Nick, Matts and James (et al)
On 30/11/2010 01:12, Nick Payne wrote:
On 30/11/10 10:53, James Bailey wrote:
Hello, I asked this exact same question almost exactly two years ago!
Here is the response I got from Mats. It worked for me, even if it was
a bit fiddly:
Two years lat
- Original Message -
From: "George_"
To:
Sent: Monday, December 13, 2010 10:26 PM
Subject: \change Staff and barchecks in LilyPondTool
I seem to be having a problem with \change Staff screwing up my barchecks.
For example:
e16 d c d e8 f
\change Staff = "LH"
gis, e r a |
for me pr
- Original Message -
From: "craigbakalian"
To:
Sent: Monday, December 13, 2010 10:14 PM
Subject: More about min-systems-per-page
Hi,
this is in my \paper section
\paper
{
ragged-bottom = ##f
ragged-last = ##t
ragged-last-bottom = ##f
#(set-paper-size "letter")
bottom-m
Hello
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Mats
Bengtsson
Sent: Tue 12/14/2010 9:01
To: lilypond-user@gnu.org
Subject: Re:How to print 2 rehearsal marks above and below same bar line
> Nick, Matts and James (et al)
>
> On 30/11/
On 12/10/2010 05:43 PM, Jan Warchoł wrote:
Seriously though, have you considered changing the default font for chords?
For /some/ things, it's nice to have serif-ed chord names; an easy way
is to put
\override ChordName #'font-size = #0
\override ChordName #'font-family = #'roman
in \la
And hello from me.
- Original Message -
From: "James Lowe"
To: "Mats Bengtsson" ;
Sent: Tuesday, December 14, 2010 10:34 AM
Subject: RE: How to print 2 rehearsal marks above and below same bar line
Hello
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore..
On Tue, Dec 14, 2010 at 11:58 AM, M Watts wrote:
> Or you could try
> \override ChordName #'font-name = #'"Exact Font Name"
> to use any font on your system.
BTW: A French guy has made a special font for jazz-like chord names:
http://sites.google.com/site/jpgzic
Thought I'd share it with you guy
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included into
lilypond out of the box and the selection of font made simpler.
On 12/14/2010 7:15 AM, Valentin Villenave wrote:
On Tue, Dec 14, 2010 at 11:58 AM, M Watts wr
Hi all,
I noticed that glissandi are quite often hardly visible in a Staff-
context. There is also a huge difference in the look of glissandi in
Staff- and TabStaff-contexts. I'd like to write a function to adjust
these differences for Staffs and TabStaffs separately but I don't
even manag
Hi,
please send all messages also to the mailing list (use "reply to all")
- that way everyone, not only me, can participate in solving your
problem.
2010/12/13 Sepand Shahab :
> Hi,
>
> Thanks very much for the responses, and sorry for my incomplete posting.
>
> the .png can be found here:
>
> h
On Tue, 2010-12-14 at 09:47 +, Phil Holmes wrote:
> > Finding the ideal number of pages...
> > Fitting music on 17 or 18 pages...terminate called after throwing an
> > instance of 'std::bad_alloc'
> > what(): St9bad_alloc
> >
> > ...exited with exit status 1
> >
> > this doesn't happen when
Phil Holmes-2 wrote:
>
> - Original Message -
> From: "George_"
> To:
> Sent: Monday, December 13, 2010 10:26 PM
> Subject: \change Staff and barchecks in LilyPondTool
>
> Could you post a tiny, complete example that shows this, please?
>
> --
> Phil Holmes
>
>
>
> __
- Original Message -
From: "craigbakalian"
To: "Phil Holmes"
Cc:
Sent: Tuesday, December 14, 2010 5:36 PM
Subject: Re: More about min-systems-per-page
On Tue, 2010-12-14 at 09:47 +, Phil Holmes wrote:
> Finding the ideal number of pages...
> Fitting music on 17 or 18 pages...t
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included into
lilypond out of the box and the selection of font made simpler.
+1
Marc
___
On Tue, Dec 14, 2010 at 07:32:09PM +0100, Marc Hohl wrote:
> Am 14.12.2010 14:23, schrieb Marc Mouries:
> >wow the font is really nice for song books. I also discovered the
> >Gonville fonts and it would be great if those fonts be included
> >into lilypond out of the box and the selection of font m
> > Are you asking me for the notes, rhythms, dynamics, and articulations?
> > Do you want one invention?
> >
> > Craig Bakalian
>
> Please see http://lilypond.org/website/bug-reports.html
>
> So that a bug report can be meaningful, and developers are able to find out
> what's going on an verif
Am 14.12.2010 19:38, schrieb Graham Percival:
On Tue, Dec 14, 2010 at 07:32:09PM +0100, Marc Hohl wrote:
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included
into lilypond out
On Tue, Dec 14, 2010 at 08:02:11PM +0100, Marc Hohl wrote:
> Ok, you're right - but IMHO 1204 is about documenting the new font features,
> whereas Marc Mouries proposed to include the Jazz font and Gonville into the
> standard lilypond distribution, which is another issue.
>
> Does it make sense
Am 14.12.2010 14:25, schrieb Patrick Schmidt:
Hi all,
Hi Patrick,
I noticed that glissandi are quite often hardly visible in a
Staff-context. There is also a huge difference in the look of
glissandi in Staff- and TabStaff-contexts. I'd like to write a
function to adjust these differences fo
Am 14.12.2010 20:09, schrieb Graham Percival:
On Tue, Dec 14, 2010 at 08:02:11PM +0100, Marc Hohl wrote:
Ok, you're right - but IMHO 1204 is about documenting the new font features,
whereas Marc Mouries proposed to include the Jazz font and Gonville into the
standard lilypond distribution, which
On Tue, Dec 14, 2010 at 7:27 PM, Marc Hohl wrote:
>> and "does it make the download size much much bigger".
>
> How much is "much much"? Gonville is 3.5 MB, the Jazz font is 10 KB.
> Downloading lilypond is 20 MB, so personally, I don't think this would
> break the "much much bigger" clause.
No,
2010/12/14 Marc Hohl :
> Am 14.12.2010 19:38, schrieb Graham Percival:
> Jean-Pierre G writes that the font is free to use, but he doesn't leave a
> contact
> mail address on the page (or I have overlooked it - my french is very rusty)
> so it is difficult to ask him...
You did, in fact it is the
Am 14.12.2010 20:34, schrieb jakob lund:
2010/12/14 Marc Hohl:
Am 14.12.2010 19:38, schrieb Graham Percival:
Jean-Pierre G writes that the font is free to use, but he doesn't leave a
contact
mail address on the page (or I have overlooked it - my french is very rusty)
so it is difficult to ask hi
Is there a clean way to enter a phrase followed by the corresponding notes
in a \relative block? The example given in the docs,
{
\time 3/4
\relative c' { c2 e4 g2. }
\addlyrics { play the game }
}
is fine for a small example, but it gets messy for longer music. I
do a lot of transcribin
On 12/14/10 10:38 AM, "George_" wrote:
>
>
>
> Phil Holmes-2 wrote:
>>
>> - Original Message -
>> From: "George_"
>> To:
>> Sent: Monday, December 13, 2010 10:26 PM
>> Subject: \change Staff and barchecks in LilyPondTool
>>
>> Could you post a tiny, complete example that shows t
- Original Message -
From: "craigbakalian"
To: "Phil Holmes"
Cc:
Sent: Tuesday, December 14, 2010 6:54 PM
Subject: Re: More about min-systems-per-page
> Are you asking me for the notes, rhythms, dynamics, and articulations?
> Do you want one invention?
>
> Craig Bakalian
Please s
On Tue, Dec 14, 2010 at 8:39 PM, Marc Hohl wrote:
> Oh - thanks for the hint! I'll contact him...
I'm available to do the go-between if needed.
Cheers,
Valentin.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinf
> "Michael" == Michael Ellis writes:
Michael> Any suggestions for how to write the \withLyrics function?
Michael> Or is there an existing clean solution I haven't found yet?
I always used to wish for that, and then I figured out how to use
point-and-click and I don't need it any more
In upgrading from v2.13.15 to 2.13.40 I noticed the Emacs
syntax highlighting for sharped/flatted notes broke. Notes such as:
fis
bes
\include "english.ly"
fs
bf
all have only the first letter highlighted in the note face.
The problem seems to be that lilypond-words.el no longer has the
spellin
Hi,
On Tue, Dec 14, 2010 at 4:11 PM, Steve Yegge wrote:
> In upgrading from v2.13.15 to 2.13.40 I noticed the Emacs
> syntax highlighting for sharped/flatted notes broke. Notes such as:
>
> fis
> bes
> \include "english.ly"
> fs
> bf
>
> all have only the first letter highlighted in the note fac
On 14/12/10 15:24, Nick Payne wrote:
This piece in several voices (Bach's WTC book 1 prelude 4
transcribed for guitar) has a tie between the F-sharps at the end
of bar 36 and at the beginning of bar 37, but because this tie is
across a line break, Lil
Hi,
2010/12/14 Michael Ellis :
> Is there a clean way to enter a phrase followed by the corresponding notes
> in a \relative block? The example given in the docs,
>
> {
> \time 3/4
> \relative c' { c2 e4 g2. }
> \addlyrics { play the game }
> }
>
> is fine for a small example, but it gets m
> - Original Message - From: "craigbakalian"
>
> To: "Phil Holmes"
> Cc:
> Sent: Tuesday, December 14, 2010 6:54 PM
> Subject: Re: More about min-systems-per-page
>
>> It is my music. There is no need of copyright? But, there is nothing
>> tiny about this example. It is a multi-docume
2010/12/14 Valentin Villenave :
>
> BTW: A French guy has made a special font for jazz-like chord names:
> http://sites.google.com/site/jpgzic
>
> Thought I'd share it with you guys :)
Thanks, it's really jazzy and looks like an interesting alternative
for default sans :)
2010/12/14 Marc Mouries
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