Peter Chubb wrote Tuesday, August 17, 2010 12:48 AM
"Phil" == Phil Holmes writes:
Phil> Rose, Here's a very simple version of some music laid out as
Phil> hymns frequently seem to be. I think you should be able to
use
Phil> this to modify what you've already done.
You don't need the pa
On 2010-08-17 03:24, Brett McCoy wrote:
On Mon, Aug 16, 2010 at 8:30 PM, Stephen Nesbitt
wrote:
[...] fretboard diagrams. [...]
A rough example (less the slashes can be found here:
http://www.musicnotes.com/sheetmusic/scorchVPE.asp?ppn=SC0009216
You are looking for something like this:
http:
Am 2010-08-17 um 09:58 schrieb Alexander Kobel:
[...] fretboard diagrams. [...]
A rough example (less the slashes can be found here:
http://www.musicnotes.com/sheetmusic/scorchVPE.asp?ppn=SC0009216
You are looking for something like this:
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippe
2010/8/17 胡海鹏 - Hu Haipeng :
>
> Hello,
> When I extract the timpani part from my overture (I have not made
> cues), a fatal problem comes--spacing issues. No matter what staff
> size I set, the warning "couldn't fit music on page" always appears.
> How to sove it?
Hi!
There used to be spacing
On 17/08/10 15:26, Wilbert Berendsen wrote:
Hi,
Frescobaldi 1.0.3 (stable) and 1.1.5 (development) have been released.
Main focus is making smart point and click working again with the KDE 4.5
editor component. Bugs have been fixed and translations updated.
Links to full ChangeLog and download
On 17 August 2010 01:17, Trevor Daniels wrote:
>
> [...]
>
> The easiest fix is to use s1*7 in the second voice, although
> a better fix would be to put the full-measure rests in a
> single voice. This means you have to move the \voiceOne
> and \voiceTwo commands into the music definitions, after
On Tue 17 Aug 2010, 10:58 Xavier Scheuer wrote:
> > The easiest fix is to use s1*7 in the second voice, although
> > a better fix would be to put the full-measure rests in a
> > single voice. This means you have to move the \voiceOne
> > and \voiceTwo commands into the music definitions, after the
http://lilypond.org/doc/v2.13/Documentation/snippets/rhythms#merging-
multi_002dmeasure-rests-in-a-polyphonic-part
Does this help?
Am 17.08.2010 um 10:58 schrieb Xavier Scheuer:
On 17 August 2010 01:17, Trevor Daniels wrote:
[...]
The easiest fix is to use s1*7 in the second voice, althou
On 17 August 2010 11:09, Dmytro O. Redchuk wrote:
>
> It does not handle MultiMeasureRests, it's a pity.
Aah, right. I remember now.
What about using
\override MultiMeasureRest #'staff-position = #0
Does that do the trick? (I can't test myself right now)
Cheers,
Xavier
--
Xavier Scheuer
l
There is a snippet in the LSR called "Merging rests automatically..."
that does merge rests from different Voices into only one
"default-position" rest.
It is the snippet #336
http://lsr.dsi.unimi.it/LSR/Item?id=336
It does not handle MultiMeasureRests, it's a pity.
I don't remember
Thanks. But when I used 30, my full score was fattened from 34 pages to 38, and
there are many warnings saying (de)crescendo too small, in fact they are not
small; and a programming error in harp part in 2.13.24 increased to several:
"no note heads for the line spanner on neighbor line? Confused
On Tue 17 Aug 2010, 11:25 Mats Bengtsson wrote:
> >>It is the snippet #336
> >>http://lsr.dsi.unimi.it/LSR/Item?id=336
> >It does not handle MultiMeasureRests, it's a pity.
> I don't remember the details of this snippet, but it shouldn't be
> hard to extend it to do
> \override MultiMeasureRest #St
Lilypond user community:
I started to use lilypond window (XP) version 2.13. ( I am a newbie to
lilyPond). The following is lilypond text file I managed to compose. I have
question ato ask for assistance.
1. How can I create two voices for pianoRHMusic and pianoLHMusic?
I want to genera
On 17 August 2010 09:56, Nick Payne wrote:
> If I have non-default rehearsal marks, reverse point and click from the
> rehearsal mark in the PDF preview into the ly source doesn't work. In the
> following, it works ok from the first two rehearsal marks but not from the
> third. This is with Fresc
Once again! Thanks!
Definitely I was the one implementing the trick in a wrong way!
A little add to the trick so the first tempo of the bar stays intact, I
touch the time stretch of the predecessor note to the glissando. Mean:
realtive c'={
\time 4/4
e'4 d2.*3/4 \hideNotes a2.*1/4 \noBeam \glissan
Hi Pato,
Perhaps a less fussy way would be to tweak BendAfter, e.g.
\version "2.13.29"
anotherWay = \relative c' {
\override BendAfter #'extra-offset = #'(-4.25 . -2)
\override BendAfter #'minimum-length = #2
e'4 d2.
\bendAfter #4 f4 e2.
\bendAfter #4 g4 f2.
}
\score { \anotherWay }
Hello,
I will try to answer some of your questions.
On 17/08/2010 11:16, MING TSANG wrote:
2. the speed of generated midi file is very slow. How can I adjust it?
I try to put \midi { \tempo 4=120 } but I got the following error::
C:/Documents and
Settings/Administrator/Desktop/LILY_POND/la-men
Ming,
On 17/08/2010 11:16, MING TSANG wrote:
1. How can I create two voices for pianoRHMusic and pianoLHMusic?
I want to generate piano accompainment not just repeat soprano/alto
4. How can I combine soprano and alto into one treble clef staff?
I'd also strongly recommend
http://lilypond
Op dinsdag 17 augustus 2010 schreef Neil:
> I'll push a fix shortly, so it should work once 2.13.31's released.
I also found that \mark\markup { blabla } type of rehearsalmarks are
clickable, but contain only the directory without the filename. (In all Lily
versions up to 2.13.30.)
Great that
Hey, it's excellent I think. I say 'I think' cause I'm on a library
computer and it's hard to judge the 'travel' of the keys and when they
hit the bed so to speak and there's no sound.. Is there suppose to be
a metronome sound?
Nevertheless, I was getting around 98% so there's room from improvemen
On Tue, Aug 17, 2010 at 03:44:26PM -0400, Mike Blackstock wrote:
> Hey, it's excellent I think. I say 'I think' cause I'm on a library
> computer and it's hard to judge the 'travel' of the keys and when they
> hit the bed so to speak and there's no sound.. Is there suppose to be
> a metronome sound
Hi!
A user on the LilyPond French Users mailing list would like to use the
"Measure counter" snippet one can find here:
http://lilypond.org/doc/v2.13/Documentation/snippets/repeats
*BUT* he also would like the number "1" to be printed on the first
repeated measure.
Is it possible to tweak "count
On 2010-08-17 22:20, Xavier Scheuer wrote:
Hi!
[...]
Is it possible to tweak "countPercentRepeats" in order to print the
number "1" above the first normal (i.e. with the notes instead of the
percent symbol) measure of a "percent repeated" measure?
I'm not looking for a *dirty* workaround, such a
On 17 August 2010 21:20, Xavier Scheuer wrote:
> Is it possible to tweak "countPercentRepeats" in order to print the
> number "1" above the first normal (i.e. with the notes instead of the
> percent symbol) measure of a "percent repeated" measure?
No. In the first bar, there's no PercentRepeat
On 2010-08-17 22:50, Neil Puttock wrote:
On 17 August 2010 21:20, Xavier Scheuer wrote:
Is it possible to tweak "countPercentRepeats" in order to print the
number "1" above the first normal (i.e. with the notes instead of the
percent symbol) measure of a "percent repeated" measure?
No. In t
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