more than 2 voices using partcombine

2010-03-04 Thread Eby Mani
Is it possible to combine morethan 2 voices using \partcombine ?. Did anyone re-write this ? I have need to combine 3 voices to a single staff, I've tried ** \new PianoStaff << \context Staff = upper << \context Voice = OrganRHi { \voiceOne \global \OrganR

Re: a \new Score question

2010-03-04 Thread Nicolas Sceaux
Le 3 mars 2010 à 15:04, Werner LEMBERG a écrit : > >> Using a recent development version, it is possible to print the >> ambitus of the whole score on the first system, by slightly adapting >> the example given in >> Documentation/snippets/new/scheme-engraver-ambitus.ly > > Uff. Nothing for th

Slur shapes

2010-03-04 Thread Phil Holmes
If I use the snippet attached, the slur over the notes goes way higher than I'd want and makes the stave spacing in my score poor. I've tried using: \shapeSlur #'(x1 y1 x2 y2 x3 . .x4 y4) [well, actually \shapeSlur #'(0 -2.5 -1 3.5 0 0 0 -2.5) ] but get an error: error: unknown escaped st

Re: Slur shapes

2010-03-04 Thread Neil Thornock
I always use (not tested): \override Slur #'positions = #'(10 . 10) or whatever numbers force the slur to give an acceptable result. On Thu, Mar 4, 2010 at 5:49 AM, Phil Holmes wrote: > If I use the snippet attached, the slur over the notes goes way higher than > I'd want and makes the stave sp

Re: Slur shapes

2010-03-04 Thread Mats Bengtsson
It seems that you have looked at the snippet http://lsr.dsi.unimi.it/LSR/Item?id=639 The command \shapeSlur which is used in this example is not included in LilyPond by default, but is rather defined within the example file itself. To use it, you have to copy the lines from "shapeSlur =" down to

Problem with multiple scores in a book, table of contents and headers.

2010-03-04 Thread Giovanni Roversi
Hello, First of all sorry for my bad english: correct me! I want to improve my english! I'm a bit newbie with Lilypond but I didn't find this in snippets. I'm transcribing the whole "Supper's Ready" suite by Genesis, and I want to achieve a complete book with, on the first page, the "Supper's Read

Re: Slur shapes

2010-03-04 Thread Phil Holmes
Sorry about top-posting - it seems I'm the only Outlook Express user here, and it's lots of hassle to mid-post... Thanks to Mats, Neil and Davis for their help. I got the code from Mats and David working, and it's possible to shape the slurs very elegantly this way. However, to use it I'd have t

Re: Slur shapes

2010-03-04 Thread Mats Bengtsson
Phil Holmes wrote: Sorry about top-posting - it seems I'm the only Outlook Express user here, and it's lots of hassle to mid-post... Thanks to Mats, Neil and Davis for their help. I got the code from Mats and David working, and it's possible to shape the slurs very elegantly this way. Howe

Re: Slur shapes

2010-03-04 Thread Phil Holmes
Phil Holmes wrote: Sorry about top-posting - it seems I'm the only Outlook Express user here, and it's lots of hassle to mid-post... Thanks to Mats, Neil and Davis for their help. I got the code from Mats and David working, and it's possible to shape the slurs very elegantly this way. Howeve

Re: Vertical dashed line conecting notes

2010-03-04 Thread Caio Barros
Ok, the grid lines seems to align with the NoteHeads, but how do I draw them dashed? 2010/2/27 Kieren MacMillan > Hi Caio Barros: > > 1. Try using grid lines: > < > http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Editorial-annotations#Grid-lines_003a-emphasizing-rhythms-and-notes-synch

Re: Vertical dashed line conecting notes

2010-03-04 Thread Caio Barros
And another thing. Is it posible to draw a grid line just once (not above all the notes) ? 2010/3/4 Caio Barros > Ok, the grid lines seems to align with the NoteHeads, but how do I draw > them dashed? > > 2010/2/27 Kieren MacMillan > >> Hi Caio Barros: >> >> >> 1. Try using grid lines: >> < >>

hairpin on a single note

2010-03-04 Thread Mika Kuuskankare
I'd like to notate a crescendo on a single note or chord, ie, c4\<\! which by design does not seem to work. Is there an easier way of doing that than using spacer rests? regards, Mika Kuuskankare ___ lilypond-user mailing list lilypond-user@gnu.

Double slash separating systems

2010-03-04 Thread Caio Barros
Hi, How it's called that double slash used mostly in orchestral music to separate systems and how can I creat those with lilypond? Also, can I create it anywhere with, say, \markup? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: dynamic and midi velocity

2010-03-04 Thread David Raleigh Arnold
On Tuesday 02 March 2010 19:03:26 Peter Chubb wrote: > > "bachelet" == bachelet writes: > > bachelet> any luck finding this script, I'd like to use it, too > > > It was in this mailing list, at > http://www.mail-archive.com/bug-lilyp...@gnu.org/msg03960.html > > Peter C > The velocity is

Re: About Timing_translator

2010-03-04 Thread Philippe Hezaine
Philippe Hezaine a écrit : Philippe Hezaine a écrit : Hi, In the Gigsaw's process I use Timing_translator in midi block like this: \midi { \context { \Score %%%\remove "Timing_translator" tempoWholesPerMinute = #(ly:make-moment 100 4) } \context { \Staf

Re: Double slash separating systems

2010-03-04 Thread Nick Baskin
Section 4.1.2 of the 2.12 notation reference explains how to create that mark, although I'm not sure it has a name fancier than a system separator. On Thu, Mar 4, 2010 at 4:45 PM, Caio Barros wrote: > Hi, > How it's called that double slash used mostly in orchestral music to > separate systems a

Re: Double slash separating systems

2010-03-04 Thread Caio Barros
yes! that's it. Unfortunately I can't use inside a \markup command. I wanted to use it to separate the end of a score with the foot-notes. 2010/3/4 Nick Baskin > Section 4.1.2 of the 2.12 notation reference explains how to create that > mark, although I'm not sure it has a name fancier than a sy

Re: Double slash separating systems

2010-03-04 Thread Neil Puttock
On 4 March 2010 22:36, Caio Barros wrote: > yes! that's it. > Unfortunately I can't use inside a \markup command. I wanted to use it to > separate the end of a score with the foot-notes. The default markup for system-separator-markup is defined in ly/titling-init.ly: slashSeparator = \markup {

Re: dynamic and midi velocity

2010-03-04 Thread Martin Tarenskeen
On Thu, 4 Mar 2010, David Raleigh Arnold wrote: So why on earth is conversion from velocity to volume in decibels an issue? If you are using ppp pp p mp mf f ff fff why convert at all? Just use velocity. Regards, daveA That was not the issue being discussed here. When we are talking about

Re: Vertical dashed line conecting notes

2010-03-04 Thread Neil Puttock
On 4 March 2010 18:39, Caio Barros wrote: > Ok, the grid lines seems to align with the NoteHeads, but how do I draw them > dashed? There's currently no support for dashed lines, but it's possible to force grid lines to use a dashed barline via a custom print callback: #(define-public (grid-line-

Re: Vertical dashed line conecting notes

2010-03-04 Thread Caio Barros
That didn't work. Maybe you are using another incompatible version? I'm using version 2.12.1 But his seems so complicated to me that is better just edit the score in inkscape or something. 2010/3/4 Neil Puttock > On 4 March 2010 18:39, Caio Barros wrote: > > Ok, the grid lines seems to align wi

Re: dynamic and midi velocity

2010-03-04 Thread Philippe Hezaine
Martin Tarenskeen a écrit : On Thu, 4 Mar 2010, David Raleigh Arnold wrote: So why on earth is conversion from velocity to volume in decibels an issue? If you are using ppp pp p mp mf f ff fff why convert at all? Just use velocity. Regards, daveA That was not the issue being discussed her

Re: Double slash separating systems

2010-03-04 Thread Caio Barros
That's nice. I didn't saw that, thank you. 2010/3/4 Neil Puttock > On 4 March 2010 22:36, Caio Barros wrote: > > yes! that's it. > > Unfortunately I can't use inside a \markup command. I wanted to use it to > > separate the end of a score with the foot-notes. > > The default markup for system-s

Re: Vertical dashed line conecting notes

2010-03-04 Thread Robin Bannister
Here is an example of the arpeggio approach (not dashed). Cheers, Robin \version "2.12.3" #(define (thin-line grob) (let* ( (pos (ly:grob-property grob 'positions)) (lo-hi (interval-widen pos -1.2)) (thin 0.05)) (make-line-stencil thin 0 (interval-start lo-hi) 0 (interval-end

Re: more than 2 voices using partcombine

2010-03-04 Thread Mark Polesky
Eby Mani wrote: > Is it possible to combine morethan 2 voices using > \partcombine ?. Did anyone re-write this ? > > I have need to combine 3 voices to a single staff, I've > tried Don't use \partcombine. Use the "funneling two different music expressions into one context" trick (see http://lilyp

Re: more than 2 voices using partcombine

2010-03-04 Thread Mark Polesky
Mark Polesky wrote: > Don't use \partcombine. Uh, sorry. I spoke too soon. My solution will only work for entirely homophonic music. Perhaps that's what you have, but a proper solution would allow different rhythms simultaneously. I'll think about it. But if anyone else sees a solution, feel

Re: Vertical dashed line conecting notes

2010-03-04 Thread Caio Barros
That looked very nice, but I still think that dashed lines work better because it is already used by other composers (like Stockhausen to quote a famous name) and it is not confused with anything else like a barline or a glissando. I got my problem solved with other solution, but I still would like

Re: more than 2 voices using partcombine

2010-03-04 Thread Mark Polesky
One thing you could do is split up the parts to be combined into homophonic and polyphonic sections. Depending on the situation, this may be more work than it's worth, but here's an example below. Hope this helps. - Mark * * * * * * * * * * \version "2.12.3" global = { \time 3/4 } OrganRHOne