It is quite clear that Alkan is far less well known than Grieg. And
probably not without reason. But Alkan did write a lot of music. For
example a lot of technically very demanding piano music.
And among all that music there are without doubt at least some pieces
worth publishing, playing, a
- Original Message -
From: "Jan-Peter Voigt"
To: "Valentin Villenave"
Cc:
Sent: Saturday, October 23, 2010 1:13 PM
Subject: Re: Lyrics inside the staff
Hello Valentin,
now I posted my first very small snippet to the LSR. A great source of
Lily-Knowledge :-)
Regards,
Jan-Peter.
On 11 October 2010 10:31, Steve Yegge wrote:
> Is there a succinct way to do it?
Sort of...
\version "2.13.36"
baseTempo = 50
myTempo =
#(define-music-function (parser location dur count) (ly:music? integer?)
;; `tempo' is the syntax constructor (defined in
scm/ly-syntax-constructors.scm)
On 24.10.2010 13:56, Phil Holmes wrote:
- Original Message - From: "Jan-Peter Voigt"
To: "Valentin Villenave"
Cc:
Sent: Saturday, October 23, 2010 1:13 PM
Subject: Re: Lyrics inside the staff
Hello Valentin,
now I posted my first very small snippet to the LSR. A great source
of Li
http://lsr.dsi.unimi.it/LSR/Item?id=723
--
Phil Holmes
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- Original Message -
From: "Jan-Peter Voigt"
To: "Phil Holmes"
Cc: "Valentin Villenave" ;
Sent: Sunday, October 24, 2010 1:31 PM
Subject: Re: Lyrics inside the staff
On 24.10.2010 13:56, Phil Holmes wrote:
- Original Message - From: "Jan-Peter Voigt"
To: "Valentin Villenav
On 22 October 2010 12:57, Graham Percival wrote:
> On Fri, Oct 22, 2010 at 12:24 PM, Werner LEMBERG wrote:
>> Regardless of the location of \tempo, the tempo indication is put on
>> top of the system.
>
> That's because \tempo is a score-wide thing; moving the engraver only
> changes the output,
On 15 October 2010 22:03, Trevor Daniels wrote:
>
> Antheo wrote Friday, October 15, 2010 9:49 PM
>>
>> Anyone would have any idea how to accomplish this?
>
> I'm sure someone would have replied by now if they
> knew how to do it.
Use ly:item-break-dir to find out where the bar number is, then se
Hello,
Here is a snippet
\relative c' {
b8.^-
[ \times 2/10 { c64( d ees d e d c b a b] }
a8. a16 a32 a2)
}
I wonder if someone can help me find a way to shit the 10-tuplet over to the
'left' slightly, or move the group of tuplet-ed notes closer to the first and
leave the secpnd
On Sun, Oct 24, 2010 at 9:14 PM, James Lowe wrote:
> Hello,
Hi,
> I wonder if someone can help me find a way to shit the 10-tuplet over
(no comment)
> to the 'left' slightly, or move the group of tuplet-ed notes closer to the
> first and leave the secpnd beamed group (and minim) where they ar
Hello
On 24/10/2010 20:48, Valentin Villenave wrote:
> On Sun, Oct 24, 2010 at 9:14 PM, James Lowe
wrote:
>> > I wonder if someone can help me find a way to shit the 10-tuplet over
> (no comment)
:-#
I'm surprised my email server let that one through. Sorry, I guess I had
better clean my
On Oct 24, 2010, at 10:08 PM, James Lowe wrote:
>
> What I don't understand is what the *1/4 and *4 are doing in this
> context. Is this documented?
>
> James
See 1.2.1 in the Notation Reference, Scaling Durations.
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On Sun, Oct 24, 2010 at 10:53:46PM +0200, James Bailey wrote:
>
> On Oct 24, 2010, at 10:08 PM, James Lowe wrote:
> >
> > What I don't understand is what the *1/4 and *4 are doing in this
> > context. Is this documented?
>
> See 1.2.1 in the Notation Reference, Scaling Durations.
I personally
In a piano page chock full of bracket-style pedalling for chords at
widely different pitch levels, I've managed to align the horizontal
pedalling lines vertically, via a zillion little paragraphs like
\once \override Staff.PianoPedalBracket #'edge-height = #'(1 . 3.5)
sustainOn
...
sustainOff
Tr
Hey lilyponders,
I forget if I sent this out or not - sorry in advance for any double
postings! A score I wrote using the graphics notation package that I
developed for Lilypond will have its UK premiere on the 4th of December in
Canterbury and its French premiere on the 5th of December in Dun
On Mon, Oct 25, 2010 at 1:36 AM, Mike Solomon wrote:
> I forget if I sent this out or not - sorry in advance for any double
> postings! A score I wrote using the graphics notation package that I
> developed for Lilypond will have its UK premiere on the 4th of December in
> Canterbury and its F
>>> Regardless of the location of \tempo, the tempo indication is put on
>>> top of the system.
>>
>> That's because \tempo is a score-wide thing; moving the engraver only
>> changes the output, not the general music definition.
>
> The patch I posted for issue 1205 also fixed this problem.
Aah.
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