Is it possible to combine morethan 2 voices using \partcombine ?. Did anyone
re-write this ?
I have need to combine 3 voices to a single staff, I've tried
**
\new PianoStaff <<
\context Staff = upper <<
\context Voice = OrganRHi { \voiceOne \global \OrganR
Le 3 mars 2010 à 15:04, Werner LEMBERG a écrit :
>
>> Using a recent development version, it is possible to print the
>> ambitus of the whole score on the first system, by slightly adapting
>> the example given in
>> Documentation/snippets/new/scheme-engraver-ambitus.ly
>
> Uff. Nothing for th
If I use the snippet attached, the slur over the notes goes way higher than
I'd want and makes the stave spacing in my score poor. I've tried using:
\shapeSlur #'(x1 y1 x2 y2 x3 . .x4 y4) [well, actually \shapeSlur
#'(0 -2.5 -1 3.5 0 0 0 -2.5) ]
but get an error:
error: unknown escaped st
I always use (not tested):
\override Slur #'positions = #'(10 . 10)
or whatever numbers force the slur to give an acceptable result.
On Thu, Mar 4, 2010 at 5:49 AM, Phil Holmes wrote:
> If I use the snippet attached, the slur over the notes goes way higher than
> I'd want and makes the stave sp
It seems that you have looked at the snippet
http://lsr.dsi.unimi.it/LSR/Item?id=639
The command \shapeSlur which is used in this example is not included in
LilyPond by default, but is rather defined within the example file
itself. To use it, you have to copy the lines from "shapeSlur =" down to
Hello,
First of all sorry for my bad english: correct me! I want to improve my
english!
I'm a bit newbie with Lilypond but I didn't find this in snippets.
I'm transcribing the whole "Supper's Ready" suite by Genesis, and I want
to achieve a complete book with, on the first page, the "Supper's Read
Sorry about top-posting - it seems I'm the only Outlook Express user here,
and it's lots of hassle to mid-post...
Thanks to Mats, Neil and Davis for their help. I got the code from Mats and
David working, and it's possible to shape the slurs very elegantly this way.
However, to use it I'd have t
Phil Holmes wrote:
Sorry about top-posting - it seems I'm the only Outlook Express user
here,
and it's lots of hassle to mid-post...
Thanks to Mats, Neil and Davis for their help. I got the code from
Mats and
David working, and it's possible to shape the slurs very elegantly
this way.
Howe
Phil Holmes wrote:
Sorry about top-posting - it seems I'm the only Outlook Express user
here,
and it's lots of hassle to mid-post...
Thanks to Mats, Neil and Davis for their help. I got the code from Mats
and
David working, and it's possible to shape the slurs very elegantly this
way.
Howeve
Ok, the grid lines seems to align with the NoteHeads, but how do I draw them
dashed?
2010/2/27 Kieren MacMillan
> Hi Caio Barros:
>
> 1. Try using grid lines:
> <
> http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Editorial-annotations#Grid-lines_003a-emphasizing-rhythms-and-notes-synch
And another thing. Is it posible to draw a grid line just once (not above
all the notes) ?
2010/3/4 Caio Barros
> Ok, the grid lines seems to align with the NoteHeads, but how do I draw
> them dashed?
>
> 2010/2/27 Kieren MacMillan
>
>> Hi Caio Barros:
>>
>>
>> 1. Try using grid lines:
>> <
>>
I'd like to notate a crescendo on a single note or chord, ie, c4\<\! which by
design does not seem to work.
Is there an easier way of doing that than using spacer rests?
regards,
Mika Kuuskankare
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Hi,
How it's called that double slash used mostly in orchestral music to
separate systems and how can I creat those with lilypond?
Also, can I create it anywhere with, say, \markup?
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On Tuesday 02 March 2010 19:03:26 Peter Chubb wrote:
> > "bachelet" == bachelet writes:
>
> bachelet> any luck finding this script, I'd like to use it, too
>
>
> It was in this mailing list, at
> http://www.mail-archive.com/bug-lilyp...@gnu.org/msg03960.html
>
> Peter C
>
The velocity is
Philippe Hezaine a écrit :
Philippe Hezaine a écrit :
Hi,
In the Gigsaw's process I use Timing_translator in midi block like this:
\midi {
\context {
\Score
%%%\remove "Timing_translator"
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
\context { \Staf
Section 4.1.2 of the 2.12 notation reference explains how to create that
mark, although I'm not sure it has a name fancier than a system separator.
On Thu, Mar 4, 2010 at 4:45 PM, Caio Barros wrote:
> Hi,
> How it's called that double slash used mostly in orchestral music to
> separate systems a
yes! that's it.
Unfortunately I can't use inside a \markup command. I wanted to use it to
separate the end of a score with the foot-notes.
2010/3/4 Nick Baskin
> Section 4.1.2 of the 2.12 notation reference explains how to create that
> mark, although I'm not sure it has a name fancier than a sy
On 4 March 2010 22:36, Caio Barros wrote:
> yes! that's it.
> Unfortunately I can't use inside a \markup command. I wanted to use it to
> separate the end of a score with the foot-notes.
The default markup for system-separator-markup is defined in ly/titling-init.ly:
slashSeparator = \markup {
On Thu, 4 Mar 2010, David Raleigh Arnold wrote:
So why on earth is conversion from velocity to volume in decibels an
issue? If you are using ppp pp p mp mf f ff fff why convert at all?
Just use velocity. Regards, daveA
That was not the issue being discussed here.
When we are talking about
On 4 March 2010 18:39, Caio Barros wrote:
> Ok, the grid lines seems to align with the NoteHeads, but how do I draw them
> dashed?
There's currently no support for dashed lines, but it's possible to
force grid lines to use a dashed barline via a custom print callback:
#(define-public (grid-line-
That didn't work.
Maybe you are using another incompatible version? I'm using version 2.12.1
But his seems so complicated to me that is better just edit the score in
inkscape or something.
2010/3/4 Neil Puttock
> On 4 March 2010 18:39, Caio Barros wrote:
> > Ok, the grid lines seems to align wi
Martin Tarenskeen a écrit :
On Thu, 4 Mar 2010, David Raleigh Arnold wrote:
So why on earth is conversion from velocity to volume in decibels an
issue? If you are using ppp pp p mp mf f ff fff why convert at all?
Just use velocity. Regards, daveA
That was not the issue being discussed her
That's nice. I didn't saw that, thank you.
2010/3/4 Neil Puttock
> On 4 March 2010 22:36, Caio Barros wrote:
> > yes! that's it.
> > Unfortunately I can't use inside a \markup command. I wanted to use it to
> > separate the end of a score with the foot-notes.
>
> The default markup for system-s
Here is an example of the arpeggio approach (not dashed).
Cheers,
Robin
\version "2.12.3"
#(define (thin-line grob)
(let* (
(pos (ly:grob-property grob 'positions))
(lo-hi (interval-widen pos -1.2))
(thin 0.05))
(make-line-stencil thin 0 (interval-start lo-hi) 0 (interval-end
Eby Mani wrote:
> Is it possible to combine morethan 2 voices using
> \partcombine ?. Did anyone re-write this ?
>
> I have need to combine 3 voices to a single staff, I've
> tried
Don't use \partcombine. Use the "funneling two different
music expressions into one context" trick (see
http://lilyp
Mark Polesky wrote:
> Don't use \partcombine.
Uh, sorry. I spoke too soon. My solution will only work
for entirely homophonic music. Perhaps that's what you
have, but a proper solution would allow different rhythms
simultaneously. I'll think about it. But if anyone else
sees a solution, feel
That looked very nice, but I still think that dashed lines work better
because it is already used by other composers (like Stockhausen to quote a
famous name) and it is not confused with anything else like a barline or a
glissando.
I got my problem solved with other solution, but I still would like
One thing you could do is split up the parts to be combined
into homophonic and polyphonic sections. Depending on the
situation, this may be more work than it's worth, but here's
an example below.
Hope this helps.
- Mark
* * * * * * * * * *
\version "2.12.3"
global = { \time 3/4 }
OrganRHOne
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