On 14/12/10 15:24, Nick Payne wrote:
This piece in several voices (Bach's WTC book 1 prelude 4 transcribed for guitar) has a tie between the F-sharps at the end of bar 36 and at the beginning of bar 37, but because this tie is across a line break, Lilypond repeats the sharp symbol (which otherwise wouldn't happen) and displaces the second part of the tie downwards on the following line so that it appears to be a tie to the half note B (nobezier.png).Here's a small example that demonstrates the problem. The lower of the two ties between bars 2 and 3 appears to go to the wrong note, and if you uncomment the override for the tie control points to get it correctly positioned vertically, the continuation of the tie in bar 3 starts at the left of the clef symbol. \version "2.13.43" #(set-global-staff-size 24) \relative c'' { \time 6/4 << { a'8 g fis e dis e \acciaccatura e d4. c'8 b4 | c4 r2 s2. | dis8 b c b a g b2\rest <e gis,>4 | } \\ { fis,,,8 e' dis e fis b, c4. g8 a4 | dis2 r4 s2. | b2 r4 r2. | } \\ { fis4 s2 s2. | s8 e'' fis e g fis ~ fis4. gis8 a4 ~ | a4 c,2\rest s2. | } \\ { s1. | c8\rest b a g a c dis4. e,8 % \once \override Tie #'control-points = #'((1 . -2) (2.5 . -2.5) (3.5 . -2.5) (5 . -2)) fis4 ~ | fis4 s2 fis'8 e dis cis dis b | } >> } |
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