Op zondag 26 december 2010 schreef Bernardo:
> One handy thinkg would be easy configurable 'quick inserts'. The user
> could write a "plugin" with his/her own favorite articulations/etc.
The new Frescobaldi (2.0) will sport a more flexible plugin-like structure. In
1.2 you could use the Expand D
On 12/28/2010 02:43 PM, Peter Buhr wrote:
I want to change the size of the chord names, as in:
\override ChordNames #'font-size = #-1
but I can't find the grob name to do this.
There's no `s' in ChordName.
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Hi!
This has been reported on the French user mailing list.
In the following code the c-natural is not printed if there is a clef
change in the middle of the measure.
\relative c' {
\clef bass cis2 c
\clef tenor cis2 \clef bass c % natural is not printed!!
\clef bass cis2 \clef tenor c
}
Hello everybody,
now I've got a "working" snippet showing the misbehaviour: two voices, one
in black and the other in red, and inside a unisono measure where all note
heads should have the same color, some note heads are black and others are
red.
Obviously, this behaviour is influenced by a tric
Hello,
- Original Message -
From: "Xavier Scheuer"
To: "bug-lilypond" ; "lilypond-user"
Cc: "Philhar"
Sent: Tuesday, December 28, 2010 10:53 AM
Subject: Accidental and clef change issue
Hi!
This has been reported on the French user mailing list.
In the following code the c-natur
>
>
> PS: The only "simple" workaround is to use
> #(set-accidental-style 'piano)
>
>
another style that works is "dodecaphonic"!
--
View this message in context:
http://old.nabble.com/Accidental-and-clef-change-issue-tp30543997p3053.html
Sent from the Gnu - Lilypond - User mailing l
reply to message 2
the attachement is not available. When click on the link I got the error
message:
Sorry, the page you were looking for could not be found
http://lists.gnu.org/archive/html/lilypond-user/attachments/20101227/b949ceaa/CenterLyrics.obj
From
Am Dienstag, 28. Dezember 2010, um 14:23:14 schrieb Phil Holmes:
> "David Kastrup" wrote in message
> > I don't think it is correct. If you set the above with \key g\major,
> > you will notice that the key signature is _not_ repeated with a clef
> > change. So there is no visual or logical reaso
Hello all!
I have a large orchestral score, in which individual instruments at
times are resting for many pages. I would like these instruments to
disappear (those staves not to be shown) on systems where they have
nothing but rests.
The only way I can think of to do this, is to create a new staf
On 28 December 2010 15:46, Frauke Jurgensen wrote:
>
> Hello all!
>
> I have a large orchestral score, in which individual instruments at
> times are resting for many pages. I would like these instruments to
> disappear (those staves not to be shown) on systems where they have
> nothing but rests.
- Original Message -
From: "Xavier Scheuer"
To: "Frauke Jurgensen"
Cc:
Sent: Tuesday, December 28, 2010 2:53 PM
Subject: Re: making staves full of rests disappear in a full score
On 28 December 2010 15:46, Frauke Jurgensen wrote:
Hello all!
I have a large orchestral score, in wh
Frauke Jurgensen writes:
> Hello all!
>
> I have a large orchestral score, in which individual instruments at
> times are resting for many pages. I would like these instruments to
> disappear (those staves not to be shown) on systems where they have
> nothing but rests.
>
> The only way I can thi
Hi Keith,
your mail has strangely wandered into another topic, fortunately i've found
it :)
2010/12/25 Keith OHara
>
> Hello, Jan.
> The article you pointed out earlier, by J-P Coulon, was more useful than
anything I could find.
I found it very informative indeed. I wish J-P Coulon wrote somet
Thanks all!
I just updated to 2.12.33, was using an ancient version where this
didn't seem to exist yet...Problem solved!
On Tue, Dec 28, 2010 at 3:00 PM, David Kastrup wrote:
> Frauke Jurgensen writes:
>
>> Hello all!
>>
>> I have a large orchestral score, in which individual instruments at
>>
Op zondag 26 december 2010 schreef Michael:
> I am working on another liturgical piece of music, and it has a refrain
> that ends with the word: Alleluia! In most cases, that word is getting
> scrunched up, and the dashes are not visible. The rest of the piece is
> fine, except for that part. Coul
Hi,
I have additional useful information :) Please add
\revert Score.SpacingSpanner #'packed-spacing
to your "global" variable, too. You'll notice that spacing of notes
sung to word "Thee" (right before Alleluia) improves dramatically!
cheers,
Janek
2010/12/27 Jan Warchoł :
> Hi,
>
> i found s
Hi Jurgen,
the strange coloring interested me, but your snippet failed to produce
any output on my computer... Also it collapsed into a continous stream
of characters (see below) which renders it totally unreadable :(
Perhaps something is wrong with your e-mail client?
cheers,
Janek
2010/12/28 J
Am 28.12.2010 16:43, schrieb Jan Warchoł:
Hi Jurgen,
the strange coloring interested me, but your snippet failed to produce
any output on my computer... Also it collapsed into a continous stream
of characters (see below) which renders it totally unreadable :(
Perhaps something is wrong with yo
The problem is general.
Jan Warchoł wrote:
>
> 2010/12/27 jw. Verhagen :
>>
>> 2010/12/22 Jan Warchoł
>>>
>>> 2010/12/21 jacquesv
>>> >
>>> > I have the same problem.
>>> > The problem came after the update of Lilypond form 2.13.4 to 2.13.5.
>>> > Returning to Lilypond 2.13.4 the problem is
On 27 December 2010 11:45, Jürgen Ibelgaufts wrote:
> Has anybody ever seen this before? Is there a way to determine in advance
> which color shall win? Or, in other words, which voice to be printed first,
> and which voice to be printed on top of the other?
Read about the 'layer property here:
I must have had hallucinations, too. At one stage, I made a change, and
received a different output. then I reverted the change, and received a
different output again, but not the same that I had before the change. Seems
that using notes with zero length and/or slurs instead of ties opens an ar
wow that's it! Very elegant!
Am 28.12.2010 17:38, schrieb Neil Puttock:
\override NoteHead #'layer = #2
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The following is wobbly, likely because of different vertical extends of
the strings. But the vertical extent should fit in the circles
necessitated by the horizontal extent.
Can anybody tell me what to do to keep the circles from wobbling?
#(define-markup-list-command (buttons layout props str
On Dec 28, 2010, at 8:08 AM, Keith OHara wrote:
> Dear engravers of lyrics,
>
> The next version of LilyPond will handle empty spaces within lyrics
> differently.
>
> If we have some adjacent lines of lyrics, version 2.12 collapses any empty
> sections, so the set of lines collapses to the mi
On Dec 28, 2010, at 8:08 AM, Keith OHara wrote:
> Dear engravers of lyrics,
>
> The next version of LilyPond will handle empty spaces within lyrics
> differently.
>
> If we have some adjacent lines of lyrics, version 2.12 collapses any empty
> sections, so the set of lines collapses to the mi
I don't know about this one. Certainly, the accidental should be (and is)
printed. It's the naturals that aren't printed. Not even when changing octaves:
\new Staff \relative c' {
\time 6/4
\clef treble
cis dis fis
\clef tenor
c d f
\clef bass
cis dis fis
\clef treb
Hi,
Should the following code work? Am I misunderstanding
staff-staff-spacing. Changing the numbers doesn't seem to change the
spacing. (I haven't tried it in any other version).
TIA,
Paul Scott
\version "2.13.44"
\header{ poet = \markup{ staff-staff-spacing test } }
\score{
<<
\ne
Hi Janek,
It wasn't the long slur between measure 3 and 4 that indeed would make no sense with a
tie. it was the tie in the second measure (first measure in second line). I used a tie
for "historical" reasons. In order to tie the last note of measure 1 to the
first note in measure 2 (which can
Ah, ok.
regards,
Janek
2010/12/28 Jürgen Ibelgaufts :
> Hi Janek,
>
> It wasn't the long slur between measure 3 and 4 that indeed would make no
> sense with a tie. it was the tie in the second measure (first measure in
> second line). I used a tie for "historical" reasons. In order to tie the
> la
On 28 December 2010 19:49, Paul Scott wrote:
>
> Hi,
>
> Should the following code work? Am I misunderstanding staff-staff-spacing.
> Changing the numbers doesn't seem to change the spacing. (I haven't tried
> it in any other version).
>
> TIA,
>
> Paul Scott
>
> \version "2.13.44"
>
> \header{
On 12/28/2010 12:51 PM, Xavier Scheuer wrote:
On 28 December 2010 19:49, Paul Scott wrote:
Hi,
Should the following code work? Am I misunderstanding staff-staff-spacing.
Changing the numbers doesn't seem to change the spacing. (I haven't tried
it in any other version).
TIA,
Paul Scott
\
On 28 December 2010 21:01, Paul Scott wrote:
>
> Thanks for the clarification.
>
> I actually want to increase the spacing between the second lyric and the
> next staff. I didn't see where 4.4.1 covered that or where what I want is
> documented.
Then I think you may consider spacing between 2 sy
On 12/28/2010 01:23 PM, Xavier Scheuer wrote:
On 28 December 2010 21:01, Paul Scott wrote:
Thanks for the clarification.
I actually want to increase the spacing between the second lyric and the
next staff. I didn't see where 4.4.1 covered that or where what I want is
documented.
Th
Am Dienstag, 28. Dezember 2010, um 15:14:05 schrieb David Kastrup:
> Reinhold Kainhofer writes:
> > I would be great, though, if anyone can find a published example of such
> > a situation (most likely in e.g. cello/bassoon parts/scores, which
> > frequently switch between bass and tenor clef).
>
Am Dienstag, 28. Dezember 2010, um 15:46:44 schrieb Frauke Jurgensen:
> Hello all!
>
> I have a large orchestral score, in which individual instruments at
> times are resting for many pages. I would like these instruments to
> disappear (those staves not to be shown) on systems where they have
> n
The Dover Edition of the Beethoven Sonatas, a reproduction of the 1923
Universal Edition (H. Schenker, ed.) has the attached in opus 27, no 2,
second movement (Presto Agitato) mm 54,55.
In the left hand of mm 54, the clef changes 4 times (bass, treble, bass,
treble). The movement is in E major. T
On Tue, Dec 28, 2010 at 1:28 PM, Michael Ellis
wrote:
> The Dover Edition of the Beethoven Sonatas, a reproduction of the 1923
> Universal Edition (H. Schenker, ed.) has the attached in opus 27, no 2,
> second movement (Presto Agitato) mm 54,55.
>
> In the left hand of mm 54, the clef changes 4 ti
Hi,
I'm working on an enhancement to LilyPondTool to rerender the score in the
background while typing.
I found that on weblily.net the processing is surprisingly fast. Is there a
known trick to make it so? I mean something like having GUILE loaded in the
memory?
Thanks,
Bertalan
___
On Wed, Dec 29, 2010 at 01:36:50AM +0100, Bertalan Fodor (LilyPondTool) wrote:
>I found that on weblily.net the processing is surprisingly fast. Is there
>a known trick to make it so? I mean something like having GUILE loaded in
>the memory?
I don't know about weblily, but you might be
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