kontrapunktstefan wrote:
>
> Dear community,
> thank You for Your help.
> I know now, how to do it.
> Off course, Graham is in principle right: before answering questions, one
> should read the manual.
> But: I've read the manual and I've searched for it without success.
> It was my fault not to
You don't need to do any searching of the snippet repository.
1. Go to:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars#Bar-numbers
2. Read the SECOND EXAMPLE ON THE PAGE. The one right after
"selected snippets".
or, in the 2.13 docs,
1. Go to:
http://lilypond.org/doc/v2.13/Doc
From: "-Eluze"
Phil Holmes-2 wrote:
I do use spacer rests extensively - I've just posted a small section of
the
music, without showing the spacers. But how would you terminate the tie
on
a spacer?
just wanted to say that you don't have to repeat the whole lot of notes in
the second voice if
On Tue, May 11, 2010 at 4:17 AM, Nathan Reed wrote:
> I call it like:
>
> \narration r1 #"On the branch..." #"...chirped the bird gaily."
>
> I'd like to expand the measure to be slightly wider than the text, so it
> doesn't collide with rehearsal marks.
why dont you use a MultiMeasureRestText a
Am 13.05.2010, 00:01 Uhr, schrieb Neil Puttock :
On 12 May 2010 15:27, Phil Holmes wrote:
Problem with this is that the unbeamed note in the second voice has a
tail
and not a beam, and so we get the result shown in the attached image,
with a
tail under the beaming. Also I still get the co
On 12 May 2010 15:27, Phil Holmes wrote:
> Problem with this is that the unbeamed note in the second voice has a tail
> and not a beam, and so we get the result shown in the attached image, with a
> tail under the beaming. Also I still get the complaint about clashing note
> columns.
If you kee
o.k. sorry, my fault. didn't see it!
2010/5/12 Graham Percival
> You don't need to do any searching of the snippet repository.
>
> 1. Go to:
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars#Bar-numbers
> 2. Read the SECOND EXAMPLE ON THE PAGE. The one right after
> "selected s
