Re: Feathered Beams + Make-Moment Confusion

2012-02-16 Thread Thomas Morley
2012/2/16 Joey Di Nardo : > One more thing is that because they increase in speed, I don't want them > labeled as a tuplet, so I suppose I'll have to figure out how to make that > number invisible in that instance. \once \override TupletNumber #'transparent = ##t Cheers, Harm ___

from relative to absolute

2012-02-16 Thread Peter
Greetings, I would like to input portions of my score in absolute. How do I turn off \relative? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: from relative to absolute

2012-02-16 Thread David Kastrup
Peter writes: > Greetings, > > I would like to input portions of my score in absolute. > How do I turn off \relative? It is not on by default. If you want to insert music variables into larger relative expressions, you can use the following trick: absmusic = { c' d' e' f' } \relative c' { c'

Re: from relative to absolute

2012-02-16 Thread pls
Frescobaldi can convert relative to absolute music. hth, patrick Am 16.02.2012 um 14:21 schrieb David Kastrup: > Peter writes: > >> Greetings, >> >> I would like to input portions of my score in absolute. >> How do I turn off \relative? > > It is not on by default. If you want to insert mus

Re: change page number size

2012-02-16 Thread Caio Barros
I forgot to reply. This worked very well except that I added an empty space before or after the markup to make the even page numbers to the left and the odd to the right \version "2.14.1" \paper { oddHeaderMarkup = \markup \fill-line { " " \fontsize #2 \on-the-fly #not-first-page \fromproperty

Tongue Ram

2012-02-16 Thread Tiresia GIUNO
Hi all, I'm typesetting in Lilypond a piece of mine for clarinet, that uses some percussive sounds like tongue rams and key clicks. The symbol for tongue ram in modern music is often a simple triangle with an angle towards the bottom - just like the letter 'v'. See the attached image. Following

Re: Tongue Ram

2012-02-16 Thread David Nalesnik
Hi Tiresia, On Thu, Feb 16, 2012 at 11:38 AM, Tiresia GIUNO wrote: > > I replaced the note head with the glyphs 'noteheads.u2do' and/or > 'noteheads.d2do' but I always get a triangle with an angle pointing > upwards - let's say as in '^' > > Sure, I'm misunderstanding but I thought that '.u2do' an

Re: Tongue Ram

2012-02-16 Thread Thomas Morley
2012/2/16 David Nalesnik : > Hi Tiresia, > > On Thu, Feb 16, 2012 at 11:38 AM, Tiresia GIUNO > wrote: >> >> I replaced the note head with the glyphs 'noteheads.u2do' and/or >> 'noteheads.d2do' but I always get a triangle with an angle pointing >> upwards - let's say as in '^' >> >> Sure, I'm misun

Re: Tongue Ram

2012-02-16 Thread padovani
I use a arrowhead here to write slap tongues to clarinet... \musicglyph #"arrowheads.close.1M1" cheers josé -- http://zepadovani.info ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tongue Ram

2012-02-16 Thread Tiresia GIUNO
On Thu, 16 Feb 2012 19:40:16 +0100 Thomas Morley wrote: > 2012/2/16 David Nalesnik : > > I can't say what the difference is between the glyphs, but they do > have the same orientation in the Feta notation charts.   > Thank you both! I believe that there is no difference between the glyphs

Re: Using other NoteHeads with \harmonicByFret?

2012-02-16 Thread Thomas Morley
Hi Marc, 2012/2/14 Marc Hohl : > Hi Harm, > > Do you want to bundle up your definitions in a patch > so they get included future versions of lilypond? > > Thanks for your work on this! > > Regards, > > Marc I don't know what I'm expected to do here and currently I've less time as usual to learn i

Re: polychords: a working solution

2012-02-16 Thread Thomas Morley
Hi Jean-Alexis, 2012/2/5 Jean-Alexis Montignies : > >> as remarked here: >> lists.gnu.org/archive/html/lilypond-user/2012-02/msg00177.html >> there are some problems with "polychord-column". >> I changed it to the new "dir-column-line". >> >> But in both cases the chords are aligned with their roo

Re: Instrument line in header block - first piece only?

2012-02-16 Thread Thomas Morley
Hi Eluze, 2012/2/13 -Eluze : > > > harm6 wrote: >> >> >> seems I don't catch your point. May I ask you to provide an example? >> >> > > hi Harm > > here is an example for this request that just appeared on the French list: > http://lilypond-french-users.1298960.n2.nabble.com/Insertion-des-titres-d

Custom-scheme-engraver - was: "counting-numbers" above bars called with \repeat unfold

2012-02-16 Thread Thomas Morley
Hi David, 2012/2/16 David Nalesnik : > Hi Harm, [ ... ] > I have another suggestion which may be helpful. > Since there are relatively few Scheme engravers out there, why not try to > translate a short C++ engraver into Scheme? (The regression test which > creates a text spanner does this, as fa

Re: Automatic setting custom bar lines

2012-02-16 Thread Thomas Morley
Hi Jakob, 2012/2/13 jakob lund : > 13. feb. 2012 01.54 skrev Thomas Morley : >> Hi again, >> >> perhaps you may want to use: >> >> \version "2.14.2" >> %\version "2.15.29" >> >> CustomDefaultBarLineEngraver = >> #(lambda (context) >>  (let ((glyph "|")) >>    `((acknowledgers >>      (bar-line-int

Re: Instrument line in header block - first piece only?

2012-02-16 Thread -Eluze
hi again harm6 wrote: > > > I learned from Xavier: "Je n'avais pas les yeux en face des trous" > I read it in the NR and you explained it, but I didn't understand. :( > don't shed tears! that's how it works with cognitive processes - you only know later that you have learned something. if you

Re: Custom-scheme-engraver - was: "counting-numbers" above bars called with \repeat unfold

2012-02-16 Thread David Nalesnik
Hi Harm, On Thu, Feb 16, 2012 at 5:04 PM, Thomas Morley < thomasmorle...@googlemail.com> wrote: > Hi David, > > 2012/2/16 David Nalesnik : > > Hi Harm, > [ ... ] > > I have another suggestion which may be helpful. > > Since there are relatively few Scheme engravers out there, why not try > to >

Re: Custom-scheme-engraver - was: "counting-numbers" above bars called with \repeat unfold

2012-02-16 Thread Carl Sorensen
On 2/16/12 5:43 PM, "David Nalesnik" wrote: > > >Anyway, I hope this might be of use! I welcome any comments, suggestions >for improvement. > >Best, >David Way cool! This is a sketch for how one would go about adding a new grob to LilyPond in a modular fashion. Just FYI, in 2.15.29, bezier-sa

Extender: stretch to end of note value and into repeat alternatives

2012-02-16 Thread Frank Steinmetzger
Dear list In the last two hours or so I've been reading up 800 unread mails, searched the archive and the LSR. But I still have to bother you with this. :/ I'm trying to reproduce two songs which both make an unusually big use of extenders. Both are SATB choir pieces. One has only one of the vo

Re: polychords: a working solution

2012-02-16 Thread David Kastrup
Thomas Morley writes: >> To be perfect, we should add some thickness to the line. I could >> look into that next time I'm doing a score with polychords. >> Anyway, I think your code should be in the snippets and it has more >> uses that just polychords ! :) >> >> Thanks! >> >> Jean-Alexis > > on

DiceWaltz 1.04 update

2012-02-16 Thread Martin Tarenskeen
Hi, I made some small improvements and bugfixes in my python versions of "Mozart's Musikalisches Würfelspiel" for Lilypond and ABC. Lilypond users: Use stable version 2.14.2 or wait for 2.15.30. DiceWaltz 1.04 now uses articulate.ly to execute trills. This gives more elegant and compact pyt

tempo in midi {}

2012-02-16 Thread Martin Tarenskeen
Hi, If I want to specify a tempo in my midi but not in my printed score, the docs tell me to do something like this: \score { ...music... \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 4) } } } IMO this is an ugly construction for something bas