des-titres-d
Hi David,
2012/2/16 David Nalesnik :
> Hi Harm,
[ ... ]
> I have another suggestion which may be helpful.
> Since there are relatively few Scheme engravers out there, why not try to
> translate a short C++ engraver into Scheme? (The regression test which
> creates a text spanner does this, as fa
Hi Jakob,
2012/2/13 jakob lund :
> 13. feb. 2012 01.54 skrev Thomas Morley :
>> Hi again,
>>
>> perhaps you may want to use:
>>
>> \version "2.14.2"
>> %\version "2.15.29"
>>
>> CustomDefaultBarLineEngraver =
>> #(lambda (context)
>> (let ((glyph "|"))
>> `((acknowledgers
>> (bar-line-int
hi again
harm6 wrote:
>
>
> I learned from Xavier: "Je n'avais pas les yeux en face des trous"
> I read it in the NR and you explained it, but I didn't understand. :(
>
don't shed tears!
that's how it works with cognitive processes - you only know later that you
have learned something. if you
Hi Harm,
On Thu, Feb 16, 2012 at 5:04 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> Hi David,
>
> 2012/2/16 David Nalesnik :
> > Hi Harm,
> [ ... ]
> > I have another suggestion which may be helpful.
> > Since there are relatively few Scheme engravers out there, why not try
> to
>
On 2/16/12 5:43 PM, "David Nalesnik" wrote:
>
>
>Anyway, I hope this might be of use! I welcome any comments, suggestions
>for improvement.
>
>Best,
>David
Way cool! This is a sketch for how one would go about adding a new grob
to LilyPond in a modular fashion.
Just FYI, in 2.15.29, bezier-sa
Dear list
In the last two hours or so I've been reading up 800 unread mails, searched
the archive and the LSR. But I still have to bother you with this. :/
I'm trying to reproduce two songs which both make an unusually big use of
extenders. Both are SATB choir pieces. One has only one of the vo
Thomas Morley writes:
>> To be perfect, we should add some thickness to the line. I could
>> look into that next time I'm doing a score with polychords.
>> Anyway, I think your code should be in the snippets and it has more
>> uses that just polychords ! :)
>>
>> Thanks!
>>
>> Jean-Alexis
>
> on
Hi,
I made some small improvements and bugfixes in my python versions of
"Mozart's Musikalisches Würfelspiel" for Lilypond and ABC.
Lilypond users: Use stable version 2.14.2 or wait for 2.15.30. DiceWaltz
1.04 now uses articulate.ly to execute trills. This gives more
elegant and compact pyt
Hi,
If I want to specify a tempo in my midi but not in my printed score, the
docs tell me to do something like this:
\score {
...music...
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 72 4)
}
}
}
IMO this is an ugly construction for something bas
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