Father Gordon Gilbert writes:
> Thanks guys. That did the trick.
>
> Rather than set to ##t and ##f all the time, I did
>
> dsl = \set doubleSlurs = ##t
> dso = \set doubleSlurs = ##f
>
> and then used \dsl and \dso as needed.
>
> Lily is truly amazing!
\once\dsl should also work with a reasona
Dear community,
because I'm awfully bad in mathematics I wrote a function for calculating
the correct length of multimeasure rests.
Although it doesn't cause a crash (which is a huge sucess for me as a
"programmer"), it doesn't work as expected. Instead of showing one goupt of
multimeasure rests, i
Stefan Thomas writes:
> Dear community,
> because I'm awfully bad in mathematics I wrote a function for
> calculating the correct length of multimeasure rests.
> Although it doesn't cause a crash (which is a huge sucess for me as a
> "programmer"), it doesn't work as expected. Instead of showing
David Kastrup writes:
> Stefan Thomas writes:
>
>> Dear community,
>> because I'm awfully bad in mathematics I wrote a function for
>> calculating the correct length of multimeasure rests.
>> Although it doesn't cause a crash (which is a huge sucess for me as a
>> "programmer"), it doesn't work
on (parser location ANFANG LAST x ) (number?
> number? ly:music? )
> #{ %
> \repeat unfold $(+ 1(- LAST ANFANG)) $x
> #})
> \layout { \context { \Score skipBars = ##t } }
> \new Staff {
> R1*5 % this works as expected
> \xR #6 #11 R1 % this, unfortunately, not
Stefan Thomas writes:
> Dear David,
> thanks for Your answer, Your code works fine in 2.14.2.
> Sorry for the problems with html, I'm just using the
> goggle-mail-client. maybee it will work better, when I write without
> formatting.
You replied to a message digest instead of a message. And you
I have been using lilypond for years for my own projects and have recently
introduced it to a friend of mine. He is a drum instructor and has been reading
drum notation for many years. He's pointed out some things that are
non-standard about the way lilypond handles some drum notation tasks. Mos
\version "2.12.2"
{
4<< { b'1 } \\ { g'4( f' e'2) } >>
}
\addlyrics {
Ex -- cel -- lent Thy name! % The last word does not appear
}
Hello all!
I have a question concerning lyrics and polyphony. I have looked through the
Snippet Repository, but came up with nothing.
The music
Hello,
On 4 January 2012 18:28, Benjamin Bruce wrote:
> \version "2.12.2"
> {
> 4<< { b'1 } \\ { g'4( f' e'2) } >>
> }
> \addlyrics {
> Ex -- cel -- lent Thy name! % The last word does not appear
> }
>
> Hello all!
> I have a question concerning lyrics and polyphony. I have look
Hello,
On 4 January 2012 18:32, Vaylor Trucks wrote:
> I have been using lilypond for years for my own projects and have recently
> introduced it to a friend of mine. He is a drum instructor and has been
> reading
> drum notation for many years. He's pointed out some things that are
> non-stan
See below. If the note with the accidental appears first in the chord,
then the fingering for the other note correctly avoids the accidental.
If the order of the notes is reversed, the fingering collides with the
accidental. I don't know if this is related to issue 1222
(http://code.google.com/
On 5/01/2012, at 7:28 am, Benjamin Bruce wrote:
> \version "2.12.2"
> {
> 4<< { b'1 } \\ { g'4( f' e'2) } >>
> }
> \addlyrics {
> Ex -- cel -- lent Thy name! % The last word does not appear
> }
The problem is that the double backslash automagically creates _two_ new
voices; you
On 1/4/12 11:32 AM, "Vaylor Trucks" wrote:
>
>First, for hi-hat, the notation for open and closed are correct, but for
>the
>half-open he would like to appear exactly like the open hi-hat notation,
>except
>the "o" above the stem of the note needs to have a single slash through
>it.
>
>Also, the
On 1/4/12 11:28 AM, "Benjamin Bruce" wrote:
>\version "2.12.2"
>{
> 4<< { b'1 } \\ { g'4( f' e'2) } >>
>}
>\addlyrics {
> Ex -- cel -- lent Thy name! % The last word does not appear
>}
>
>Hello all!
>I have a question concerning lyrics and polyphony. I have looked through
>the
On 4 January 2012 23:32, Carl Sorensen wrote:
>
> Please see the Notation Reference, section 1.5.2. In particular, look at
> Temporary polyphonic passages.
This problem pops up often. I remember having replied to dozens of e-mails
—both on the French users mailing list and on lilypond-user— fro
On 05/01/12 07:58, Nick Payne wrote:
See below. If the note with the accidental appears first in the chord,
then the fingering for the other note correctly avoids the accidental.
If the order of the notes is reversed, the fingering collides with the
accidental. I don't know if this is related t
Hi,
2012/1/4 Carl Sorensen :
> On 1/4/12 11:32 AM, "Vaylor Trucks" wrote:
>
>>
>>First, for hi-hat, the notation for open and closed are correct, but for
>>the
>>half-open he would like to appear exactly like the open hi-hat notation,
>>except
>>the "o" above the stem of the note needs to have a
Hello,
On 4 January 2012 22:50, Xavier Scheuer wrote:
> On 4 January 2012 23:32, Carl Sorensen wrote:
>>
>> Please see the Notation Reference, section 1.5.2. In particular, look at
>> Temporary polyphonic passages.
>
> This problem pops up often. I remember having replied to dozens of e-mails
Hello,
On 2 January 2012 22:38, -Eluze wrote:
>
>
> Graham Percival-3 wrote:
...
>>
>> Eluze, could you suggest a change to the wording in the CG to
>> clarify this point? Either James or Phil could push that directly
>> to staging.
>>
> maybe something like:
>
> you will automatically be consi
19 matches
Mail list logo
